<?xml version="1.0"?>
<Events>
 <Event xml:lang="en" id="2008/57D9" href="http://www.nyartbeat.com/event/2008/57D9">
  <Name>Walter de Maria &quot;The New York Earth Room&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/1A5F4ADF">
    <Name>Walter de Maria : The New York Earth Room</Name>
    <Type>Gallery</Type>
    <Address>141 Wooster St., New York NY 10012</Address>
    <Phone>212-989-5566</Phone>
    <Fax></Fax>
    <Access>Between W Houston St. and Prince St. Subway: R/W to Prince Street or B/D/F/V to Broadway-Lafayette Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[The New York Earth Room, 1977, is the third Earth Room sculpture executed by the artist, the first being in Munich, Germany in 1968. The second was installed at the Hessisches Landesmuseum in Darmstadt, Germany in 1974. The first two works no longer exist.

The New York Earth Room has been on long-term view to the public since 1980. This work was commissioned and is maintained by Dia Art Foundation.

photo credit: John Cliett.

]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2008/57D9-30" width="30" />
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  <Image src="http://www.nyartbeat.com/media/event/2008/57D9-170" width="170" />
  <Karma>1.44275</Karma>
  <Price free="1">Free</Price>
  <DateStart>0000-00-00</DateStart>
  <DateEnd>0000-00-00</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>0</DaysBeforeEnd>
  <PermanentEvent>1</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.725639</Latitude>
  <Longitude>-73.999867</Longitude>
 </Event>

 <Event xml:lang="en" id="2008/87CA" href="http://www.nyartbeat.com/event/2008/87CA">
  <Name>Walter De Maria &quot;The Broken Kilometer&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/F4420175">
    <Name>The Broken Kilometer</Name>
    <Type>Other</Type>
    <Address>393 West Broadway, New York NY 10012</Address>
    <Phone>212-989-5566</Phone>
    <Fax></Fax>
    <Access>Between Spring St. and Broome St. Subway: C/E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[The Broken Kilometer, 1979, located at 393 West Broadway in New York City, is composed of 500 highly polished, round, solid brass rods, each measuring two meters in length and five centimeters (two inches) in diameter. The 500 rods are placed in five parallel rows of 100 rods each. The sculpture weighs 18 3/4 tons and would measure 3,280 feet if all the elements were laid end-to-end. Each rod is placed such that the spaces between the rods increase by 5mm with each consecutive space, from front to back; the first two rods of each row are placed 80mm apart, the last two rods are placed 580 mm apart. Metal halide stadium lights illuminate the work which is 45 feet wide and 125 feet long.

This work is the companion piece to De Maria's 1977 Vertical Earth Kilometer at Kassel, Germany. In that permanently installed earth sculpture, a brass rod of the same diameter, total weight and total length has been inserted 1,000 meters into the ground.

The Broken Kilometer has been on long-term view to the public since 1979. This work was commissioned and is maintained by Dia Art Foundation.

All images of The Broken Kilometer are copyright Dia Art Foundation and may not be reproduced in any form without written permission from Dia Art Foundation. photo credit: Jon Abbott
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2008/87CA-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2008/87CA-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2008/87CA-170" width="170" />
  <Karma>2.09597</Karma>
  <Price free="1">Free</Price>
  <DateStart>0000-00-00</DateStart>
  <DateEnd>0000-00-00</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>0</DaysBeforeEnd>
  <PermanentEvent>1</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.724333</Latitude>
  <Longitude>-74.002211</Longitude>
 </Event>

 <Event xml:lang="en" id="2008/FC50" href="http://www.nyartbeat.com/event/2008/FC50">
  <Name>&quot;Visionaire 53: Sound&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/51B30273">
    <Name>Visionaire Gallery</Name>
    <Type>Gallery</Type>
    <Address>11 Mercer St., New York, NY 10013</Address>
    <Phone>212-274-8959</Phone>
    <Fax>212-343-2595</Fax>
    <Access>Between Grand and Canal St. Subway: A/C/E to Canal Street or N/Q/R/W to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Other</Media>
  <Media>Screen: Other</Media>
  <Description><![CDATA[An interactive exhibition of images and tracks from Visionaire 53. SOUND is currently on view at the Gallery.  Visionaire 53 consists of five 12-inch vinyl records, imprinted with images (picture discs), containing approximately 100 minutes of sound content featuring audio experiments, unreleased songs, samples, and spoken word pieces.

