<?xml version="1.0"?>
<Events>
 <Event xml:lang="en" id="2010/1416" href="http://www.nyartbeat.com/event/2010/1416">
  <Name>Ursula von Rydingsvard &quot;ERRĀTUS&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/F6303922">
    <Name>Galerie Lelong</Name>
    <Type>Gallery</Type>
    <Address>528 W 26th St., New York, NY 10001</Address>
    <Phone>212-315-0470</Phone>
    <Fax>212-262-0624</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street.</Access>
    <Area areaId="chelsea_26">Chelsea 26th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[In her sixth solo exhibition at Galerie Lelong, Ursula von Rydingsvard will present three new monumental works that exemplify the artist as a sculptor in full command of her craft, further developing the vocabulary that she has so thoroughly honed: abstract, architectural forms composed of accretions of wood.  Each of the three works-Bride's Veil, Unraveling, and Blackened Word-is tightly composed around a structured center and unfurls into a more complex, expansive configuration. ERRĀTUS - &quot;wandering&quot; or &quot;roaming&quot; in Latin - will open to the public on March 18th from 6 to 8 pm. The artist will be present.
 
One of von Rydingsvard's recurrent themes is the juxtaposition of organic and structural forms, transforming massive undertakings of carving and building with dense materials into elegant figures expressive of movement and gesture.  Roughly cut pieces of cedar are joined and form an intricate, sensual surface.  von Rydingsvard's figures often allude to everyday objects found in the home, such as a bowl, bonnet, or staircase-simple, universal pieces that are deeply imbued with humanity.
 
For ERRĀTUS, von Rydingsvard has created three epic works in cedar, each remarkable in its vast scale and vision.  Bride's Veil rises up from the floor, unfolding into rhythmic waves.  Under von Rydingsvard's hand, the cedar feels fluid, like fabric.  In Blackened Word, slight tracings serve as the foundation for a nearly seven-foot tall freestanding structure-the tentative handwriting of an elderly woman was laid on the floor, from which von Rydingsvard built upward to create a towering, undulating wall.  The third work in the exhibition, Unraveling, is an elaborate, overwhelming wall &quot;drawing&quot; in cedar.  The largest and most complex among von Rydingsvard's works hung on the wall, features cup-like shapes that protrude and extend downward, forming a giant's drapery.  In ERRĀTUS, von Rydingsvard displays her natural agility in drawing the intimacy, grace, and emotion out of the most primal of elements.
 
Concurrent with ERRĀTUS is the installation of a new work at Storm King Art Center in Mountainville, New York, commissioned for the sculpture park's 50th anniversary in April.  Also opening in April is the new addition to the North Carolina Museum of Art, at which another outdoor commission by von Rydingsvard, entitled Ogromna, will be unveiled.  In 2011, the Sculpture Center, New York, will present a major retrospective of von Rydingsvard's work.  The exhibition will later travel to the deCordova Museum and Sculpture Park, Lincoln, Massachusetts; in 2008, the deCordova presented von Rydingsvard with its renowned Rappaport Prize. 

[Image: Ursula von Rydingsvard &quot;Bride's Veil (detail)&quot; (2008) Cedar, graphite]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/1416-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/1416-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/1416-170" width="170" />
  <Karma>1.44841</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>44</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749925</Latitude>
  <Longitude>-74.003667</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/229F" href="http://www.nyartbeat.com/event/2010/229F">
  <Name>Chris Coffin &quot;Montauk&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/74C7ECF2">
    <Name>Mixed Greens Gallery</Name>
    <Type>Gallery</Type>
    <Address>531 W 26th St., New York, NY 10001</Address>
    <Phone>212-331-8888</Phone>
    <Fax></Fax>
    <Access>Between 10th and 11th Avenue. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_26">Chelsea 26th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>Open 11:00-18:00 on Saturday</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Mixed Greens announces a site-specific window installation by Chris Coffin. He will use Mixed Greens’ exterior windows to create one large, glowing Duratrans piece depicting the undulating coastline of Montauk. 

The water has always inspired Chris Coffin. Influenced by his childhood on Long Island and his background as a lifeguard, swimmer and surfer, his overall body of work is comprised of a wide variety of media including photography, video, installation, performance and drawing. For his window installation, Coffin expands upon a current drawing series, Islands and Coastlines, in which he depicts the water’s edge in rippling, repetitive graphite lines reminiscent of waves, seismic maps and electrocardiograms. 

In order for Coffin to draw an area, he must have first experienced that stretch of coastline either by swimming, kayaking or surfing the distance. The final drawing, which appears as a bird’s eye view, is in fact tracing the artist’s path. It documents his personal connection to the water and the space where ocean meets land. He uses the languages of science, cartography and technology to create relationships with nature while addressing his own autobiographical history and geography.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/229F-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/229F-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/229F-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-28</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>71</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749975</Latitude>
  <Longitude>-74.003653</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/230C" href="http://www.nyartbeat.com/event/2010/230C">
  <Name>Zeng Han &quot;Cool Shanshui + Soul Stealer&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/03A13A09">
    <Name>Gallery 456 in Chinese-American Arts Council</Name>
    <Type>Gallery</Type>
    <Address>456 Broadway, 3 Fl., New York, NY 10013</Address>
    <Phone>212-431-9740</Phone>
    <Fax>212-431-9789</Fax>
    <Access>Between Grand and Howard St.. Subway: N/R/4/5/6/A/C/E/J/M/Z to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>17:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="1" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[The series of Cool Shanshui is Zeng Han's way of observation and consideration to Chinese traditional landscape painting, at the same time the outcome of his observing and describing the contemporary &quot;Shanshui&quot; while using the product of western science and culture: photography. 

&quot;Soul Stealer&quot; is a mysterious four-part series of portraits and landscapes, evaluating a theatrical and spiritual connection of modern and traditional role play between characters in ancient Chinese operas and those of global popular culture. The Soul Stealer series are: Part I: &quot;Landplay&quot; (from Anshun, Guizhou Province), Part II: &quot;Cosplay&quot; (Shenzhen), Part III:&quot;Mulian Opera&quot; (Shaoyang, Hunan Province), and Part IV: &quot;World of Warcraft&quot;(Chongqing).]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/230C-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/230C-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/230C-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-07</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>20</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.720669</Latitude>
  <Longitude>-74.000775</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/29E3" href="http://www.nyartbeat.com/event/2010/29E3">
  <Name>Julian Montague &quot;Secondary Occupants Collected &amp; Observed&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/A7A85009">
    <Name>Black &amp; White Project Space</Name>
    <Type>Gallery</Type>
    <Address>483 Driggs Ave., Brooklyn, NY 11211</Address>
    <Phone>718-599-8775</Phone>
    <Fax>718-599-8798</Fax>
    <Access>Corner of N 10th St.  Subway: L to Bedford Avenue</Access>
    <Area areaId="williamsburg">Williamsburg</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Until Spring 2009, by appointment only. </ScheduleNote>
  </Venue>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Secondary Occupants Collected &amp; Observed installation will occupy both the indoor and outdoor spaces and includes multiple aspects of animal/architecture engagement. The point of departure for the new work is investigation of the way in which animals (vertebrate and invertebrate) play a part in physically and conceptually transforming interior spaces into exterior ones. For this project, Montague collected and analyzed the types of insects and other pests that move into abandoned properties. In documenting his findings, the artist notes, “When investigating a Decay Community it is important to make a distinction between animals that have come to an abandoned structure by accident and those that spend a significant portion of their lifecycle in or on the structure. It is also important to note that not all members of a Decay Community directly contribute to the structural weakening of a building; they dismantle it by transforming it from an interior space into an exterior one.” Both the indoor and outdoor portions of the installation will feature graphic icons of animal occupiers suspended by a network of long white strings attached to elaborate maps and diagrams of houses and buildings in the indoor gallery and a rotting garden shed in the outdoor gallery.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/29E3-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/29E3-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/29E3-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-05-28</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-20" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>71</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.718497</Latitude>
  <Longitude>-73.954778</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/2B1D" href="http://www.nyartbeat.com/event/2010/2B1D">
  <Name>James Welling &quot;Glass House&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/4E0C8908">
    <Name>David Zwirner</Name>
    <Type>Gallery</Type>
    <Address>525 W 19th St., New York, NY 10011</Address>
    <Phone>212-727-2070</Phone>
    <Fax>212-727-2072</Fax>
    <Access>Between 10th Ave. and West Side Expressway. C/E to 23rd Street or A/C/E to 14th Street or L to 8th Avenue.</Access>
    <Area areaId="chelsea_19_below">Chelsea 14th - 19th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/2B1D-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/2B1D-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/2B1D-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-24</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-24" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.745461</Latitude>
  <Longitude>-74.006464</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/32BA" href="http://www.nyartbeat.com/event/2010/32BA">
  <Name>&quot;Japanese Paintings and Works of Art 2010&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/C1D1ED60">
    <Name>Erik Thomsen LLC Asian Art</Name>
    <Type>Gallery</Type>
    <Address>44 E 74th St., New York, NY 10021</Address>
    <Phone>212-288-2588</Phone>
    <Fax>212-535-6787</Fax>
    <Access>Between Park and Madison Aves. Subway: 6 to 77th Street</Access>
    <Area areaId="upper_east_side">Upper East Side</Area>
    <OpeningHour>13:00:00</OpeningHour>
    <ClosingHour>17:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>3D: Crafts</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/32BA-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/32BA-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/32BA-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-04-30</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="17:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>43</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.772808</Latitude>
  <Longitude>-73.96415</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/3376" href="http://www.nyartbeat.com/event/2010/3376">
  <Name>Mark Schubert &quot;White Cave and Vertical Clouds&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/69A0DBC5">
    <Name>Monya Rowe Gallery</Name>
    <Type>Gallery</Type>
    <Address>504 W 22nd St., 2nd Fl., New York, NY 10011</Address>
    <Phone>212-255-5065</Phone>
    <Fax></Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_22">Chelsea 22nd</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[For this exhibition, Schubert has created a large-scale sculpture titled White Cave(2010) comprised of mostly found wood, debris, plaster, and burlap. As the title suggests, the sculpture itself emulates the shape of a cave, where upon viewers can actually step in to an empty white space with only electrical lights. This calm, yet claustrophobic, area is a contrast to the outside of the structure, which is chaotic, clumsy and precarious. Wood pieces are aggressively nailed together in-between improvised bulbous hand-sculpted abstract forms made from plaster. The twisting and reconfiguring creates tension and anxiety while the inside is a safe-haven - an escape.  

Accompanying White Cave (2010) is a series of sculptural paintings titled Vertical Cloud (2009). Here, Schubert invites the viewer’s eye to engage directly with the surface material on a more intimate level. Comprised of resin, enamel and acrylic on burlap the paintings contain hand-sculpted forms that act as the paint itself. Reminiscent of clouds, these white shapes set against various bright hues, are deliberately goofy, yet careful and spirited, giving the paintings their own strange aesthetic resonance. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/3376-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3376-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3376-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-15</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>58</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.747076</Latitude>
  <Longitude>-74.00513</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/37DF" href="http://www.nyartbeat.com/event/2010/37DF">
  <Name>Joseph Smolinski &quot;Beginning Of The End&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/74C7ECF2">
    <Name>Mixed Greens Gallery</Name>
    <Type>Gallery</Type>
    <Address>531 W 26th St., New York, NY 10001</Address>
    <Phone>212-331-8888</Phone>
    <Fax></Fax>
    <Access>Between 10th and 11th Avenue. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_26">Chelsea 26th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>Open 11:00-18:00 on Saturday</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>3D: Sculpture</Media>
  <Media>Screen: Video installation</Media>
  <Description><![CDATA[Mixed Greens presents Joseph Smolinski’s second solo exhibition with the gallery.  He will exhibit drawing, sculpture, and video related to the environment and the power struggles between nature and technology.

This new body of work marks the expansion of Smolinski’s focus.  Over the past few years, Smolinski created a world in which cellular communication towers disguised as trees infiltrated the landscape. There, technology proved victorious through these hybrid forms.  In the new works, Smolinski visualizes a turning of the tide, where animals and nature play more active roles in their fate.

A new series of drawings, titled Disconnected, directly pits animals against the parasitic cell-tower trees. Here Smolinski envisions a time when the animals decide to reclaim their habitats. And in related projects such as Taking Back the Jetty and Cemetery (no doubt influenced by oil companies' recent attempts to exploit the site of Robert Smithson's Spiral Jetty), Smolinski questions both the history and preservation of art and the environment as we exhaust our supply of cheap fuel.

Finally, in an installation titled Broken Bough, a tree limb with an attached cell tower seems to have crashed through the gallery wall.  Still blinking, the tower appears a casualty, struggling to survive; it’s metal leaves wilted and crumbling.

Beginning of the End brings these projects together to reflect on our current interactions with the landscape. It poses questions related to our constant struggle to control the environment and imagines an optimistic, though sometimes apocalyptic, view of the future.

