Will Watson “Golden Time of Day”

Freight + Volume (39 Lispenard St.)

[Image: Will Watson "Backyard Pool Party" (2023) Oil, Oil Stick and 18k Gold Leaf Ink on canvas, 60h x 96w in.]

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Freight + Volume presents Golden Time of Day, an exhibition of new paintings by Will Watson. Golden Time of Day.

Color cuts into the substance of Will Watson’s works like an emanation. Across the paintings featured in Golden Time of Day, this source is twofold. On the one hand, Watson delights in mingling colorations from across the spectrum. From warm tones to cool, he creates surfaces which feel simultaneously dream-like and iconic. On the other hand, Watson’s eye for color doesn’t eschew the racialized connotations of the term. His paintings depict persons of color—especially families and youth—with a joyful regard that doesn’t preclude the realities of systemic injustice, or the dormant potentials that form the hallmark of many American lives.

Will Watson, Silence Is The Way Of The Sunset, 2021, Oil and Oil Stick on Canvas, 60h x 48w in
The air of intimacy communicated through Watson’s canvases only partially derives from allusions to historical contexts. Often enough, the authentic meaning of his works only unlocks itself in connection with the titles attached to them. In Silence Is the Way of the Sunset, for instance, what initially reveals itself to the viewer is the sheer iconicity of the painting. Four figures rest foregrounded against a backdrop replete with social significance. From the figures gardening, or just going about their day—everything has a socially constructe meaning about it. But the artistry of the work falls outside the province of sociology.

Merry Go-Round (Freestyle) encapsulates this spirit entirely. At once realistic and abstract, detailed and simplistic, the emotions expressed through the painting are motivated by memory as much as imagination. However fanciful the setting might appear, remembered experiences form the essential substrate of the work. There’s a greater context implied by the perspective Watson has chosen to recreate—as though nostalgia could unburden itself of any vestiges of sorrow and render present the joyful essence of what it fixes in the past. The suggestion of there being more than what is given to the eye lends the paintings a kind of tranquildepth: it doesn’t shock, but rather guides viewers towards recognitions they’re already familiar with.

Golden Time of Day showcases how a painting practice is able to realize a universal message rooted in equality. Visually communicating the necessity of creative life to be rooted in identity, the understated way naturalism plays into Watson’s urban tableaux gives way to the real meat underlying his artistry. Less idiosyncratic than universally intelligible, Watson’s paintings reflexively provoke their own commentary, rendering the themes evinced in his work a sort of enchanted suppleness. His work recalls an entire secret history, condensed into the space of corpuscular skies and gilded clouds.

Will Watson (b. 1987) received his MFA in Painting from The Maryland Institute College of Art in the LeRoy E. Hoffberger School of Painting (2018) and his Bachelors of Fine Arts from Indiana University’s Herron School of Art and Design (2011). He is a 2016-18 Leslie King Hammon Graduate Fellowship recipient and a Merit Grant recipient in 2016 and 2019. In 2022, he participated in the NADA House residency on Governor’s Island, NY. His work has been exhibited at numerous galleries in New York City, Chicago, Washington, D.C., and New England, including the Curtiss Jacobs Gallery in Harlem, NY, The Maryland Institute College of Art in Baltimore, MD, Pepco Edison Place Gallery in Washington D.C., and Hunter Gallery in Middletown, RI. He lives and works in Baltimore, MD, and Brooklyn, NY.