[Image: Anna Blessman and Peter Saville &quot;Heaven&quot; (2008)]]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2008/FC50-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2008/FC50-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2008/FC50-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>0000-00-00</DateStart>
  <DateEnd>0000-00-00</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>0</DaysBeforeEnd>
  <PermanentEvent>1</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.720378</Latitude>
  <Longitude>-74.002069</Longitude>
 </Event>

 <Event xml:lang="en" id="2009/2085" href="http://www.nyartbeat.com/event/2009/2085">
  <Name>James Juthstrom &quot;Rediscovered: Paintings from the Loft&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/E75F98E6">
    <Name>Westwood Gallery</Name>
    <Type>Gallery</Type>
    <Address>568 Broadway, New York NY 10012</Address>
    <Phone>212-925-3449</Phone>
    <Fax></Fax>
    <Access>Corner of Prince St. Subway: R/W to Prince Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Westwood Gallery presents a retrospective exhibition of 25 works of art representing the rediscovery of James Juthstrom (1925-2007).  Juthstrom was a dedicated artist who lived and worked in a SoHo loft for 50 years creating paintings, drawings, etchings and sculpture ranging from abstract to figurative. This reclusive artist moved in the circle of New York School artists and abstract expressionists.  

In the 1950’s Juthstrom studied at the Brooklyn Museum Art School focusing on line drawings and color relation similar to Milton Avery. Professor Bill Kienbusch (Modernist painter 1914-1980) described his work as ‘very exciting,-authentic, true conviction’ and Professor Reuben Tam (American Landscape painter, 1916-1991) wrote “Upon entering your exhibition I stood in a wonderful golden world where everything was radiant, strong and mysterious”. Juthstrom was recognized by critics early on and was included in numerous museum group exhibitions, including Whitney Museum of American Art, The Pennsylvania Academy of the Fine Arts, Detroit Institute of the Arts and Brooklyn Museum. He also had several solo exhibitions at galleries, including Gallery G in New York, which received a review in the New York Times, Paul Schuster Art Gallery in Cambridge and Landmark Gallery in New York. 

In the 1960’s through 80’s Juthstrom explored abstract expressionism, spending countless hours painting an infinite maze of colored circles, filling canvases up to twenty seven feet long. He applied various strokes or patterns with hidden formations visible only under light. His paintings reflected a fascination with the cosmos, mathematical formulas and biology, interspersed with personal anguish in his passion for art.   

In addition to large scale canvas paintings, Juthstrom worked extensively on paper and board. The paintings and drawings on paper embody Juthstrom’s progression throughout several decades. He also sculpted in wood, marble and metal, reducing figures to simple torsos and experimenting with geometrics.  

The paintings of the later period, 80’s and 90’s depict floorboards in his loft, with mysterious figures lurking in doorways or individuals engaged in a moment of contemplation. These figurative paintings, which followed years of abstract work, seem to be cathartic for the artist. The personal incidents in Juthstrom’s  history represented a source of stimulation in his work, such as the time he was hit be a taxi and saw stars, or when a girlfriend disappeared never to be seen again.  

In the last 30 years of his life Juthstrom removed himself from the commercialization of his artwork, even though he could have had representation. Juthstrom turned away from the art world, possibly due to fear of success or a jaded view of the business of art -- his truth was in the creation of art.  

Juthstrom died in May of 2007, leaving behind a legacy of his lifetime dedication. Since the release of his estate collection in fall of 2008, museums and collectors are reviewing the artwork for acquisition and discovering the history of this brilliant artist.  

[Image: James Juthstrom &quot;Balancing Act&quot; (c1990s) acrylic on canvas 68 x 70 in.]
 
 ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2009/2085-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2009/2085-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2009/2085-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2009-09-15</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.724047</Latitude>
  <Longitude>-73.997831</Longitude>
 </Event>

 <Event xml:lang="en" id="2009/457C" href="http://www.nyartbeat.com/event/2009/457C">
  <Name>&quot;Compost-Modern&quot; Discussion Forum</Name>
  <Venue href="http://www.nyartbeat.com/venue/AFA2C2BD">
    <Name>Dactyl Foundation for the Arts &amp; Humanities</Name>
    <Type>Museum</Type>
    <Address>64 Grand St., 1 Fl., New York, NY 10013</Address>
    <Phone>212-696-7800</Phone>
    <Fax></Fax>
    <Access>Between West Broadway and Wooster St. Subway: A/C/E to Canal Street.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>Saturdays 12am to 7 pm</ScheduleDetails>
    <ScheduleNote>All other times by appointment only</ScheduleNote>
  </Venue>
  <Media>Misc.: Art Talk</Media>
  <Description><![CDATA[&quot;CompostModern,&quot; a salon-style discussion forum, revolutionizing the way we present the work of poets and writers to the public. We have opened the floor to the community, bringing you in to participate in the planning, discussion, and hopes for the future of art, poetics and science. As the name implies, the CompostModern forum aims to re-cycle our rich aesthetic history. If the project of postmodernism was to deconstruct traditions, it has left us with a fertile soil out of which new forms may emerge. It is with the belief that all new forms of art must evolve from a history that we approach the guiding question of the forum: What is creativity? At each weekly meeting, Dactyl members, noted artists, poets, and scientists will be able to talk freely and on equal terms. We want to know your opinions, beliefs, values and theories about everything from beauty and meaning to pop-culture and hype. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2009/457C-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2009/457C-80" width="80" />
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  <Karma>0</Karma>
  <Price free="0">Free but riquire registration.   Write to info@dactyl.org to register. </Price>
  <DateStart>0000-00-00</DateStart>
  <DateEnd>0000-00-00</DateEnd>
  <ScheduleNote>Weekly open discussion on Wednesdays from 2:30 - 5 pm. </ScheduleNote>
  <DaysBeforeEnd>0</DaysBeforeEnd>
  <PermanentEvent>1</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722158</Latitude>
  <Longitude>-74.003267</Longitude>
 </Event>

 <Event xml:lang="en" id="2009/DAAA" href="http://www.nyartbeat.com/event/2009/DAAA">
  <Name>&quot;Rachel Beach and Nicole Stager&quot; Exhibiton</Name>
  <Venue href="http://www.nyartbeat.com/venue/23274AC1">
    <Name>92YTribeca Art</Name>
    <Type>Cultural Center</Type>
    <Address>200 Hudson St., New York, NY 10013 </Address>
    <Phone>212-601-1000</Phone>
    <Fax></Fax>
    <Access>Corner of Canal St.  Subway: 1, A/C/E to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>09:00:00</OpeningHour>
    <ClosingHour>00:00:01</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Daytime hours subject to change.</ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>2D: Photography</Media>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[92YTribeca presents the works of Rachel Beach and Nicole Stager – both formerly shown at Like the Spice gallery in Brooklyn – in an opening reception for this semi-permanent exhibit.

Brooklyn-dwelling, Ontario-born Rachel Beach creates works that have been described as “tough, precise and disciplined with a hard edged cheeriness.” Her wall-mounted sculptures – wooden portals and towers – rest on the border “between sculpture and painting, illusion and reality, masculine and feminine, representation, abstraction and decoration.” The portals literally take on the idea of a window, framing a section of wall or empty space in the gallery; the towers are architectural but can also seem at times like freestanding ornament. Each of these sculpture/paintings is designed to alter our visual perception of three-dimensional form.

Nicole Stager creates her work in the darkroom, drawing with handheld light sources in a process that combines the specificity of photography with the aesthetic of abstract painting. Time, color, shape and line are all uniquely presented in Stager’s work; the final product has far more to do with the interaction of light, shadow and chemistry than with the objects that produced them. A native of Pennsylvania, Stager is currently completing her MFA in New Media from the Transart Instituta at Danube University in Krems, Austria.

 ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2009/DAAA-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2009/DAAA-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2009/DAAA-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>0000-00-00</DateStart>
  <DateEnd>0000-00-00</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2009-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>0</DaysBeforeEnd>
  <PermanentEvent>1</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722981</Latitude>
  <Longitude>-74.007881</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/1201" href="http://www.nyartbeat.com/event/2010/1201">
  <Name>&quot;Shukar! Contemporary Art by Hungarian Roma Women&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/62E8F2E9">
    <Name>Hungarian Cultural Center</Name>
    <Type>Cultural Center</Type>
    <Address>447 Broadway, Fl. 5, New York, NY 10013</Address>
    <Phone>212-750-4450</Phone>
    <Fax></Fax>
    <Access>Between Howard and Grand Sts. Subway: N/Q/R/W/6/J/M to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Depends on each event.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[The Roma (Gypsies) are Hungary’s largest ethnic minority counting more than one million people. Until the second half of the 20th century, the representation of Gypsy art was the exclusive monopoly of non-Roma, defined usually as “folk art” or “naïve art.”  SHUKAR! presents a contemporary Roma art that is hardly naïve. Rather, it is critical, political, and above all, painterly. The works in SHUKAR! reflect upon the social role of women and their double-minority position in the Hungarian Roma community. Theses paintings are at once provocative and beautiful, asking viewers to reconsider the role of Roma women and Roma contemporary art.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/1201-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/1201-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/1201-170" width="170" />
  <Karma>0</Karma>
  <Price free="0">Depends on each event.</Price>
  <DateStart>2010-02-11</DateStart>
  <DateEnd>2010-04-08</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-02-11" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>21</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.720463</Latitude>
  <Longitude>-74.001189</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/1B4C" href="http://www.nyartbeat.com/event/2010/1B4C">
  <Name>&quot;Relief&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/6A652A8C">
    <Name>Broadway Gallery</Name>
    <Type>Gallery</Type>
    <Address>473 Broadway, 7 Fl., New York, NY 10013</Address>
    <Phone>212-274-8993</Phone>
    <Fax>212-274-6787</Fax>
    <Access>Between Grand St. and Broome St.  Subway: N/Q/R/W to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Other</Media>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[Relief is a group show curated  by Laura Jean Zito

Susanne Pitak Davis’s “Angel in a Flight of Fancy” leads the way on a journey into these artists’ imaginative meanderings. Annelies van Dommelen’s  “All is Well At Noon” is a calming assemblage of everyday objects elevated from the mundane by a bit of embossing. Stacie Speer Scott looking out an Italian window abstracts the lovely landscape, then sums up her Italian experience in a delightful cornucopia of memories. Barbara Keogh’s “Gourdian Knot” reflects on the nature of relationships, while her “Pineapple Friends” suggests her crusty characters have one. Their rough exteriors render Ron Berlin’s “Swimmer” all the more naked as do the gnarly barks of Stephanie Magdziak’s “Copper Beech” and “Pine Tree.” The wood of found objects is deemed holy by Phillip de Loach’s “Prayer Box,” and accentuated by Scott’s  “The Rose.” Kelly Irwin’s “High Class Beach,” a photo of a luxury tire buried in the sand, treats found objects in a different way. Simone di  Bagno’s “Suck It Up” playfully conceptualizes relief in a literal and  figurative way. Miguel Osorio juxtaposes marine elements in an elegantly-hued collage to create “The Reef.” Laura Jean Zito suggests abstraction using reality itself in ”The Red Sea.” Linus  Coraggio shows the  ever-changing nature of reality in “West Side Highway Before the George  Washington Bridge.” In his metal sculpture made from found objects, such as “Double-Afro Piston Head,” reality is turned on its head to be viewed as something entirely unexpected. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/1B4C-30" width="30" />
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  <Image src="http://www.nyartbeat.com/media/event/2010/1B4C-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-01</DateStart>
  <DateEnd>2010-03-31</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-04" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>13</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721476</Latitude>
  <Longitude>-74.000453</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/230C" href="http://www.nyartbeat.com/event/2010/230C">
  <Name>Zeng Han &quot;Cool Shanshui + Soul Stealer&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/03A13A09">
    <Name>Gallery 456 in Chinese-American Arts Council</Name>
    <Type>Gallery</Type>
    <Address>456 Broadway, 3 Fl., New York, NY 10013</Address>
    <Phone>212-431-9740</Phone>
    <Fax>212-431-9789</Fax>
    <Access>Between Grand and Howard St.. Subway: N/R/4/5/6/A/C/E/J/M/Z to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>17:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="1" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[The series of Cool Shanshui is Zeng Han's way of observation and consideration to Chinese traditional landscape painting, at the same time the outcome of his observing and describing the contemporary &quot;Shanshui&quot; while using the product of western science and culture: photography. 