Joseph Smolinski lives and works in New Haven, CT.  He received his BFA from the University of Wisconsin and his MFA from the University of Connecticut, Storrs (2001).  In 2009 alone, he was featured in eleven exhibitions. Group exhibition venues include Diverse Works in Houston, TX (2009); MASS MoCA, North Adams, MA (2008/2009); the Aldrich Museum of Contemporary Art, Ridgefield, CT (2004, 2008); McDonough Museum of Art, Youngstown, OH (2007); the Wadsworth Athenaeum Museum of Art, Hartford, CT (2007); The Cleveland Institute of Art (2005); and the Yale University School of Art, New Haven, CT (2004). Solo exhibition venues include Swarm Gallery in Oakland, CA (2009); Seton Gallery at the University of New Haven in CT (2009); Real Art Ways in Hartford, CT (2006); and ArtSpace in New Haven, CT (2004). His first solo exhibition in New York City was at Mixed Greens in 2007.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/37DF-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/37DF-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/37DF-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749975</Latitude>
  <Longitude>-74.003653</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/3B24" href="http://www.nyartbeat.com/event/2010/3B24">
  <Name>Erika deVries &quot;An Enlarged Heart&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/9BF2AE29">
    <Name>MIYAKO YOSHINAGA art prospects</Name>
    <Type>Gallery</Type>
    <Address>547 W 27th St., 2 Fl., New York, NY 10001</Address>
    <Phone>212-268-7132</Phone>
    <Fax>212-268-7132</Fax>
    <Access>Between 10th and 11th St. Subway: A/C/E to 34th Street or C/E to 23rd Street</Access>
    <Area areaId="chelsea_27">Chelsea 27th</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>By appointment only in August. </ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>2D: Photography</Media>
  <Description><![CDATA[An Enlarged Heart takes language and light as central forms and metaphor with new works in neon, lenticular, photo etching, and embroidery. The exhibition is accompanied by a series of public events and performances.
 
deVries' work is narrative and responds to cyclical transformations from girlhood, womanhood, and motherhood. The present exhibition incorporates the rhythms of daily living while exploring the nature of presence and absence. An Enlarged Heart draws on textual works in the artist's six-year old son's hand, as he copies phrases dictated by his mother.  Rendered in neon, these transcriptions crystallize the moments when language and meaning coalesce. &quot;Infinite Capacity&quot; and &quot;For Goodness Sake&quot; also appear in a series of collaborative drawings with her son embroidered on tea towels. deVries writes, &quot;New words and their meanings, movements, skills, and experiences are part the parent's every day parade. I am staggered by each moment's fullness then disappearance. I re-learn the power of words as my children work towards literacy.&quot;
 
Continuing her use of lenticular photography and exploring new fabrications transforming her photographic imagery, deVries matches the triumph of language acquisition with the reconciliation of loss including that of a family friend who died from complications due to an enlarged heart. Other works document marigold-dying processes, household compost, and seasonal shifts. In a photo etching created at Ten Grand Press, Victorian writing exercises and a mobile device's chat simultaneously explore how writing is communication both shared and internal.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/3B24-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3B24-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3B24-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.750789</Latitude>
  <Longitude>-74.003658</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/3EEF" href="http://www.nyartbeat.com/event/2010/3EEF">
  <Name>&quot;Barnstormers&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/2456A56F">
    <Name>Joshua Liner Gallery</Name>
    <Type>Gallery</Type>
    <Address>548 West 28th St., 3rd Fl., New York, NY 10001 </Address>
    <Phone>212-244-7415 </Phone>
    <Fax>212-244-7416</Fax>
    <Access>Between 10th and 11th Ave. Subway: A/C/E to 34th Street or C/E to 23rd Street</Access>
    <Area areaId="chelsea_28_above">Chelsea 28th - 33rd</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>3D: Installation</Media>
  <Media>Screen: Video installation</Media>
  <Description><![CDATA[Joshua Liner Gallery presents the New York/Tokyo-based collective the Barnstormers in their first group exhibition at the gallery. With thirty-five artists featured, this is the largest exhibition to date at Joshua Liner, which will double its gallery space temporarily to accommodate the special event. Expanding to host the collective’s full spectrum of art practices, the gallery will show individual works in painting, printmaking, photography, video, installation, and other mediums.

Over the past decade, the Barnstormers have created large-scale collaborative paintings, films, and performances. The group formed in 1999 after a pilgrimage of twenty-five artists to the rural town of Cameron, North Carolina, where they painted barns, tractor-trailers, shacks, and farm equipment, and continue to return to paint new murals. The Barnstormers’“motion paintings” best demonstrate the range and flexibility of their collaboration: each time- lapse video depicts a mural in the making as members dart about, adding and effacing marks, evolving the image with each passing second. A 2005 project included the disassembly/relocation/reassembly of a barn captured on video in a time-lapse flurry of activity. Improvisation, in spirit and practice, is the Barnstormer ethos.
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/3EEF-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3EEF-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3EEF-170" width="170" />
  <Karma>1.7353</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.751297</Latitude>
  <Longitude>-74.003361</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/40BD" href="http://www.nyartbeat.com/event/2010/40BD">
  <Name>Bill Albertini &quot;Space Frame Redux&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/E5EAB56F">
    <Name>Martos Gallery</Name>
    <Type>Gallery</Type>
    <Address>540 W 29th St., New York, NY 10001</Address>
    <Phone>212-560-0670</Phone>
    <Fax>212-560-0671</Fax>
    <Access>Between 10th and 11th Ave. Subway: A/C/E to 34th Street Penn Station.</Access>
    <Area areaId="chelsea_28_above">Chelsea 28th - 33rd</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Other</Media>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[Albertini will be showing two new series of works: a group of sculptures fabricated in ABS plastic using the &quot;fused deposition modeling&quot; process and also several wall mounted, digitally printed, paper collages. Both the sculptures and the collages are developed on the computer using 3D modeling programs.

As with previous work Albertini references art history filtered by personal memory. In both these new series he appropriates a long out of favor modernist device: the &quot;Space Frame&quot;, most notably employed by Giacometti and Bacon.

Albertini notes that, not coincidentally, the computer display or &quot;view port&quot; also functions as a space frame. This becomes apparent in the collages which are comprised of a series of multiple screenshots from the computer display and then recombined in a way that equates with the fractured, time lapse vision of Duchamp's &quot;Nude Descending the Staircase&quot; as well as his acknowledged photographic sources, the works of Etienne-Jules Marey and Eadweard Muybridge.

Bill Albertini, originally from Ireland, lives and works in New York. He has exhibited regularly in Europe and the United States, including: &quot;Mergers and Acquisitions&quot; at The Center for Contemporary Art in Atlanta, Georgia, and &quot;The End(s) of Photography&quot; at the McDonough Museum of Art. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/40BD-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/40BD-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/40BD-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-20" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.751928</Latitude>
  <Longitude>-74.002611</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/45CC" href="http://www.nyartbeat.com/event/2010/45CC">
  <Name>Marlene Dumas &quot;Against the Wall&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/4E0C8908">
    <Name>David Zwirner</Name>
    <Type>Gallery</Type>
    <Address>525 W 19th St., New York, NY 10011</Address>
    <Phone>212-727-2070</Phone>
    <Fax>212-727-2072</Fax>
    <Access>Between 10th Ave. and West Side Expressway. C/E to 23rd Street or A/C/E to 14th Street or L to 8th Avenue.</Access>
    <Area areaId="chelsea_19_below">Chelsea 14th - 19th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[David Zwirner announces Against the Wall, the first solo exhibition by Marlene Dumas since the artist joined the gallery in 2008. The exhibition features new works from 2009 and 2010. Known for her unique approach to canvas and her thought-provoking subject matter, Marlene Dumas is widely considered one of today’s most important painters. Her work is characterized 
by a sensual and gestural technique that is also swift, dry, and minimal, as if under pressure to leave only what is necessary.  
While she lives and works in The Netherlands, the artist was  born and raised in South Africa, and her paintings have often drawn from her own experiences of living with apartheid. For over thirty years, Dumas has merged political discourse,  personal experience, and art historical references in a richly layered body of work. Her paintings integrate complex themes— ranging from segregation, eroticism, or, more generally, the politics of love and war—to explore how image-making is implicitly involved not only in the cultural processes of objectification, but also in the way in which events are documented  and collectively understood. Dumas’s practice is often based upon the translation of found imagery and explores the tension between the photographic documentation of reality and the constructed, imaginary space of painting. The works in this exhibition 
have evolved primarily from media imagery and newspaper clippings documenting Israel and Palestine. However, Dumas’s  representations acknowledge universal themes of instability, isolation, and the lack of communication, while moreover addressing the medium of painting as such. The titles of these works (among them Under Construction; Mindblocks; The Wall) not only describe the motifs depicted, but also refer to the artist’s struggle with the boundaries of her chosen medium: as she herself has noted, “A painting needs a wall to object to.” 
Dumas’s paintings often display a kind of ambiguity of meaning, employing visual “traps” to show how the mind is quick to assume what is being presented in a given image. Her latest works explore the (in)famous walls of this unstable region of the Middle East. 

[Imaga: Marlene Dumas &quot;The Wall&quot; (2009) Oil on canvas, 70 7/8 x 118 1/8 in.]
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/45CC-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/45CC-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/45CC-170" width="170" />
  <Karma>3.06635</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.745461</Latitude>
  <Longitude>-74.006464</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/474B" href="http://www.nyartbeat.com/event/2010/474B">
  <Name>&quot;The Hendersons Will All Be There&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/6EC80A67">
    <Name>BravinLee Programs</Name>
    <Type>Gallery</Type>
    <Address>526 W 26th St., #211, New York, NY 10001</Address>
    <Phone>212-462-4404</Phone>
    <Fax>212-462-4406</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_26">Chelsea 26th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Media>2D: Other</Media>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[The Hendersons Will All Be There includes collage-based work by Dianna Frid, Jason Gringler, Matthew Rich, Steve Roden, Letha Wilson and Halley Zien. The title of this show is taken from the Beatles song “Being For The Benefit of Mr. Kite,” a flowing sound collage that was the most musically complex song from the seminal 1967 Sgt. Pepper’s album. During a phase in which the Beatles were experimenting with alternatives to strictly linear compositions, “Mr. Kite” was spliced together from eclectic sources utilizing modernist concepts rooted in the notion and practice of collage.

Dianna Frid will include four works from her Releases series in which she uses material from earlier projects: aluminum, mylar, and fragments of cloth left over from her artist’s books. In this work, Frid began with the premise of the circle at the center of a square and created different compositional possibilities that arose from this idea. She lives and works in Chicago and exhibits at devening projects and editions.  She will have a solo show this spring at Neues Kunstforum, Cologne.

Jason Gringler’s large-scale works utilize industrial materials such as cut plexiglas, mirrors, wood, acrylic and spray enamel. Through a process of construction, deconstruction and reconstruction, Gringler creates a complex and reflective work that becomes, as the viewer moves, an almost cinematic environment.  Jason Gringler is represented by Galerie Stefan Röpke in Cologne and has upcoming solo exhibitions at Parisian Laundry in Montreal and Galerie Andreas Binder in Munich.

Matthew Rich’s work is made piecemeal taping together separate painted paper shapes and growing his piece gradually in size and complexity. In this body of work, Rich explores painting as a method of building a surface based compositional structure without traditional brushwork and without a unifying backing structure.   Mathew Rich lives and works in Boston and is represented by samsøn.   He has exhibited at devening projects and editions in Chicago, IL and Project Row Houses in Houston, TX.

Steve Roden works in a variety of different media using various systems and scores. Of Frozen Music and Liquid Architecture 8 uses a self-devised translation system to allow a page of classical music notation to generate a visual work. Also exhibited will be works in which Roden steps away from systems and scores to create collage with magazine cuts ups and colored pencil marks. He is represented by Susanne Vielmetter Gallery and his upcoming projects include: an artist residency and exhibition at the Chinati Foundation in Marfa, Texas and solo exhibitions at The Armory Center for the Arts in Pasadena, CA and Pomona College Museum of Art in Claremont, CA.

Letha Wilson uses imagery from the natural world to investigate diverse relationships between architecture and nature and between the gallery space and the American wilderness.  She embraces a range of media including photography, sculpture and collage.  Her artwork has been shown at many venues including the Bronx Museum of the Art, Socrates sculpture park, Fredrieke Taylor Gallery and the Aldrich Museum of Art.

Halley Zien’s paintings seek to establish a visual language that portrays the emotional inner life of its characters. She begins with automatic sketches and then adds magazine cut outs and paint, allowing for a dialog between these elements to grow organically.  She creates distorted forms to incite an exaggerated drama. Halley Zien’s collages and drawings are currently included in the flat files at Pierogi Gallery.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/474B-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/474B-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/474B-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749828</Latitude>
  <Longitude>-74.003467</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/4F70" href="http://www.nyartbeat.com/event/2010/4F70">
  <Name>Ross Rudel &quot;burgeon&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/C5DBB9C9">
    <Name>Jack Shainman Gallery</Name>
    <Type>Gallery</Type>
    <Address>513 W 20th St., New York, NY 10011</Address>
    <Phone>212-645-1701</Phone>
    <Fax>212-645-8316</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street, A/C/E to 14th Street, L to 8th Avenue.</Access>
    <Area areaId="chelsea_20">Chelsea 20th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[Jack Shainman Gallery presents burgeon an exhibition of new sculpture by Los Angeles artist Ross Rudel. For this body of work Rudel has drawn upon dreams, odd personal experiences and his ongoing spiritual relationship with nature. Resurrection of the Green Man was inspired by a dream in which a man was murdered in the Mojave Desert and his corpse sprouted vegetation that transformed the landscape into a lush Eden. A chance meeting with a Yoruba Priest and a related encounter with an urban hawk led to the creation of Solicitation. A long aesthetic struggle with the strange gnarls on the surface of a log found while hiking resulted in the double-helix carving Sequence.

