NYAB News in Brief: Carrier Pigeon has Landed

Carrier Pigeon provides artists with a venue for telling stories in an undisturbed environment by offering the chance to show full bodies of work in an environment of unconditional artistic freedom in both direct subject matter and the interpretation of text

In In the News by Amanda Scigaj 2010-11-19 print

This Friday brings the advent of a new source for the arts in New York; although celebrated at the Blackburn gallery in Midtown, it’s not a new physical space. A collection of artists running the gamut of mediums; printmaking, design, drawing, and writing have come together under the flag of Carrier Pigeon, a quarterly artist-driven publication that shrugs off the conventions of both the gallery and magazine world, in favor of creative freedom direct to the consumer.

This is no easy task, as trade publications have the shelf life shorter than a carton of milk these days, but Carrier Pigeon seems up for the challenge. The small and dedicated staff, helmed by artist Russ Spitkovsky have created an extensive website to promote their publication and the artists within each issue, a network of sponsors and donors have emerged from their tireless fundraising through silent auctions and other events. Organizations such as Blackburn Printmaking Workshop, The New York Society of Etchers, The Chelsea Wine Vault, Daydream Silkscreen and William Maxwell Fine Arts have consistently supported the publication’s development.

It’s this kind of backing and motivation that sets Carrier Pigeon apart, and allows it to go where other arts publications haven’t. “By giving full creative control to the artists, illustrators, designers and writers, this magazine hopes to level the conventional perception of the singularity of each artistic discipline,” said Spitkovsky in their winter 2011 masthead. “Carrier Pigeon provides artists with a venue for telling stories in an undisturbed environment by offering the chance to show full bodies of work in an environment of unconditional artistic freedom in both direct subject matter and the interpretation of text.”

Taking a look at the first issue, you see an extensive, detailed work that doesn’t skimp on quality. Full-color illustrations by established illustrators and print makers appear alongside text. Within each issue are a collection of six fictional stories accompanied by illustrations made by different artist, created from their own interpretation of the content. In addition, six artist portfolios will be featured with their statement of intent. The issue is carefully curated and put together; right down to the production process. Although sometimes darker and subversive in subject matter, Carrier Pigeon doesn’t want to appeal to a niche market. It seems that Carrier Pigeon wants to merge the two ideas of art and commercial publication and create something entirely opposite of what their conventions are; by making a high-quality magazine that features literary and visual art side-by-side, unencumbered by editing to the advertiser’s whim, it’s a whole different animal.

The Carrier Pigeon Issue #1 release party is tonight, November 19th, 7 PM at the Blackburn 20/20 Gallery-323 W. 39th Street, 5th floor.

Amanda Scigaj

Amanda Scigaj. Amanda Scigaj grew up in Buffalo, New York certain that football ruined her childhood. Since moving to Brooklyn in 2007 she helped build DIY venue Bodega, ran art shows, and became music editor for libertine publication Chief Magazine. She currently splits her time between the production department of a publishing company, and as a freelance writer. In her free time she likes to record hunt, learn random factual information, and is really trying to finish that Robert Moses biography. » See other writings

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