Mohammad Omer Khalil "You Don't Have to Be"

Skoto Gallery

poster for Mohammad Omer Khalil "You Don't Have to Be"

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Skoto Gallery is pleased to present “You don’t have to be…”, an exhibition of recent mixed media work by the Sudanese-born artist Mohammad Omer Khalil. This will be his third solo exhibition at the gallery. The reception is on Thursday, April 17th, 6-8pm, and the artist will be present.

Mohammad Omer Khalil’s recent work speaks a multilayered language that is at once personal and full of thoughtful inclusion. As one of the country’s best known master printmaker, he effectively translates aspects of the subtle textures and sophisticated tonalities that are characteristics of his etchings into lucid formal explorations. His use of a wide range of materials, styles, and techniques reflects a longstanding commitment to extracting textured patterns and images from his immediate environment which he combines with an innate ability to construct compositions of detailed sophistication and surface qualities. There is no hierarchy of images – the path of visual exploration for each composition is of our own choosing, and the viewer interprets the progression of images as though reading a language system.

While the images and objects selected for inclusion within these compositions may not be personally symbolic, they do reveal much about some of society’s socio-political and cultural issues of our time with the use of advertising posters from the 1960s by Levy’s Real Jewish Rye. The exhibition title, “You don’t have to be…” was excerpted from these iconic posters that were seen throughout the NYC subway system with the slogan - “You don’t have to be Jewish to love Levy’s.” This landmark advertising campaign on racial discourse in America broke many old rules and set new standards while engaging the viewer in a political debate against the backdrop of the product. Although each poster had the same simple copy, the image of an ordinary person changed every few weeks – the young African American boy, the smiling Asian gentleman, the Native American man, and the Italian woman – each startlingly incongruous with the ethnic concept of the product. “This for me was incredible,” says Khalil. Thus, by presenting us with a series of signs that encourage multiple readings, the artist takes us on a dip in the pool of social memories, associations and mental permutations.

[Image: Mohammad Omer Khalil “You don t have to be...IV” (2003) Mixed media on canvas 62x52 in.]

Media

Schedule

from April 17, 2008 to May 04, 2008

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