The materials that Rudel incorporates in his work often have personal or symbolic significance. The Green Man and related work in the exhibit were created entirely of algae from the Los Angeles River that blooms prodigiously every Spring following the purging winter floods. An antler from the Black Hills, manzaneta root burl from a spiritual center at Mt Shasta and fabric related to Rudel’s deceased brother were incorporated in Solicitation. The playing cards used to create Proprietary Dream Mandala had run a full cycle at the poker tables of the Silverado Casino in Deadwood, SD, which Rudel believes imbued them with significant residual energy. Humor finds its way into the Mandala, as Rudel saw this artwork in a dream at a collector’s home and obsessed about plagiarizing it. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/4F70-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/4F70-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/4F70-170" width="170" />
  <Karma>1.7353</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.745961</Latitude>
  <Longitude>-74.005825</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/55F2" href="http://www.nyartbeat.com/event/2010/55F2">
  <Name>&quot;ABC No Rio's Ides of March: The Seventh Biennial Building-Wide&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/5812D6D5">
    <Name>ABC No Rio</Name>
    <Type>Gallery</Type>
    <Address>156 Rivington St., New York, NY 10002</Address>
    <Phone>212-254-3697</Phone>
    <Fax></Fax>
    <Access>Between Clinton ad Suffolk St. Subway: F to Delancey Street or J/M/Z to Essex Street</Access>
    <Area areaId="lower_east_side">Lower East Side</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-09</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>22</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719389</Latitude>
  <Longitude>-73.985367</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/5947" href="http://www.nyartbeat.com/event/2010/5947">
  <Name>Patrick Peitropoli Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/1435DE51">
    <Name>Axelle Fine Arts</Name>
    <Type>Gallery</Type>
    <Address>535 W 25th St., New York, NY 10001</Address>
    <Phone>212-226-2262</Phone>
    <Fax></Fax>
    <Access>Between 10th and 11th Aves. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_25">Chelsea 25th</Area>
    <OpeningHour>10:30:00</OpeningHour>
    <ClosingHour>18:30:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Axelle Fine Arts presents the urban landscapes of Patrick Pietropoli which features the shifting perspectives of Paris, New York, Venice, and Florence. Pietropoli's canvases are extremely detailed, large-scale works that characterize the city as an entity. Each painting utilizes color to convey tone, meaning and mood where Pietropoli's devotion to detail and lighting make his seemingly-still images come alive. The gallery will also feature a small collection of the artist's evocative figure paintings.  Pietropoli recently moved from Paris to Brooklyn and will be attending the opening reception.
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/5947-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/5947-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/5947-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="3" date="2010-03-18" start="18:00:00" end="21:00:00">Reception For The Artist</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.74955</Latitude>
  <Longitude>-74.004225</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/5A54" href="http://www.nyartbeat.com/event/2010/5A54">
  <Name>Don Joint &quot;Waldameer&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/1B750198">
    <Name>Pavel Zoubok Gallery</Name>
    <Type>Gallery</Type>
    <Address>533 W 23rd St, New York, NY 10011</Address>
    <Phone>212-675-7490</Phone>
    <Fax>212-675-8672</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street or A/C/E to 14th Street or L to 8th Avenue.</Access>
    <Area areaId="chelsea_23">Chelsea 23rd</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Don Joint’s newest series, Waldameer, is a visual return to the artist’s boyhood memories of the historic Pennsylvania amusement park of the same name (the tenth oldest in America). Joint’s gestural washes of paint and ink create a magical atmosphere, a floating world in which carnivalesque images of clowns, toys, animals, rides and games combine with visual evocations of Japanese culture –– a poetic conceit inspired by the artist’s childhood musings on the phrase “Made in Japan”, stamped onto every colorful toy prize won at the amusement park.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/5A54-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/5A54-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/5A54-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.747903</Latitude>
  <Longitude>-74.004628</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/64EE" href="http://www.nyartbeat.com/event/2010/64EE">
  <Name>Charles Sabba &quot;If You Don't Want Your Thoughts Stolen Don't Open Your Mind&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/10F472A7">
    <Name>Y Gallery</Name>
    <Type>Gallery</Type>
    <Address>355A Bowery, Basement, New York, NY 10003</Address>
    <Phone>917-721-4539</Phone>
    <Fax></Fax>
    <Access>Between 3rd and 4th Sts.  Subway: F/V to 2nd Avenue, 6 to Astor Place, R/W to 8th Street</Access>
    <Area areaId="villages">Villages</Area>
    <OpeningHour>14:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails>saturdays closinghour 17:00, sundays closinghour 17:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Description><![CDATA[Y Gallery presents the first solo exhibition of New Jersey based artist and policeman Charles Sabba curated by Cecilia Jurado and Ryan Brown.
 
For the last 15 years, Sabba has divided his life between being a police officer, a forensic sketch artist and an old fashioned bohemian (“a race of obstinate dreamers for whom art has remained a faith and not a profession” as he explains).  Part of his daily basic activities are to go and catch criminals before they run away with stolen goods or after a crime that has been committed in a street corner. He has to be that person that guards rules. This constant chasing had made Charles Sabba deeply interested in what it means to steal, the borderlines of what is permitted and what is not. As an artist he got particularly involved in investigating crimes related with art.  But his research goes beyond statistics and reasons to steal.
 
The opening reception will coincide with the 20th anniversary of one of the largest art thefts in world history, the 13 pieces stolen in the Gardner Museum in Boston in 1990. Charles Sabba had made several paintings and drawings about the protagonists of this event, and he also has made many others of the stolen Mona Lisa to name a few. For Y Gallery he will present a series of fingerprint drawings on FBI and New Jersey police department fingerprint cards. There are two groups of drawings, the ones that reproduce stolen art works and the others that portray art thieves. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/64EE-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/64EE-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/64EE-170" width="170" />
  <Karma>1.6327</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-18</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>31</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.726727</Latitude>
  <Longitude>-73.991483</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/65B9" href="http://www.nyartbeat.com/event/2010/65B9">
  <Name>Shaun O’Dell Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/72F1B3A1">
    <Name>Susan Inglett Gallery</Name>
    <Type>Gallery</Type>
    <Address>522 W 24th St., New York, NY 10011</Address>
    <Phone>212-647-9111</Phone>
    <Fax>212-647-9333</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_24">Chelsea 24th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Herman Melville’s great American novel, Moby Dick, is many things, not least of which an examination of Man’s place in the Universe. Using Melville’s novel as personal guide, Shaun O’Dell here appropriates the author’s use of mirroring and vortex to illustrate the boundless nature of these metaphysical concerns. The artist channels the same volatile dynamic into his drawing and film. Capitalizing on a phenomenon inherent to video feedback, O’Dell, in collaboration with video artist Nate Boyce, produces polygonal geometric forms and spiral motifs using sections of John Huston’s 1956 film Moby Dick. By projecting the film back onto itself during moments when the narrative portrays themes of mirroring and the vortex, the artists create an iterative system that literally models metaphysical questions within the novel.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/65B9-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/65B9-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/65B9-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.748653</Latitude>
  <Longitude>-74.004194</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/6679" href="http://www.nyartbeat.com/event/2010/6679">
  <Name>Todd Hebert  &quot;Recent Work&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/C5DBB9C9">
    <Name>Jack Shainman Gallery</Name>
    <Type>Gallery</Type>
    <Address>513 W 20th St., New York, NY 10011</Address>
    <Phone>212-645-1701</Phone>
    <Fax>212-645-8316</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street, A/C/E to 14th Street, L to 8th Avenue.</Access>
    <Area areaId="chelsea_20">Chelsea 20th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Jack Shainman Gallery presents opening of Recent Work, Todd Heberts second solo exhibition at the gallery. Hebert creates hyper-realistic paintings and works on paper featuring common subject matter, from nighttime cityscapes, to snowmen, Christmas lights, and Fourth of July sparklers. His paintings combine areas of sharp focus within blurred compositions that draw the viewer in. Their overall mood is contemplative and detached.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/6679-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6679-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6679-170" width="170" />
  <Karma>1.7353</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.745961</Latitude>
  <Longitude>-74.005825</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/66A4" href="http://www.nyartbeat.com/event/2010/66A4">
  <Name>Robert Kent Wilson &quot;Pixel by Pixel&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/B8E5EB32">
    <Name>Raandesk Gallery</Name>
    <Type>Gallery</Type>
    <Address>16 W 23rd St., Fl.4, New York NY 10010</Address>
    <Phone>212-696-7432</Phone>
    <Fax></Fax>
    <Access>Corner of 5th Ave. Subway: R/W to 23rd Street</Access>
    <Area areaId="flatiron_gramercy">Flatiron, Gramercy</Area>
    <OpeningHour>08:00:00</OpeningHour>
    <ClosingHour>20:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="1" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>2D: Other</Media>
  <Description><![CDATA[Raandesk Gallery of Art presents an exhibition of mixed-media works by Robert Kent Wilson. Drawing from a selection of works created between 2000 and 2010, Robert Kent Wilson: Pixel by Pixel presents an overview of the artist's evolution throughout the past 10 years. On view will be richly hued abstract landscapes and object studies that draw corners, crevices, and background imagery to the forefront in striking investigations of color, texture, focus, and form.

Taking as his starting point what he calls &quot;discarded stimuli&quot;, or those normally overlooked points of focus, Wilson assembles collages made of written text and found materials such as discarded photographs, color sketches, leaves, and tree bark. A small cropped-out area of this preliminary &quot;sketch&quot; is then enlarged to as much as 100 times its original size, digitally printed, and mounted or framed using pieces of architectural material such as beams, doors, and molding. Without pure figuration or sharpness of focus, the resulting works bring once-unnoticed details into sharp relief. Organic patterns and textures come together with bold colors in candid and revelatory explorations of small spaces, quiet details, and transitions in space and time. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/66A4-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/66A4-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/66A4-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-16</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>29</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.741725</Latitude>
  <Longitude>-73.990376</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/6BED" href="http://www.nyartbeat.com/event/2010/6BED">
  <Name>Charline von Heyl Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/C889AF53">
    <Name>Friedrich Petzel Gallery</Name>
    <Type>Gallery</Type>
    <Address>535 &amp; 537 W 22nd St., New York, NY 10011</Address>
    <Phone>212-680-9467</Phone>
    <Fax>212-680-9473</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street.</Access>
    <Area areaId="chelsea_22">Chelsea 22nd</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="1" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>And by appointment.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/6BED-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6BED-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6BED-170" width="170" />
  <Karma>1.44841</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>44</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.747381</Latitude>
  <Longitude>-74.00555</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/6EE5" href="http://www.nyartbeat.com/event/2010/6EE5">
  <Name>Alex Couwenberg &quot;New Paintings&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/F457E489">
    <Name>Kathryn Markel Fine Arts</Name>
    <Type>Gallery</Type>
    <Address>529 W 20th St., Suite 6W, New York, NY 10011</Address>
    <Phone>212-366-5368</Phone>
    <Fax>212-366-5468</Fax>
    <Access>Between 10th and 11th Avenue. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_20">Chelsea 20th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>saturdays openinghour 11:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Couwenberg draws from the aesthetics of his California experience (hotrods, surf and skate culture, and arcade games) to layer forms into a contemporary conversation with mid-century modernism. Influenced by his relationship with mentor, Karl Benjamin, Alex Couwenberg builds a stratum of shapes and textures to converse with and reminisce on the not too distant past. The layers in his work reflect this relationship with history, I wanted to find a middle ground between expressionism and hard-edge abstraction. I was really into laying down grounds of paint, leaving the hard raw edges but exposing the underpainting, revealing the history of the painting. If the familiar muscular dynamism of Couwenberg s earlier work appears tamed, today s work is less removed and more intimate like a story that is more character based than event based, a kind of contemplative soliloquy. With increased painterly complexity, the work is honed and intimate. Loosening the austerity of the hard edge, the striations and loose outlines add risk to the execution and, with more at stake, the work is quiet and heartfelt; think Miles Davis move from Bebop. As Couwenberg's work is still very masculine, this show represents a quiet side.

