Richard Evans “AMHHA”

Southfirst

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Fanagalo (2011) is a series of six framed photographs of sculptures. The objects resemble Surrealist sculptures or African ceremonial objects. Their presentation echoes early-Twentieth century photography of Modernist sculpture like that of Giacometti or Jean Arp; small, black-and-white photographs in tight black frames, setting off moodily lit fetish objects. The title comes from the pidgin language used as a lingua franca in South African gold, diamond, and copper mines. A complementary series, Objcts (2011), feature in three color photographs similar quasi-Surrealist sculptures which reference Max Ernst maquettes.

Another sculptural series is loosely grouped around the theme of sound. It features guitar strings threaded through fine art materials: a block of alabaster, a concrete box. The works reference Picasso’s guitar collages and some of the play and metaphorical material explorations of synthetic cubism. IIII_Interior (2011) highlights the vibratory potential of material like Perspex, plasteline and dust. Some sculptures are studies in contrasts, such as Zzwik2’s (2011) collapsed polyurethane rubber on a steel armature; other pieces utilize materials with metaphorical implications, such as aspirin, talcum powder, and Vaseline, or subvert expectations of materials, such as rubber reliefs of wood.

Evans’s explorations seem nostalgic for a between-the-wars Modernist style, referencing names and exhibition strategies from the 1930s. Yet the show also playfully reworks materials, imaginary systems, and anti-form tactics.

Media

Schedule

from October 07, 2011 to November 06, 2011

Artist(s)

Richard Evans

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