&quot;Soul Stealer&quot; is a mysterious four-part series of portraits and landscapes, evaluating a theatrical and spiritual connection of modern and traditional role play between characters in ancient Chinese operas and those of global popular culture. The Soul Stealer series are: Part I: &quot;Landplay&quot; (from Anshun, Guizhou Province), Part II: &quot;Cosplay&quot; (Shenzhen), Part III:&quot;Mulian Opera&quot; (Shaoyang, Hunan Province), and Part IV: &quot;World of Warcraft&quot;(Chongqing).]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/230C-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/230C-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/230C-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-19</DateStart>
  <DateEnd>2010-04-07</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>20</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.720669</Latitude>
  <Longitude>-74.000775</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/24B7" href="http://www.nyartbeat.com/event/2010/24B7">
  <Name>Carissa Rodriguez Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/27F575F1">
    <Name>Swiss Institute Contemporary Art</Name>
    <Type>Cultural Center</Type>
    <Address>495 Broadway 3 Fl., New York, NY 10012</Address>
    <Phone>212-925-2035</Phone>
    <Fax>212-925-2040</Fax>
    <Access>Between Broome and Spring St., Subway: N/R to Prince Street, 6 to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Carissa Rodriguez is a New York based artist, writer and gallerist. In her work she addresses questions regarding authorship, originality and collective production. Her intervention at SI examines the function of the SI lobby as a transitory space.

Rodriguez’ first exhibition was in 1996 at American Fine Arts. She presented her first solo show at Forde, Geneva in 2000 under the curatorship of Mai-Thu Perret and Fabrice Stroun. From 2001-2002, Rodriguez attended the Whitney Museum Independent Study Program. 2004 marked her last participation in an art exhibition in New York at Greene Naftali and her entry into the gallery world as an art dealer at Reena Spaulings Fine Art.

]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/24B7-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/24B7-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/24B7-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-06</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-06" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722014</Latitude>
  <Longitude>-73.999689</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/253D" href="http://www.nyartbeat.com/event/2010/253D">
  <Name>Wim Zorn &quot;Once More With Feeling&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/6A652A8C">
    <Name>Broadway Gallery</Name>
    <Type>Gallery</Type>
    <Address>473 Broadway, 7 Fl., New York, NY 10013</Address>
    <Phone>212-274-8993</Phone>
    <Fax>212-274-6787</Fax>
    <Access>Between Grand St. and Broome St.  Subway: N/Q/R/W to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Wim Zorn is no stranger to new challenges. With an extensive array of visual styles from sculptural wall reliefs to abstract vistas, his body of work is vast and varied. It is this continual sense of pushing himself in new directions that has created an inspiring and impressive overture. Central to the work in this show is a sense of weight and matter on the two-dimensional surface. Matter is the common thread running through all objects and beings in the world, and it is here in Once More With Feeling, that the artist explores its elusive nature. From an elemental paring down of form and shape, to classic color theory, what sets this show apart is Zorn’s ability to resist conventional categorization.

Zorn’s artwork takes a psychological perspective of the “other”. His own relationships clearly inform his paintings and unique color palette. He layers colors to create both razor-sharp, and gauzy soft textures that harmoniously coexist in his work. This is perhaps best exemplified in his piece entitled Movements in Red. His colorful blending of passionate color with abstraction reveals his physical involvement in the work—the paint has been applied with fervor, leaving behind a verifiable artistic signature as testimony for the viewer.