Born and raised in Southern California, Alex Couwenberg received his BFA from the Art Center College of Design in Pasadena, CA and his MFA from Claremont Graduate School in Claremont, CA. He exhibits regularly throughout California, Idaho, Georgia and New York. Couwenberg s work is in a number of public, corporate and private collections, including the Crocker Art Museum and the Long Beach Museum of Art. Alex Couwenberg currently lives and works in Los Angeles, CA.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/6EE5-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6EE5-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6EE5-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.746167</Latitude>
  <Longitude>-74.0062</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/749A" href="http://www.nyartbeat.com/event/2010/749A">
  <Name>&quot;Debris&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/F26D3665">
    <Name>P.P.O.W.</Name>
    <Type>Gallery</Type>
    <Address>511 West 25th St., Rm.301,  New York, NY 10001</Address>
    <Phone>212-647-1044</Phone>
    <Fax>212-647-1043</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street.</Access>
    <Area areaId="chelsea_25">Chelsea 25th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="1" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Media>2D: Prints</Media>
  <Media>3D: Other</Media>
  <Description><![CDATA[In 1994, well before the terms &quot;eco-friendly&quot;, &quot;green revolution&quot; or even &quot;re-cycling&quot; were household words, PORTIA MUNSON's Pink Project was the stand out art work in the New Museum's now legendary Bad Girls exhibition. This will be the first reconstruction of this project in New York since it was originally shown. Consisting of thousands of found pink plastic and rubber objects spread out on a table, this careful arrangement of society's junk cast-offs causes visual overload, instilling simultaneous delight and disgust within the viewer. The nightmarish array of objects created to appeal to women and girls, includes hair curlers, pacifiers, fingernails, combs, dildos, barrettes, toys, tampons, kitchen gadgets and hundreds of other items representing the conclusion of mass consumption and seduction. Pink Project was an inspirational piece that preceded society's global attention to the environment and foreshadowed the art world's response to it as well. In fact, Pink Project was originally reviewed almost entirely as a treatise on feminism rather than the environment. There will also be a new work entitled Green Piece: Sarcophagus, that is a continuation of her practice, and speaks directly to the commodification of the of the green ethos. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/749A-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/749A-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/749A-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-20" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749322</Latitude>
  <Longitude>-74.003678</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/7C0F" href="http://www.nyartbeat.com/event/2010/7C0F">
  <Name>&quot;Refresh&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/AD344CA8">
    <Name>CHRISTINA RAY</Name>
    <Type>Gallery</Type>
    <Address>30 Grand St., New York, NY 10013</Address>
    <Phone>212-334-0204 </Phone>
    <Fax></Fax>
    <Access>Between Thompson St. and 6th Ave. Subway: A/C/E to Canal Street.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Media>2D: Prints</Media>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Ray states, “I’m thrilled to celebrate this moment in the growth of our program as we head into spring featuring new artists in the gallery and preparing to exhibit with the upcoming Pulse and Fountain art fairs. As we evolve, our mission remains to discover and present the most important contemporary artwork that explores the concept of psychogeography by re-imagining the relationships between people and places.”

Artists featured in Refresh share a common interest in the boundaries between psychological and physical space. In the title piece of the exhibition, California artist Jim Ringley’s highway scene depicts a car racing away from the viewer. While the image appears to offer the hope of a quick escape into a promising future, the picture plane remains still beneath its effervescent surface. Paloma Crousillat similarly extends the viewer’s focus into a space of imagination with her hard-edged renderings of large-scale telescopes. Born in Lima, Peru and based in Brooklyn, Crousillat’s work is informed by the systems and frameworks of space, language and beliefs.

Gregory Euclide, whose work will be exhibited for the first time at the gallery, is an artist and teacher living in the Twin Cities region of Minnesota. Knowledge gained in childhood of the complexity and interconnectedness of his rural environment grounds his appreciation for contemplative experiences in nature. Euclide’s three-dimensional works break through the flat surface of traditional landscape paintings and include media as diverse as cassette tapes, moss, ribbon and lead.

Pablo Helguera, a New York-based artist working in installation, sculpture, photography, drawing, and performance presents work in collage that questions the cultural, historical and social relationships between reality and fiction. Helguera has exhibited and performed internationally, and notably in New York at the Brooklyn and Bronx Museums of Art, P.S.1 and El Museo del Barrio. Montreal artist Alice Jarry’s multi-layered silkscreen works on paper also hover on the border between landscape and imagination, where motifs and found archival images come together in a richly-textured series of dreamy, portentous compositions.

Matthew Northridge and Jill Sylvia round out the list of artists in Refresh. Both artists are new to the gallery and will present works on paper along with sculptural installations. Northridge, whose work has been exhibited at museums including the New Museum of Contemporary Art, the Brooklyn Museum of Art and the National Academy Museum, presents two new pieces incorporating maps that examine scale, compression and rules governing spatial systems. His work has recently been acquired by the Hirshhorn Museum. San Francisco-based artist Sylvia uses a drafting knife to painstakingly remove the cells of traditional ledger paper, leaving behind a delicate lattice expressing time and the futility of labor. The flat, empty grids turn three-dimensional as the artist re-organizes them into spatial constructions in which the notion of value confronts the void.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/7C0F-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7C0F-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7C0F-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-04</DateStart>
  <DateEnd>2010-04-18</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>31</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722936</Latitude>
  <Longitude>-74.004558</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/7E47" href="http://www.nyartbeat.com/event/2010/7E47">
  <Name>Jim Torok &quot;You Are A Vibrant Human Being&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/2CECDDEE">
    <Name>Pierogi</Name>
    <Type>Gallery</Type>
    <Address>177 N 9th St., Brooklyn, NY 11211</Address>
    <Phone>718-599-2144</Phone>
    <Fax></Fax>
    <Access>Between Bedford Ave. and Driggs Ave.  Subway: L to Bedford Avenue</Access>
    <Area areaId="williamsburg">Williamsburg</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="1" wed="1" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Also by appointment.</ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/7E47-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7E47-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7E47-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-19</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>32</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.718567</Latitude>
  <Longitude>-73.955908</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/7EA2" href="http://www.nyartbeat.com/event/2010/7EA2">
  <Name>&quot;Reawakening&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/42C0D47B">
    <Name>Lana Santorelli Gallery</Name>
    <Type>Gallery</Type>
    <Address>110 W 26th St., New York, NY 10001</Address>
    <Phone>212-229-2111</Phone>
    <Fax>212-229-2262</Fax>
    <Access>Between 6th and 7th Ave.  Subway: F/V to 23rd Street or R/W to 28th Street</Access>
    <Area areaId="chelsea_east">East Chelsea</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[[Image: Erica Steiner &quot;Red Planet Rise&quot; Oil and Graphite on Canvas, 36 x 48 in.]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/7EA2-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7EA2-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7EA2-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-05-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-20" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>44</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.744917</Latitude>
  <Longitude>-73.991744</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/8357" href="http://www.nyartbeat.com/event/2010/8357">
  <Name>Janet Cardiff &amp; George Bures Miller Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/4A009A1D">
    <Name>Luhring Augustine Gallery</Name>
    <Type>Gallery</Type>
    <Address>531 W 24th St., New York, NY 10011</Address>
    <Phone>212-206-9100</Phone>
    <Fax>212-206-9055</Fax>
    <Access>Between 10th and 11th Avenue. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_24">Chelsea 24th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>In July/August open Monday-Friday, 10:00-17:30 </ScheduleNote>
  </Venue>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Janet Cardiff and George Bures Miller are internationally recognized for their immersive multimedia works. Incorporating dramatic audio tracks into their visually striking installations, the artists create engaging and transcendent multisensory experiences which draw the viewer into ambiguous and unsettling narratives. Their works address grand themes such as time, voyeurism, dreams, and mystery. Providing only fragments of information, the completion of the storylines, images and thoughts are left to be formed in the minds of the individual viewers. 

Cardiff and Miller's new installation, The Carnie, combines the artists' interests in spectacle, narrative, and sculptural sound. A small children's' carousel is activated by a start button. It grinds slowly up to speed, while lights and music emanate from the structure and moving shadows are cast onto the walls. Working with Freida Abtan, an electronic composer, Cardiff and Miller deconstruct the musical source and relocate it throughout the structure of the carousel so that the movement of the sound occurs horizontally as well as vertically. The results transform the carnival ride into a layered and evocative encounter.

The second gallery will feature another new work, The Cabinet of Curiousness, an antique wooden card catalogue with 20 drawers. Functioning as an interactive piece, the opening of each drawer activates a voice or piece of music from within the cabinet. The audience, assuming the role of a DJ, may experience the clarity of sound from one drawer or a cacophony of sounds from numerous drawers opened simultaneously as the cabinet is played like an instrument. A contrast emerges between the obsolete system of cataloguing single pieces of data and our current tendency to inundate ourselves with excessive information. An investigation of knowledge, time, and our relationship to objects and music, The Cabinet of Curiousness creates a playful aural experience. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/8357-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/8357-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/8357-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.748792</Latitude>
  <Longitude>-74.004686</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/8953" href="http://www.nyartbeat.com/event/2010/8953">
  <Name>&quot;5 Artistas Iberoamericanos&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/DAA889EB">
    <Name>Jadite Galleries</Name>
    <Type>Gallery</Type>
    <Address>528 W 47th St., New York, NY 10019</Address>
    <Phone>212-315-2740</Phone>
    <Fax>212-315-2793</Fax>
    <Access>Between 10th &amp; 11th Aves. Subway: C/E at 50th Street</Access>
    <Area areaId="midtown">Midtown</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Photography</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-17</DateStart>
  <DateEnd>2010-03-30</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>12</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.763079</Latitude>
  <Longitude>-73.994195</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/8E40" href="http://www.nyartbeat.com/event/2010/8E40">
  <Name>Robin Cameron and Jason Polan “The Assembled Picture Library of New York City”</Name>
  <Venue href="http://www.nyartbeat.com/venue/8D07E91F">
    <Name>Esopus Space</Name>
    <Type>Cultural Center</Type>
    <Address>64 W 3rd St., #210, New York, NY 10012</Address>
    <Phone>212-473-0919</Phone>
    <Fax>212-473-7212</Fax>
    <Access>Between LaGuardia Pl. and Thompson St. Subway: D/B/F/V/A/C/E to West 4th Street</Access>
    <Area areaId="villages">Villages</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>16:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="1" thu="0" fri="1" sat="1" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>2D: Photography</Media>
  <Media>Misc.: Performance Art</Media>
  <Description><![CDATA[Esopus Space presents “The Assembled Picture Library of New York City,” a collaborative exhibition and workspace environment organized by artists Robin Cameron and Jason Polan. 

The exhibition will provide free and open access to hundreds of images from the collections of Cameron and Polan. Visitors are invited to come in during gallery hours (Mon/Tue/Thu from 12-5pm) and use these images—which include manuscripts, advertisements, prints, original drawings, and more—as raw material for their own artworks, which will be displayed on the walls of Esopus Space for the length of the exhibition. Visitors are also encouraged to submit their own images to build upon the collection, and will have the opportunity to participate in a dialogue with Cameron and Polan, who will be in attendance throughout the run of the show. 

With this project, the artists hope to create a collaborative and creative relationship with the general public—an important component of both Cameron and Polan’s previous work, as well as an essential aspect of the Esopus Foundation’s mission. The artists are also interested in engendering a sense of community around the production of self-published books, zines, and editions. Along those lines, Polan and Cameron will create a book featuring visitors’ artworks, The Assembled Picture Library of New York Book, that will be available at the closing reception on March 18. ]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0.789103</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-16</DateStart>
  <DateEnd>2010-03-18</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="4" date="2010-03-18" start="18:00:00" end="20:00:00">Closing Reception</Party>
 <DaysBeforeEnd>0</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.72935</Latitude>
  <Longitude>-73.998255</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/9B80" href="http://www.nyartbeat.com/event/2010/9B80">
  <Name>Desi Santiago &quot;Declare Void&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/61F8CCD4">
    <Name>Envoy</Name>
    <Type>Gallery</Type>
    <Address>131 Chrystie St., New York, NY, 10002</Address>
    <Phone>212-226-4555</Phone>
    <Fax></Fax>
    <Access>Between Delancey and Broome St. Subway: J/M/Z to Bowery or B/D/F/Q to Grand Street</Access>
    <Area areaId="lower_east_side">Lower East Side</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Since the late eighties – early nineties, Desi Santiago’s artistic practice has been strongly influenced by subcultural scenes. A visual and performance artist, his large-scale installations often involve performative and theatrical platforms, richly layered with philosophical, historical and social references. His first solo exhibition at envoy enterprises, “Declare Void,” comprises of a small shrine of six black French-polished wooden boxes and two inflatable sculptures. Embracing the symbolic and the iconic, Santiago’s work creates truly ceremonial experiences. The six monolithic boxes, each containing their own power, seem to symbolize the automotive black boxes that record data during a crash. Two of the boxes in the installation are empty (having once contained the inflatable sculptures), while the other four contain objects that can be viewed upon request. By keeping the boxes closed, the artist challenges the viewer’s conflicting emotions of curiosity and fear of its contents. The challenge is heightened when the viewer must request the boxes to be opened. By placing a plastic Star Trek cup carefully between the artist's bronzed baby shoes (all three filled with Goya rice), Santiago presents the adult world as one of mystery, while also conjuring up an intimate shrine that represents his family. Juxtaposing the intimate and the monumental, two black, large-scale inflatable sculptures command the space. A 7-foot-tall shape-shifting shaman, representing ‘the child,’ stands facing a 6.5-foot-tall suspended female head with crystalled earrings, which represents ‘the mother.’ The choice of material reflects the artist’s desire to breathe life into subjects whose lives have been lost.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/9B80-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9B80-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9B80-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-18</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>31</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719269</Latitude>
  <Longitude>-73.993169</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/9C60" href="http://www.nyartbeat.com/event/2010/9C60">
  <Name>Wael Noureddine &quot;Spreading DNA&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/8933DFD5">
    <Name>Kleio Projects</Name>
    <Type>Gallery</Type>
    <Address>153 1/2 Stanton St., New York, NY 10002</Address>
    <Phone>860-782-1030</Phone>
    <Fax></Fax>
    <Access>Between Sufflok and Clinton Sts. </Access>
    <Area areaId="lower_east_side">Lower East Side</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>Screen: Video installation</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/9C60-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9C60-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9C60-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-04-10</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>23</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.72031</Latitude>
  <Longitude>-73.985187</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/9D79" href="http://www.nyartbeat.com/event/2010/9D79">
  <Name>Taewon Jang Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/ACA0CBE2">
    <Name>Doosan Gallery </Name>
    <Type>Gallery</Type>
    <Address>531 W 25th St., New York, NY 10001</Address>
    <Phone>212-242-6343‎</Phone>
    <Fax></Fax>
    <Access>Between 10th and 11th Ave.  Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_25">Chelsea 25th</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Media>2D: Prints</Media>
  <Description><![CDATA[Jang explored various night landscapes around the world in his previous Collusion series. While the process of making the Collusion series exposed him to nature, now he seems to have discovered how nature can bring him closer to who he is. Even though his new body of works, which is being shown in this exhibition, looks afar from the previous series, it is part of the inevitable journey that leads him to where he stands today. His provocative and illuminating new works represent his autobiography through photography. His perspective appears to be more introverted and more intimate with the medium than before. He portrays himself and family members through the use of overlapping so as to literally and metaphorically express his submerged identity. 
 
