Betbeze, Brand, Jackson Hutchins, and Tonsfeldt Exhibition

Mitchell-Innes & Nash (534 W 26th St.)

poster for Betbeze, Brand, Jackson Hutchins, and Tonsfeldt Exhibition

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Mitchell-Innes & Nash presents a four-person exhibition featuring Anna Betbeze, Josh Brand, Jessica Jackson Hutchins, and Josh Tonsfeldt. Josef Albers wrote that “the origin of art [is] the discrepancy between physical fact and psychic effect.”1 For these four artists, physical fact is a starting point– from Josh Brand’s reliance on the simple interaction between objects, light and chemicals in the darkroom, to Anna Betbeze’s use of pre-existing shag rugs as ‘canvas;’ from Josh Tonsfeldt’s reconfigured shipping pallets that have traveled through a cargo supply chain, to Jessica Jackson Hutchins’s sculptures with household furniture that has accrued years of wear and tear. Each artist works at the margins of genre, and each allows an element of chance or material history to affect surface, substituting the physical memory of the source material for the deliberate gesture. There is an experimental quality to their work: a mad-scientist approach that yields curious, enigmatic results. Despite their reliance on “givens” from chemical, industrial, or physical processes beyond their control, each of them imbues their work with a peculiarly hand-wrought and human quality.

Josh Brand uses photographic processes to create unique objects that often do not read as photographs. He reworks them with ink and mixed media until their origin in the photographic realm is barely discernible. Anna Betbeze paints – and burns, cuts, and tears – on Flokati rugs. These shaggy, unwieldy surfaces evoke wildness more than domesticity, and Betbeze’s controlled interventions only exaggerate their inherently unruly quality. Jessica Jackson Hutchins also uses domestic objects that take on a new life in her Frankensteinian sculptures. A chair, couch, or piano retains its well-used character, especially when fused with one of Hutchins’s roughly-shaped ceramic vessels and smeared with paint or papier maché. Josh Tonsfeldt’s pallet pieces reveal the marks and painterly variations that develop through time and use within what are meant to be identical, modular objects. Tonsfeldt repositions these objects, at times incorporating additional images, to command sustained attention and invest them with new meaning.

Anna Betbeze lives and works in New York City. She was the subject of a recent solo show at Mass MoCA in North Adams, Massachusetts.

Josh Brand lives and works in Brooklyn, New York. He has had solo shows at White Columns in New York, 2007 and Herald St. in London, 2009, and was included in the 2010 Whitney Biennial.

Jessica Jackson Hutchins lives and works in Berlin, Germany. She was the focus of solo shows at the ICA Boston and Atlanta Center for Contemporary Art in 2012, and was also included in the 2010 Whitney Biennial.

Josh Tonsfeldt lives and works in Brooklyn, NY. He has had solo exhibitions at Simon Preston gallery, New York, and Franco Soffiantino in Turin.

[Image: Jessica Jackson Hutchins "Seed Pod" (2011) Monoprint with acrylic, cups, paper pulp, papier-mâché and spray paint, 53 1/4 by 54 1/2 by 5 1/2 in.]

Media

Schedule

from January 17, 2013 to February 23, 2013

Opening Reception on 2013-01-17 from 18:00 to 20:00

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