In Pray-1st (2010), for example, Jang bluntly epitomizes who he is and from where he has come. According to critic Lyle Rexer, “It is the most autobiographical of his works, bearing direct evidence of himself and his past, and yet it is the most abstract and the least directly readable.” This work encapsulates and defines the artist inside out. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/9D79-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9D79-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9D79-170" width="170" />
  <Karma>4.59952</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749511</Latitude>
  <Longitude>-74.004136</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/9FDF" href="http://www.nyartbeat.com/event/2010/9FDF">
  <Name>Specter and Various &amp; Gould “Make It Fit”</Name>
  <Venue href="http://www.nyartbeat.com/venue/10B7B732">
    <Name>Brooklynite Gallery</Name>
    <Type>Gallery</Type>
    <Address>334 Malcolm X Blvd.,  Brooklyn, NY 11233</Address>
    <Phone>347-405-5976</Phone>
    <Fax></Fax>
    <Access>Between Decatur and Bainbridge Sts.  Subway: A/C to Utica Avenue.</Access>
    <Area areaId="dumbo_brooklyn">DUMBO, other Brooklyn</Area>
    <OpeningHour>13:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="1" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Also by appointment.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[The concept of “work” can be interpreted in many different ways depending on whom you hit up. Brooklyn-based artist, SPECTER and German duo VARIOUS &amp; GOULD have each located discarded materials, used skill and ingenuity and re-conceptualized things in pulsating ways you might never have imagined.  All this done in effort to turn the concept of “work” on its ear in an exhibition appropriately titled, “Make It Fit”.

Cart-pushers, delivery boys and slave-laborers – take the spotlight in much of the work created by the artist who goes simply by the name Specter. With all of his portraits based on real people living at the bottom of the capitalist barrel, Specter forces the general public to see what they might rather not – those who got left behind. Collecting materials in much the same fashion his subjects do, Specter incorporates shopping carts, bicycles, and crates along with engaging images of your everyday worker, paying special attention to what makes them tick. His work is hand-crafted, retro-fitted, clever and fresh.

For the creative team of Various &amp; Gould the concept of “work” means looking well beyond the vigor of the everyday tasks one has to perform for a paycheck and instead focusing on the surprisingly graceful interaction between a laborer and his tools. Imagine peering into the cut-out holes we often see at a construction site and being exposed to a vibrant world of multi-colored uniforms, enlarged tools and graphic text.  A world where workers trade body parts depending on their needs, moving in tandem while performing their repetitive tasks in a choreographed “workers waltz”.  Using found objects, work related symbols and their refined silkscreen techniques, the line between work and play becomes blurred inside the imaginative minds of Various &amp; Gould.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/9FDF-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9FDF-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9FDF-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-20" start="19:00:00" end="22:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.681444</Latitude>
  <Longitude>-73.92895</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/A8F3" href="http://www.nyartbeat.com/event/2010/A8F3">
  <Name>&quot;out of the chaos and darkness...&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/36BC38F7">
    <Name>Lower East Side Printshop</Name>
    <Type>Cultural Center</Type>
    <Address>306 W 37th St., 6 Fl., New York, NY 10018</Address>
    <Phone>212-673-5390</Phone>
    <Fax>212-979-6493</Fax>
    <Access>Between 8th and 9th Avenue. Subway: A/C/E to 34th Street</Access>
    <Area areaId="midtown">Midtown</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="1" sun="1" hol="0" />
    <ScheduleDetails>Evening and weekend access is available for registered participants only, and during special events.</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Prints</Media>
  <Description><![CDATA[This presentation takes Matthew Day Jackson’s print Metamorphosis as an inspiration to present new unique works on paper created by Golnar Adili, Shana Agid, Rachel Beach, Sandra Chi, Erin Diebboll, and Sadie Weis. Borrowing a phrase from Ralph Ellison’s Invisible Man for its title, &quot;out of the chaos and darkness…&quot; presents prints that investigate the ever-changing concept of the American Experience and the American Dream. Starting with Matthew Day Jackson’s artwork Metamorphosis, the artists in the exhibition use several printmaking mediums and a range of materials to address our complex connections to mythology, history, and society. Overall the exhibition conveys an overarching sense of transition and metamorphosis that characterize our current place in the world.
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/A8F3-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/A8F3-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/A8F3-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-03</DateStart>
  <DateEnd>2010-05-09</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-24" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>52</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.754161</Latitude>
  <Longitude>-73.992289</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/A991" href="http://www.nyartbeat.com/event/2010/A991">
  <Name>Edwin Ushiro &quot;At Night, Lights Fell and Loved Ones Returned Home&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/1AD3043E">
    <Name>Sloan Fine Art</Name>
    <Type>Gallery</Type>
    <Address>128 Rivington St., New York, NY 10002</Address>
    <Phone>212-477-1140</Phone>
    <Fax></Fax>
    <Access>Corner of Norfolk St.  Subway: F/J/M/Z to Essex/Delancey</Access>
    <Area areaId="lower_east_side">Lower East Side</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails>fridays closinghour 20:00, saturdays closinghour 20:00</ScheduleDetails>
    <ScheduleNote>By appointment only July 19 through September 11, 2009.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Other</Media>
  <Description><![CDATA[The content of Edwin Ushiro’s work is as richly layered as the works themselves. Influenced by the memories and folklore of his childhood in Hawaii and with nods to Japanese Anime, he creates his own mythology populated with modern characters and contemporary references. With &quot;At Night, Lights Fell and Loved Ones Returned Home,&quot; Ushiro utilizes his technique of layering paint, ink, graphite, varnish and iron transfers on vinyl sheets to create romantic, luminescent works that focus on the mystery, and histories, held by abandoned and forgotten places.

[Image: Edwin Ushiro &quot;The Secret Life of a Rustling Brush&quot; (2010) mixed media 31 x 21 in.]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/A991-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/A991-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/A991-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-24</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-24" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719769</Latitude>
  <Longitude>-73.986883</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/ABE7" href="http://www.nyartbeat.com/event/2010/ABE7">
  <Name>Norman Mooney &quot;Wall Flowers&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/34A7D849">
    <Name>Causey Contemporary</Name>
    <Type>Gallery</Type>
    <Address>92 Wythe Ave., Brooklyn, NY 11211</Address>
    <Phone>718-218-8939</Phone>
    <Fax>718-218-9347</Fax>
    <Access>Between N10th and N11th Sts.  Subway: L to Bedford Avenue</Access>
    <Area areaId="williamsburg">Williamsburg</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="0" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails>mondays openinghour 09:00, mondays closinghour 17:00, sundays openinghour 12:00, sundays closinghour 18:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[Wall Flowers marks Norman Mooney’s first adventures in color sculpture having previously worked only in grays, blacks and whites.   Wallflower no. 1 measuring six feet in diameter is an explosion of pollen yellows.  The piece consists of over 500 aluminum castings all projecting outward four feet off the wall.    Another larger wall flower in crimson resin  having a diameter of 6-7 fee t will also be a part of the exhibition.  

In addition to the wall flowers,  Mooney’s exhibition will include the three final windseeds from a group of six he has executed.  The first three such sculptures are in the permanent collection of Richard and Helen DeVos in Michigan, founders of Amway International.  While like the wall flowers executed in cast aluminum, these white eight foot diameter sculptures seem light enough to move in a breeze and have been liked to  dandelion seeds among other natural objects.   

In both styles of sculpture, Mooney is inspired by his larger experience of the natural world and his attempt to understand the joy, wonder and beauty one experiences when feeling the first rays of the sun on your face in the morning, the explosion of color bursting from a flower or the etherealness of seeds floating on the wind.  Formally, Mooney hopes to challenge the viewer to evaluate their place in the natural world and to engage them in a larger intuited reality. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/ABE7-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/ABE7-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/ABE7-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-14</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>27</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721647</Latitude>
  <Longitude>-73.958361</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/AFE8" href="http://www.nyartbeat.com/event/2010/AFE8">
  <Name>Susan Hauptman Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/4F06D054">
    <Name>Forum Gallery</Name>
    <Type>Gallery</Type>
    <Address>745 5th Ave., New York, NY 10151</Address>
    <Phone>212-355-4545</Phone>
    <Fax>212-355-4547</Fax>
    <Access>Between 57th and 58th St. Subway: N/R/W to Fifth Avenue or F to 57th Street</Access>
    <Area areaId="midtown">Midtown</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>17:30:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Call for Summer hours.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Description><![CDATA[Forum Gallery presents an exhibition of fifteen bold new drawings by Susan Hauptman. Hauptman’s highly refined drawings are difficult to categorize. Realistic and idealized, austere and playful, exposed and secretive: these incongruities keep her audience on their toes. Created in the four years since her last exhibition at Forum Gallery, the works in the current exhibition take Hauptman’s career-long exploration of the principles of drawing in charcoal one step further. The artist intends these works as studies on the basic structure of line, shading and tonality. The smooth surface of each drawing belies the subtle complexities of their composition: each gesture and object stands in for a part of the artist’s life. In each of these preternaturally realistic portraits the artist has chosen an unusual element to pair with her constant medium, charcoal: plastic charms affixed to the paper with encaustic encircle the artist’s larger-than-life neck in &quot;Self-Portrait (with charms),&quot; 2008, while feathers protrude from the picture plane and decorate her pointed hat in &quot;Self-Portrait (with feathers),&quot; 2007. Incorporating these objects gives the viewer a playful way to relate to each drawing and a shared knowledge with the artist. 

[Image: Susan Hauptman &quot;Self Portrait (with 3-D postcard)&quot; (2009) charcoal and 3D postcard on paper 37 x 30 in.]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/AFE8-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/AFE8-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/AFE8-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="17:30:00" end="19:30:00">Opening Reception</Party>
 <DaysBeforeEnd>44</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.763461</Latitude>
  <Longitude>-73.973572</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/B34C" href="http://www.nyartbeat.com/event/2010/B34C">
  <Name>Ed Paschke Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/BD565E74">
    <Name>Gagosian Gallery Madison Avenue</Name>
    <Type>Gallery</Type>
    <Address>980 Madison Ave., New York, NY 10075</Address>
    <Phone>212.744.2313</Phone>
    <Fax>212.772.7962</Fax>
    <Access>Between 76th and 77th St. Subway: 6 to 77th St.</Access>
    <Area areaId="upper_east_side">Upper East Side</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Central to my work is what I refer to as the law of opposites; I believe that there are polarities between things […] Positive/negative, the idea of pacing a painting in terms of complexity and simplicity, the idea of public versus private, are elements that have always interested me and that I've always tried in some way to build into the character of the paintings.
--Ed Paschke

Ed Paschke taught me what it meant to be a professional artist. His paintings are like drugs, but in a good way: they are among the strongest physical images that I've ever seen. Their effect is neurological.
--Jeff Koons

Gagosian Gallery presents an exhibition of the work of Ed Paschke, curated by Jeff Koons. As a student, Koons admired Paschke's work and became his assistant in Chicago in the mid-1970s while attending the School of the Art Institute of Chicago. Paschke would prove to be an important mentor and formative inspiration for the young artist. The exhibition includes loans from key public and private collections in the U.S. and abroad, as well as rarely seen works from the Ed Paschke Foundation.

Born in Chicago in 1939, Paschke studied at the School of the Art Institute of Chicago during the height of the Imagist movement in the late fifties, while supporting himself as a commercial artist. He avidly collected photograph-related visual media in all its forms, from newspapers, magazines, and posters to film, television, and video, with a preference for imagery that tended toward the risqué and the marginal. Through this he studied the ways in which these media transformed and stylized the experience of reality, which in turn impacted on his consideration of formal and philosophical questions concerning veracity and invention in his own painting. At the same time, he sought living and working situations -- from factory hand to psychiatric aide -- that would connect him with Chicago's diverse ethnic communities as well as feed his fascination for gritty urban life and human abnormality. Thus he developed a distinctive oeuvre that oscillated between personal and aesthetic introspection and confronting social and cultural values.

In his early paintings Paschke both incorporated and challenged depictions of legendary figures by transforming them into corps exquis, such Pink Lady (1970) where he set Marilyn Monroe's famous head atop the suited body of an anonymous male accordion player; or Painted Lady (1971) where he redesigned screen legend Claudette Colbert as a tattooed lady fresh from a freak show. Another direction through which he explored the features and quirks of meaning and logic was in paintings of leather accessories interpreted as anthropomorphized fetish objects, such as Hairy Shoes (1971) and Bag Boots (1972). In the decades separating Pink Lady and Matinee (1987), Paschke shifted his interest from print to electronic media and a dazzling spectrum of televisual waves and flashes began to fill the paintings. Forms and images disintegrated, broken apart in the fabric of electronic disturbance and its surface. In Matinee, the face of Elvis Presley is fragmented into a field of glowing swathes of color with lips and eyes alone suggesting the human presence beneath the electronic overlay.

Paschke made use of an overhead projector to layer images, which he then rendered using the traditional and time-consuming medium of oil painting. He began with an underpainting in black and white, then addressed it with refined systems of colored glazing or impasto to enliven the optical and physical textures of his painting. With this original and painstaking process he created a formal parallel with the black-and-white-to-color progression in the historical development of printing, film, and television images, at the same time moving the subject matter from the particular to the non-specific to allow a wider range of interpretation. In his later work, once again forms became more solidified, moving back towards certain kinds of psychologized presences and the edgy tension that characterized his earlier work.

Unlike most of his Pop predecessors with their unthreatening embrace of popular culture, Paschke gravitated towards the images that exemplified the underside of American values -- fame, violence, sex, and money – a preference that he shared with Andy Warhol, who was one of his foremost inspirations. Although long considered to be an artist of his own time and place, his explorations of the archetypes and clichés of media identity prefigured the appropriative gestures of the &quot;Pictures Generation,&quot; and for a new generation of global artists his totemic, eye-popping paintings have come to embody the essence of cosmopolitan art.

The exhibition is accompanied by a fully illustrated catalogue, which includes essays by Jeff Koons and art critic Dave Hickey as well as reprints of important essays by the Chicago critic and art historian Dennis Adrian and New Museum curator Richard Flood.

[Image: Ed Paschke &quot;Pink Lady&quot; (1970) Oil on canvas 64 3/4 x 51 1/4 in.]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/B34C-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/B34C-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/B34C-170" width="170" />
  <Karma>1.53317</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.774597</Latitude>
  <Longitude>-73.963408</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/C05B" href="http://www.nyartbeat.com/event/2010/C05B">
  <Name>Ryan McGinley &quot;Everybody Knows This Is Nowhere&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/5AC9BC2D">
    <Name>Team Gallery</Name>
    <Type>Gallery</Type>
    <Address>83 Grand St., New York, NY 10013</Address>
    <Phone>212-279-9219</Phone>
    <Fax>212-279-9219</Fax>
    <Access>Between Greene St. and Wooster St. Subway: A/C/E or N/Q/R/W to Canal St</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[For his latest exhibition, Ryan McGinley has shifted his focus away from constructing a youthful sublime within the boundless American landscape and has concentrated instead on creating imagery within the confines of his New York studio. The result is a surprisingly restrained, open-ended study of black and white portraiture. Here we see McGinley not as a chronicler of youthful adventure, but as an engine for an almost scientific cataloging of a kind of emotional optimism.

McGinley's portraits are the result of a meticulous studio practice, in which thousands of images are taken of each sitter; each shoot eventually being edited down to its one defining &quot;moment&quot;. During the course of two years, McGinley photographed about 150 hand-picked subjects from across the globe. Bringing these models into his studio and stripping them of their clothing, the artist has succeeded in answering his own question: &quot;What would a classical Ryan McGinley black and white portrait look like?&quot;

In addition to the black and white photographs, the exhibition will also include three large-scale images in color, which locate the other works within the continuity of McGinley's oeuvre.  Characteristically exuberant, these photographs add a narrative backdrop to the exhibition, which initiates an ambiguous loop between the two approaches. McGinley's photographs have always mined the space between chaos and control, negotiating the space between the really-real and the only-apparently-so. In this exhibition the push and pull of nature and the studio, of sumptuous color and its absence, create a dynamic tension.

]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/C05B-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C05B-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C05B-170" width="170" />
  <Karma>3.3054</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721708</Latitude>
  <Longitude>-74.002433</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/C5CB" href="http://www.nyartbeat.com/event/2010/C5CB">
  <Name>Stefan Szcesny &quot;Diary&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/1A1F1D89">
    <Name>532 Gallery Thomas Jaeckel</Name>
    <Type>Gallery</Type>
    <Address>532 W 25th St., New York, NY 10001</Address>
    <Phone>917-701-3338</Phone>
    <Fax></Fax>
    <Access>Between 10th and 11th Ave.  Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_25">Chelsea 25th</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>satudays openinghour 12:00, saturdays closinghour 17:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Photography</Media>
  <Description><![CDATA[532 Gallery Thomas Jaeckel presents &quot;Diary&quot;, a collection of paintings on photographs the artist Stefan Szcesny created while in New York, St.Tropez and Mustique. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/C5CB-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C5CB-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C5CB-170" width="170" />
  <Karma>0</Karma>
  <Price free="0"></Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:30:00" end="20:30:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749295</Latitude>
  <Longitude>-74.004352</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/CA7A" href="http://www.nyartbeat.com/event/2010/CA7A">
  <Name>Joan Jonas Drawing/Performance/Video</Name>
  <Venue href="http://www.nyartbeat.com/venue/2F230DB3">
    <Name>Location One</Name>
    <Type>Cultural Center</Type>
    <Address>26 Greene St., New York, NY 10013</Address>
    <Phone>212-334-3347</Phone>
    <Fax></Fax>
    <Access>Between Canal and Grand St. Subway: A/C/E to Canal Street or N/Q/R/W to Canal St.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>Screen: Video installation</Media>
  <Media>Misc.: Performance Art</Media>
  <Description><![CDATA[Location One is proud to present Drawing/Performance/Video, a new exhibition by Joan Jonas that highlights the role of drawing in the artist’s performance and video work. 

Joan Jonas is a pioneer of video-performance art. Her experiments and productions in the late 1960s and early 1970s were essential to the formulation of the genre. Threads of Jonas’s influence can be found in many genres; from performance and video to conceptual art and theater. Jonas has worked with composers such as Alvin Lucier and Jason Moran to develop video-performance works. Her work continues to explore the relationship of digital media to performance. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/CA7A-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CA7A-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CA7A-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-05-08</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>51</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721233</Latitude>
  <Longitude>-74.002639</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/CB99" href="http://www.nyartbeat.com/event/2010/CB99">
  <Name>Douglas Kolk Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/C38E1A5E">
    <Name>Fredericks &amp; Freiser Gallery</Name>
    <Type>Gallery</Type>
    <Address>536 W 24th St., New York, NY 10011</Address>
    <Phone>212-633-6555</Phone>
    <Fax>212-633-7372</Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street.</Access>
    <Area areaId="chelsea_24">Chelsea 24th</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[Known for his channel-surfing aesthetic, Kolk splices together familiar imagery and furious gesture to create large-scale collage and deviant sculpture. Whereas his early line drawings depict a stark and fragile youth culture, his recent work illustrates a manic utterance of contemporary life. This will be the artist’s second solo exhibition at Fredericks &amp; Freiser.

Kolk vehemently portrays his world with fluctuating notions of the self. Edged with an almost child-like imagination, he identifies his fragmented musings with an amalgamation of images. Combining media clippings, delicate drawing and untamed abstraction, Kolk delineates this intrinsic language. Whether he depicts the introduction of a man and a woman scrawled across pages of newspaper circulars or myriad impressions of rural life as experienced from a speeding car, Kolk takes gentle ideas and electrifies them.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/CB99-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CB99-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CB99-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>44</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.748847</Latitude>
  <Longitude>-74.004903</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/CD5B" href="http://www.nyartbeat.com/event/2010/CD5B">
  <Name>&quot;Professional Women Photographers presents: High School Girls’ Competition &amp; Awards&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/A0FF8A41">
    <Name>Educational Alliance / Whittaker Center Gallery</Name>
    <Type>Cultural Center</Type>
    <Address>197 East Broadway, New York, NY 10002</Address>
    <Phone>212-780-2300 x 378</Phone>
    <Fax></Fax>
    <Access>Corner of at Jefferson St. Subway: F to East Broadway or J/M/Z to Delancey / Essex</Access>
    <Area areaId="lower_east_side">Lower East Side</Area>
    <OpeningHour>09:00:00</OpeningHour>
    <ClosingHour>21:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="1" sun="0" hol="0" />
    <ScheduleDetails>fridays closinghour 18:00, sundays closinghour 18:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[Celebrating creative young women photographers from NYC area high schools. Over 80 students submitted photographs for consideration. Photographs were selected for the exhibit that demonstrated a unique vision and passion for the medium and adherence to the theme. This year’s theme is ‘water’. Special recognition and prize awards will be announced at the reception. This exhibit is co-sponsored by Professional Women Photographers (PWP). PWP, a non-profit professional group has been supporting the work of women photographers for over thirty years, providing educational forums to encourage artistic growth and to stimulate public interest in the art of photography. This is the 6th annual exhibit for high school girls. http://www.pwponline.org. The Educational Alliance Art School is a center for black and white photography offering classic, wet darkroom, black and white photo classes for kids, teens and adults.  The Young Artists Photography Program is support in part by National Endowments for the Arts, New York City Department of Cultural Affairs, Rehabilitation Through Photography and private foundations and donors.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/CD5B-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CD5B-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CD5B-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-21</DateStart>
  <DateEnd>2010-04-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-21" start="16:00:00" end="19:00:00">Opening Reception</Party>
 <DaysBeforeEnd>14</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719278</Latitude>
  <Longitude>-73.997606</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/D415" href="http://www.nyartbeat.com/event/2010/D415">
  <Name>John Bartelstone &quot;The Brooklyn Navy Yard&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/7983B811">
    <Name>power House Arena</Name>
    <Type>Event Space</Type>
    <Address>37 Main St., Brooklyn, NY 11201 </Address>
    <Phone>866-99-27362</Phone>
    <Fax></Fax>
    <Access>On the corner of Water Street. Subway: F to York street, A/C to High Street, or 2/3 to Clark Street</Access>
    <Area areaId="dumbo_brooklyn">DUMBO, other Brooklyn</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails>saturdays openinghour 11:00, sundays openinghour 11:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[powerHouse Books celebrates the publication of The Brooklyn Navy Yard, the first monograph by photographer John Bartelstone, with an accompanying exhibition of photographic prints at The powerHouse Arena. 

About The Brooklyn Navy Yard: New York City's largest and oldest industrial facility, the historic Brooklyn Navy Yard occupies 250-acres on the East River between the Williamsburg and Manhattan Bridges, and is presently one of New York City's major industrial sites. One of the last remnants of Brooklyn's industrial supremacy, the Yard has experienced tremendous change: functioning from the age of wind to that of diesel. As a cradle of naval evolution, the Yard has had to reinvent itself constantly, and this is made evident by the presence of buildings and structures spanning from the 1830s to the 1950s. The Navy Yard was shut down in 1966 and reopened again in 1971 when the City of New York bought it with the intention of redevelopment. Great ships are still repaired there, and the Yard, now an industrial park with a variety of manufacturers and light industries, functions as a refuge from a city that has mostly forgotten that a mixed economy is a key to its survival. 

The Brooklyn Navy Yard, the first monograph by John Bartelstone, offers a quiet and striking look at the Yard as a time capsule of industrial New York. The Yard today is a fusion of the sublime and the practical, with eerie abandoned elements existing side by side with vibrant businesses. Bartelstone's camera is partial to the former. The images show a place out of time, where World War II New York is still palpable. Bartelstone has been photographing the buildings and structures of the Yard since 1994. His photographs are neither a history of the Navy Yard nor a depiction of its role as a modern industrial park; the book instead offers a structured impression of a dreamscape. The book has been printed in a limited run of 1000 collectible copies. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/D415-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D415-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D415-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-25</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-24" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>38</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.703089</Latitude>
  <Longitude>-73.990517</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/D717" href="http://www.nyartbeat.com/event/2010/D717">
  <Name>Greg Lindquist &quot;Nonpasts&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/EADF0DD8">
    <Name>Elizabeth Harris Gallery</Name>
    <Type>Gallery</Type>
    <Address>529 W 20th St., New York, NY 10011</Address>
    <Phone>212-463-9666</Phone>
    <Fax>212-463-9403</Fax>
    <Access>Between West Side Highway and 10th Ave. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_20">Chelsea 20th</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="1" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>In July, the gallery is closed on Saturdays. In August, only open by appointment.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[The Elizabeth Harris Gallery presents “Nonpasts,” an exhibition of recent paintings, sculpture, installation and works on paper by Greg Lindquist. While previously Lindquist has focused on the location and material-specific character of his paintings, he has recently begun to think about issues these sites evoke in a larger, more conceptual and historical context. As a negation of “past” and evoking the spaces in between tenses, “nonpast” recalls ideas of interstitial space such as Robert Smithson's ideas of non-sites and Rosalind Kraus's expansion of the forms and spaces defining boundaries of landscape, sculpture and architecture. In Lindquist's various depictions of architectural ruins (as near as Brooklyn and as far as the former Soviet Bloc country Georgia), “nonpasts” refer to a rich ambiguity of states, tenses and forms. While some architecture appears in a state of natural decomposition and abandonment of use, others suggest decaying incompletion or human-directed disassembly. In these temporal gray areas the dialectics of interior-exterior, complete-incomplete, new-old, value-valueless, and use-neglect dissolve and blur.

Reconsidering painting displayed as a discrete object at eye level, Lindquist has hung arrangements of clusters that suggest a presence of a grid and call attention to the paintings' edges and the spaces around them. The paintings become modules with which to play—slotting them together, pulling them apart. One might imagine them as hovering fragments of an incomplete modular system. Examining the role of photography as a source material, Lindquist explores the photograph as the obsessive segmenting of the world and the viewfinder as another kind of grid. In painting these views, distilled and reduced into their essential forms, he calls to mind the nature of memory as imperfect recollections of the mind.

The exhibition “Nonpasts” also marks Lindquist's exploration into sculpture. Creating over a dozen concrete boxes and indexical casts of its footprint, these sculptures call to mind funerary monuments, architectural columns, pedestals or coffins. In their serial forms and material sameness, Lindquist alludes to the minimalism of Donald Judd, Sol LeWitt and Carl Andre, yet in their rough-hewn materials and character he acknowledges incompleteness and disorder.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/D717-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D717-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D717-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.746167</Latitude>
  <Longitude>-74.0062</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/D73F" href="http://www.nyartbeat.com/event/2010/D73F">
  <Name>Robert Priseman &quot;No Human Way to Kill&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/164AD061">
    <Name>WHITE BOX</Name>
    <Type>Gallery</Type>
    <Address>329 Broome St., New York, NY 10002</Address>
    <Phone>212-714-2347</Phone>
    <Fax>212-714-2354</Fax>
    <Access>Between Bowery and Chrystie st. Subway: B/D/Q to Grand Street or J/M to Bowery Street.</Access>
    <Area areaId="lower_east_side">Lower East Side</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Prints</Media>
  <Description><![CDATA[This spring, White Box in association with Firstsite Contemporary Art is hosting a highly challenging exhibition of paintings and drawings of execution chambers in the USA by the critically acclaimed artist Robert Priseman. The exhibition is a part of Robert Priseman's extended &quot;Modern Means of Execution&quot; project which has been four years in the making. It was initially inspired by Nick Broomfield's television documentary on the execution of serial killer Aileen Wuornos. &quot;I was working on paintings of hospital interiors when I saw the documentary, and I became aware of similarities between the iconography of execution facilities and those of medical institutions,” explains Priseman. Originally shown at the Dazed Gallery in London, the book was launched in London and Paris in October with the support of Firstsite Contemporary Art. It opens with an account from Rev. Cathy Harrington whose daughter Leslie Ann Mazzara was lost to murder. Cathy negotiated a life sentence for her daughter’s murderer, Eric Copple, who had potentially been facing the death sentence. This is followed by a view of life from inside death row at San Quentin by PEN winner Anthony Ross who was a former Crips gang member alongside Stanley ‘Tookie’ Williams. Then former Texas prison Warden and Peabody recipient, Jim Willett, who oversaw 89 executions gives a detailed description of how an execution is carried out. A visit to see Robert Priseman's paintings and etchings of American execution chambers is no easy experience. Standing in front of the almost life-size paintings, you, as the visitor, are the only person in the painting and therefore the execution 'room'. There is no escaping from a full-on confrontation with the cruelty of the death penalty and the reality of your own mortality.

[Image: Robert Priseman &quot;Lethal Injection Gurney&quot; (2008)]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/D73F-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D73F-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D73F-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-15</DateStart>
  <DateEnd>2010-03-30</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-23" start="18:00:00" end="19:00:00">Opening Reception</Party>
 <DaysBeforeEnd>12</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719158</Latitude>
  <Longitude>-73.994158</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/D8FB" href="http://www.nyartbeat.com/event/2010/D8FB">
  <Name>Chris Twomey  &quot; Astral Fluff: Carnal Bodies in Celestial Orbit&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/AD09AD7D">
    <Name>CREON Gallery</Name>
    <Type>Gallery</Type>
    <Address>238 E 24 St., Suite 1B, New York, NY 10010</Address>
    <Phone>212-388-8812</Phone>
    <Fax></Fax>
    <Access>Between 3rd and 4th Ave. Subway: 6 and R/W to 23rd Street</Access>
    <Area areaId="flatiron_gramercy">Flatiron, Gramercy</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="1" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Media>3D: Installation</Media>
  <Media>Screen: Video installation</Media>
  <Description><![CDATA[In this newest installation, Twomey, known for conceptual fearlessness, bridges the gap between heaven and earth. Audio, film, and photographs enacting earthly endeavors float among the intangible fluffy stuff of dreams.

Twomey organizes this intimate gallery space into three discreet areas. A composition of about15 photographs of various sizes and shapes are grouped on the three walls of the entry room. The subject of the images express a variety of effort, and range from an abstract picture of skin touching skin, an old hand dialing a phone, to the corn-rowing of a young girls hair. These
subjects float against a dreamy grey backdrop depicting an instant of earthly reality.

The sounds from the next area draw the viewer into the main exhibition space, which is entirely lined and filled with fluffy, cloud-like material shimmering in the light. In and around the fluffy stuff, small DVD’s seem to float. They play video loops in which orchestrated sound and the subjects seen previously, are enacting and re-enacting their earthly actions with eerie resolve.
Exiting this space through an open door leading to the outdoor patio, one sees the culmination of the exhibition which provides the epiphany of this show. The essence of cloud nature seems to mix with that of the actual sky while a hypnotic and exotic DVD ties the conceptual threads together...]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/D8FB-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D8FB-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D8FB-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-17</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="22:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.738992</Latitude>
  <Longitude>-73.981822</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/D919" href="http://www.nyartbeat.com/event/2010/D919">
  <Name>Diane Barcelowsky &quot;So the Story Goes&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/1AD3043E">
    <Name>Sloan Fine Art</Name>
    <Type>Gallery</Type>
    <Address>128 Rivington St., New York, NY 10002</Address>
    <Phone>212-477-1140</Phone>
    <Fax></Fax>
    <Access>Corner of Norfolk St.  Subway: F/J/M/Z to Essex/Delancey</Access>
    <Area areaId="lower_east_side">Lower East Side</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails>fridays closinghour 20:00, saturdays closinghour 20:00</ScheduleDetails>
    <ScheduleNote>By appointment only July 19 through September 11, 2009.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Diane Barcelowsky returns to Sloan Fine Art with a new body of work, &quot;So the Story Goes.&quot; With an installation that includes mixed media elements and abstract and representational works on both paper and panel, Barcelowsky transforms the main gallery at Sloan Fine Art into a continuous, flowing narrative. Elaborate patterns of color, line and texture act as portals to another world. Vacant landscapes, flowing waterways, mysterious trails and roads all entice the viewer from one dreamlike narrative to the next. Once arrived, Barcelowsky’s impossible perspectives, saturated colors, fantasy characters and peculiar, yet familiar situations captivate the viewer in a voyeuristic trance. Each individual work is a stand-alone piece with a message of its own. Together they are an epic saga, rich with humor, tragedy and the contagious optimism that makes Barcelowsky’s work consistently engaging and compelling.

[Image: &quot;Diane Barcelowsky in her studio&quot; Photo courtesy Lauren Bilanko Photography]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/D919-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D919-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/D919-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-24</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-24" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719769</Latitude>
  <Longitude>-73.986883</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/E1B2" href="http://www.nyartbeat.com/event/2010/E1B2">
  <Name>&quot;A Wild Gander&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/8887592D">
    <Name>BRIC Rotunda Gallery</Name>
    <Type>Gallery</Type>
    <Address>33 Clinton St., Brooklyn, NY 11201</Address>
    <Phone>718-875-4047</Phone>
    <Fax>718-488-0609</Fax>
    <Access>Between Tillary and Pierrepont St. Subway: A/C at High Street, 2/3/4/5/M/R trains at Court Street/Borough Hall</Access>
    <Area areaId="dumbo_brooklyn">DUMBO, other Brooklyn</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Hours during exhibition only</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Photography</Media>
  <Media>3D: Installation</Media>
  <Media>Screen: Video installation</Media>
  <Description><![CDATA[BRIC Arts | Media | Bklyn presents A Wild Gander: Artists from the South Asian Women’s Creative Collective, a group exhibition curated by Baseera Khan , BRIC’s Assistant Curator for Contemporary Art. The South Asian Women’s Creative Collective (SAWCC) is a New York–based nonprofit organization dedicated to the advancement, visibility, and development of emerging and established South Asian women artists. 

A Wild Gander features Chitra Ganesh, Mala Iqbal, Jesal Kapadia, Yamini Nayar, and Divya Mehra, five New York–based artists. The title of the exhibition is drawn from Joseph Campbell’s collection of essays, The Flight of the Wild Gander, which references the Sanskrit concept of the paramahamsa, an enlightened spiritual teacher who transcends the mundane, just as geese (hamsa ) are able to transcend the earth through flight. This sage also feels at home both on water and on land, analogous to a person who adeptly negotiates disparate geopolitical cultural codes. The artists taking part in A Wild Gander do so, reflecting the complex issues that frame South Asian identity, whether based in gender, media representations, or politics.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/E1B2-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/E1B2-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/E1B2-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-25</DateStart>
  <DateEnd>2010-05-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-24" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>44</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.695328</Latitude>
  <Longitude>-73.991797</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/E680" href="http://www.nyartbeat.com/event/2010/E680">
  <Name>Alberto Di Fabio Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/BD565E74">
    <Name>Gagosian Gallery Madison Avenue</Name>
    <Type>Gallery</Type>
    <Address>980 Madison Ave., New York, NY 10075</Address>
    <Phone>212.744.2313</Phone>
    <Fax>212.772.7962</Fax>
    <Access>Between 76th and 77th St. Subway: 6 to 77th St.</Access>
    <Area areaId="upper_east_side">Upper East Side</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Gagosian Gallery presents an exhibition of recent paintings by Alberto Di Fabio.

Di Fabio's work is inspired by the fundamental laws of the physical world, as well as organic elements and their interrelation. His paintings and works on paper merge the worlds of art and science, depicting natural forms and biological structures in vivid color and imaginative detail. Throughout his abstract images, he has developed and expanded his interest in the natural world. In his early paintings, he examined the structures of flora and fauna, as well as eco- and astral systems, moving on to the study of genetics, DNA, and the synaptic receptors of the brain, and the realm of pharmaceutical and medical research.

In his latest work, Di Fabio investigates the perennial human fascination with the relationship between art and the cosmos, addressing the laws that regulate chaos in the universe, such as the theory of relativity and quantum theory. Di Fabio cites a broad range of influences and inspirations from Italian Futurist Giacomo Balla, to post-war modernists such as Enrico Castellani, Lucio Fontana, and Robert Ryman. Speed of Light (2009), for example, represents light rays in minimal form, meditating on the vastness and infinity of the medium. In this new series, Di Fabio expands his vision into meticulous detail using dots and strips of acrylic paint to interrupt the spatial field of the painting. Each of the multiple centers of the composition serves as both a cognitive and visual cue. 

[Image: Alberto Di Fabio &quot;Speed of Light&quot; (2009) Acrylic on canvas, 19 11/16 x 19 11/16 in.]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/E680-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/E680-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/E680-170" width="170" />
  <Karma>1.53317</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.774597</Latitude>
  <Longitude>-73.963408</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/ED7F" href="http://www.nyartbeat.com/event/2010/ED7F">
  <Name>Takashi Usui &quot;Recent works: Creature in the pink world”</Name>
  <Venue href="http://www.nyartbeat.com/venue/BC2CC396">
    <Name>Ise Cultural Foundation Gallery</Name>
    <Type>Cultural Center</Type>
    <Address>555 Broadway, New York, NY 10012</Address>
    <Phone>212-925-1649</Phone>
    <Fax>212-226-9362</Fax>
    <Access>Between Prince and Spring St. Subway: R/W to Prince Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Sundays by appointment</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[ISE Cultural Foundation presents the exhibition &quot;Takashi Usui Recent works: Creature in the pink world” by the Japanese artist Takashi Usui at the front project space.

&quot;The sexual instinct sways human existence and creates pain and ecstasy. Pain and ecstasy must exist together. It is this co-existence that makes the realization of each possible. Body and mind also live and let live. It is an unchangeable fact that the body is dying while the mind is growing. My work has progressed over time with these kinds of thoughts spinning through my mind.Neon Pink is Heaven, Cheap Sex, Whirling Baby toy, Circus, Drag Queen, The house of Luis Barragan, Coney Island, Southeast Asia, Vibrator, Easter Bunny, The Star Festival, Magic mushroom.... Coarse and Sharp, sore and pleasant for eyes. Neon pink is alway san exciting and special color for me. My work has evolved from Blood red to Neon pink since 2002. Since then, I feel that something is missing if I do not incorporate Neon Pink into my work. This exhibition I am going to show the lives of unnamed creatures that secretly thrive in this Neon Pink world. Please enjoy peeping into their stealthy lives.&quot; - Takashi Usui
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/ED7F-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/ED7F-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/ED7F-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-16</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>29</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.72385</Latitude>
  <Longitude>-73.998139</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/EFEF" href="http://www.nyartbeat.com/event/2010/EFEF">
  <Name>Anthony Lister “How to Catch a Time Traveler”</Name>
  <Venue href="http://www.nyartbeat.com/venue/7298302A">
    <Name>Lyons Wier Gallery</Name>
    <Type>Gallery</Type>
    <Address>175 7th Ave., New York, NY 10011</Address>
    <Phone>212-242-6220</Phone>
    <Fax></Fax>
    <Access>Between W 20th and W 21st St. Subway: C/E to 23rd Street</Access>
    <Area areaId="chelsea_east">East Chelsea</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails>sundays openinghour 12:00, sundays closinghour 18:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Other</Media>
  <Description><![CDATA[Lyons Wier Gallery presents Anthony Lister's second solo exhibition with the gallery, How to Catch a Time Traveler. The exhibition follows directly on the heals of Lister's 50-foot, site-specific mural, &quot;Red Dot&quot;, created for the Pulse Art Fair, NYC (2010), showcasing Lister's undeniable signature style that has garnered him international acclaim.

Known in the Low Brow movement for his intriguing, playful hybrid of street art, expressionism, and cubism all manifested in non-traditional media such as spray paint; Lister's new body of work shows the tongue-in-cheek frivolity of his earlier pieces developing (or decaying) into a more mature and disturbing direction. The deformities and un-done aesthetic resolve of Lister's work provides viewers with a concretization of contemporary societies' psyche - or, as the artist himself states, &quot;making the obvious more, well, obvious&quot;.

In his latest series, Lister continues his examination of pop culture and how a generation raised on American television processes and interprets the symbols and imagery of their youth. The result is gender bending cartoon characters, superheroes such as Wonder Woman and Bat Girl, and other villains of unusual shape and size, that uncover the unconscious sexual desires and repressed taboos embedded in these seemingly innocuous popular icons. The artist insists that his paintings have no overarching message or sociological comment, he simply sees his superheroes and villains as the classical gods and goddesses of our modern society, and likes to toy with the symbols and characters so many of us have grown up with.

The work contains a circular perspective, one that shifts between, even confuses the non-rational inner workings of the child and adult mind. Yet this inescapable paradox of the human condition, wherein we are at all times evolving from and dependent upon the experiences of youth, is unlocked by Lister's painterly antics, and revealed to be the utterly serious and impossibly ridiculous condition it is. Lister's practice is indeed about reality. A reality his work does not claim to resolve, but rather to question, loudly.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/EFEF-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/EFEF-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/EFEF-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-19</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>32</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.742383</Latitude>
  <Longitude>-73.996869</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/F24C" href="http://www.nyartbeat.com/event/2010/F24C">
  <Name>&quot;Design Thinking Is Design Doing&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/435D03CD">
    <Name>Eye Level BQE</Name>
    <Type>Gallery</Type>
    <Address>364 Leonard St., Brooklyn, NY 11211</Address>
    <Phone>917-660-4650</Phone>
    <Fax></Fax>
    <Access>Corner of Withers St. Subway: L to Graham Avenue or L to Bedford Avenue</Access>
    <Area areaId="williamsburg">Williamsburg</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>By appointment only. Email to eyelevelbqe@gmail.com to set a time to visit.</ScheduleNote>
  </Venue>
  <Media>3D: Installation</Media>
  <Media>3D: Product</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/F24C-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F24C-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F24C-170" width="170" />
  <Karma>0</Karma>
  <Price free="0"></Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-03-20</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-20" start="17:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>2</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.717095</Latitude>
  <Longitude>-73.948137</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/F3BD" href="http://www.nyartbeat.com/event/2010/F3BD">
  <Name>SOFTlab &quot;CHROMAesthesiae&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/AD4B385D">
    <Name>Devotion Gallery</Name>
    <Type>Gallery</Type>
    <Address>54 Maujer St, Brooklyn, NY 11206</Address>
    <Phone>803-386-8330</Phone>
    <Fax></Fax>
    <Access>Corner of Lorimer St. Subway: G/L to Metropolitan Avenue/ Lorimer Street</Access>
    <Area areaId="williamsburg">Williamsburg</Area>
    <OpeningHour>13:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="1" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>3D: Installation</Media>
  <Description><![CDATA[CHROMAesthesiae is a flourishing landscape of color, blooming across the ceiling in high contrast-gradated clusters. This installation is an investigation on the spatial and chromatic perception of space. SOFTlab uses modularity as a core modality in order to generate complexity from repetitive form, allowing for rapid expansion or contraction of every piece created. With the motto, &quot;everything changes,&quot; the ability to adapt and grow conceptually underpins their entire body of work. This customizable installation is made of discrete, laser cut paper structures held together with binder clips: everyday objects are repurposed and precisely recombined. Forms evolve and shift color throughout the exhibition.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/F3BD-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F3BD-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F3BD-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-05</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>18</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.710328</Latitude>
  <Longitude>-73.948406</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/F632" href="http://www.nyartbeat.com/event/2010/F632">
  <Name>Phyllis Smith &quot;The Brush or the Lens&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/7852D8D9">
    <Name>Viridian Artists, Inc.</Name>
    <Type>Gallery</Type>
    <Address>530 W 25th St., #407, New York, NY 10001</Address>
    <Phone>212-414-4040</Phone>
    <Fax>212-414-4040</Fax>
    <Access>Between 10th and 11th Ave. Subway: A/C/E to 34th Street or C/E to 23rd Street.</Access>
    <Area areaId="chelsea_25">Chelsea 25th</Area>
    <OpeningHour>10:30:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Although Smith's work as a painter may best be described as &quot;photorealistic,&quot; the difference between her work and that of other artists is that she not only uses select photograph as a “sketch” for future paintings, but exhibits photographs that she believes stand on their own with equal importance, in groupings along with the paintings. In this exhibition, Smith also has included a collection of photographs in a video presentation, which emphasizes her integrated versatility. 

The title of this show &quot;The Brush or the Lens&quot; represents the artist’s continuing commitment to expressing her fascination with nature through both photography and painting. Her meticulous concentration on detail in her paintings has frequently elicited the question &quot;Is that a painting or a photograph?&quot; In fact, one piece &quot;Autumn Leaves,&quot; a triptych, displays a photograph of a grouping of leaves on the forest floor, then a painting created from that original photograph, and finally, a photograph of that painting. The effect of this &quot;crossing of the boundaries&quot; leads one to marvel at the similarity of the three images. 

In her first solo exhibit at Viridian, Smith focused on what she referred to as &quot;complex microcosms found close to the earth.&quot; She described them as &quot;Naturescape&quot;. In the current exhibit, Smith has taken her love for nature one step further to demonstrate her technical precision again, this time with flowers. For example in her painting entitled &quot;Rose of Sharon&quot; she gently captures the flower's folds and shadows, as your eye takes in the finely veined, translucent petals illuminated by the sun. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/F632-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F632-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F632-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-16</DateStart>
  <DateEnd>2010-04-10</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-20" start="16:00:00" end="19:00:00">Opening Reception</Party>
 <DaysBeforeEnd>23</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749267</Latitude>
  <Longitude>-74.004028</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/FA0D" href="http://www.nyartbeat.com/event/2010/FA0D">
  <Name>Eric Ogden &quot;A Half-Remembered Season&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/2D7D678C">
    <Name>hous projects</Name>
    <Type>Gallery</Type>
    <Address>31 Howard St., 2nd fl., New York, NY 10013</Address>
    <Phone>212-941-5801</Phone>
    <Fax>212-965-0207</Fax>
    <Access>Between Broadway and Crosby St. Subway; N/R/4/5/6/J/M/Z to Canal Street.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[Eric Ogden chases mythical visions of his childhood in his photography by recreating situations infused with the unruly emotions he associated with the mysteries of everyday objects, such as toys, vacant lots and overgrown houses. Growing up in a working class Flint, Michigan neighborhood, he was ever curious and intrigued not only by his surroundings, but also by the people he encountered. Individuals moved through his young life that he found both terrible and wondrous, like those in the old horror films he indulged in watching. It was the power of suggestion that motivated him. All of those things that as a child you find surreal and are neither able to define, process nor digest, were burned into Ogden’s mind and are translated through his work. As one crosses the threshold to adulthood, these things and places that permeated one’s youth become suffused with nostalgia. Fact increasingly blends with fiction, memories and mysteries turn in on themselves and you question: is the truth what events you can recall? Or is the truth feelings you have about something even if it never happened?
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/FA0D-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FA0D-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FA0D-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-08</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="22:00:00">Opening Reception</Party>
 <DaysBeforeEnd>51</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719775</Latitude>
  <Longitude>74.000755</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/FE48" href="http://www.nyartbeat.com/event/2010/FE48">
  <Name>&quot;Optical Journey&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/959DA737">
    <Name>PaulaBarr Chelsea</Name>
    <Type>Gallery</Type>
    <Address>508 W 26th St., 9 Fl., New York, NY 10001</Address>
    <Phone>212-691-9482</Phone>
    <Fax></Fax>
    <Access>Between 10th and 11th Ave. Subway: C/E to 23rd Street.</Access>
    <Area areaId="chelsea_26">Chelsea 26th</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="1" thu="0" fri="0" sat="0" sun="1" hol="1" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[Optical Journey carries us through the breathtaking pictures of three artists playing with the infinite possibilities of photography. With this show, PaulaBarr chelsea underlines the power of variation.
 
Kristina Cahn holds a BFA in Photography from the State University of New York.  Art and travel have always been Cahn's strong passions. Through her lense, she captures everything from street riots in Croatia, the beaches of Normandy and the mountain peaks of Oregon.  She currently lives in New York City. She is an artist drawn towards a minimalist approach in her photography. Color and composition are also a key factor in expressing her vision in a more powerful way. Travel affords her the opportunity to capture images of inspiring countries and places.
 
Jack Dzamba brings an international sophistication to photography and design, having traveled and taken pictures in Europe, Russia, China, Canada, South America, and the United States. His work has won numerous awards in juried and international competitions, including in the 2007 Prix de la Photographie Paris, competition. Jack's image Remembrance, taken at the Louvre in Paris, was chosen in a National Juried Competition in 2003.  His work is published in two other books of photography, Like Sand from Orchid's Lips (2006) TCB- Caf� Publishing, San Francisco, and Incredible Eyes (2004) TCB - Caf� Publishing, San Francisco (2004). He has exhibited in group and solo shows in New York, Boston, and San Francisco. His work has been described as having a mystical quality, which draws you in as if the camera was never there. He has exhibited his &quot;Paris in New York, Boston and Paris&quot; series in solo shows at PaulaBarr chelsea. 

Carlos Vanegas was born in La Guajira, Colombia. His work in journalism and photography has been published in different magazines. In this show, he will present &quot;NYC:3N1&quot;, the latest photographic work of a multifaceted artist. It allows us to can take a glimpse through his eyes, the eyes of an immigrant. This work is a reflection of Vanegas' artistic evolution and peculiar way to perceive and explore the landmarks significant for him as immigrant.  &quot;My search as an artist is intertwined with my daily life.  My everyday occurs between the emblematic bridges of the New York, from there I develop my vision and my personal story&quot;, he says. 
 
Lauren Volo grew up in Connecticut. For the last six years, she has been working and living in the East Village of New York mentoring other photographers, and absorbing the industry. Recently she has been working on a few independent projects. Being behind a camera comes more naturally than a conversation.  From a dance, drawing, painting background, she had been drawn to the romantic and graceful side of art, and finds herself captivated by the people that surround her and places she travels.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/FE48-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FE48-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FE48-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-03-20</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>2</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.749678</Latitude>
  <Longitude>-74.003556</Longitude>
 </Event>

</Events>