Zorn’s striking paintings draw us into an enigmatic and sensual world of fantasy, seduction, and spirit. His work often appears formalist in its concerns; aesthetically the artist is equally drawn to isolated and quiet places—as he is to crowds and chaos. The one strand linking the various facets of Zorn’s work is his overwhelming sense of fluidity, swelling brushstroke, and his sumptuous approach to applying paint on canvas.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/253D-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/253D-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/253D-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-01</DateStart>
  <DateEnd>2010-03-31</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-04" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>13</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721476</Latitude>
  <Longitude>-74.000453</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/2833" href="http://www.nyartbeat.com/event/2010/2833">
  <Name>Carl Fudge &quot;Dazzle&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/942C5461">
    <Name>Ronald Feldman Fine Arts</Name>
    <Type>Gallery</Type>
    <Address>31 Mercer St., New York, NY 10013</Address>
    <Phone>212-226-3232</Phone>
    <Fax>212-941-1536</Fax>
    <Access>Between Grand and Canal St.. Subway: N/R/J/M/Z to Canal Street, or 4/5/6 to Spring Street.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Monday by appointment only.</ScheduleNote>
  </Venue>
  <Media>2D: Prints</Media>
  <Description><![CDATA[Carl Fudge, who combines digital technology with traditional art-making techniques, will exhibit unique prints that range from the monumental to the miniature. In his new series, Dazzle, he reconfigures woodcuts by Edward Wadsworth, a member of the short-lived British art movement called the Vorticists (1914-15). The Vorticists promoted a British brand of modernism which stressed geometric abstraction and the hard-edged precision of mechanical forms. Fudge further abstracts Wadsworth’s abstracted subjects – industrial scenes of North England and Dazzle ships, which were patterned with designs to confuse the enemy in World War I. Approaching abstraction conceptually, Fudge suggests correspondences between the utopian vision of the Industrial Age and our current infatuation with digital technology.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/2833-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/2833-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/2833-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-20</DateStart>
  <DateEnd>2010-04-03</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>16</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721097</Latitude>
  <Longitude>-74.001606</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/2CDA" href="http://www.nyartbeat.com/event/2010/2CDA">
  <Name>&quot;Joan Jonas&quot; Artist Talk</Name>
  <Venue href="http://www.nyartbeat.com/venue/2F230DB3">
    <Name>Location One</Name>
    <Type>Cultural Center</Type>
    <Address>26 Greene St., New York, NY 10013</Address>
    <Phone>212-334-3347</Phone>
    <Fax></Fax>
    <Access>Between Canal and Grand St. Subway: A/C/E to Canal Street or N/Q/R/W to Canal St.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>Misc.: Art Talk</Media>
  <Description><![CDATA[Bonnie Marranca and Claire MacDonald speak with Joan Jonas.

Drawing is an underlying practice and ongoing concern that Jonas has pursued throughout her life. All of Jonas’s performance drawings retain a working relationship to her individual video and installation projects. For Jonas, drawings can be lasting and autonomous objects or they may be ephemeral and destroyed during a performance. Jonas considers the act of drawing and the physical objects themselves (media on substrate), in terms of their relation to the camera, the monitor, the space, as well as their status of being descriptive, diagrammatic or iconic.

Drawing/Performance/Video will look at Jonas's drawings within the context of her performance and video work, including the groundbreaking work Double Lunar Dogs, originally performed in 1984, Lines in the Sand, The Shape the Scent the Feel of Things, Organic Honey's Vertical Roll and others. ]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-04-08</DateStart>
  <DateEnd>2010-04-08</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>21</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721233</Latitude>
  <Longitude>-74.002639</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/3466" href="http://www.nyartbeat.com/event/2010/3466">
  <Name>&quot;Iannis Xenakis: Composer, Architect, Visionary&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/99C01329">
    <Name>The Drawing Center</Name>
    <Type>Gallery</Type>
    <Address>35 Wooster St., New York, NY, 10013</Address>
    <Phone>212-219-2166</Phone>
    <Fax>212-966-2976</Fax>
    <Access>Between Broome St. and Grand St. Subway: A/C/E to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>saturdays openinghour 11:00</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Description><![CDATA[Iannis Xenakis: Composer, Architect, Visionary explores the fundamental role of drawing in the work of avant-garde composer Iannis Xenakis (1922–2001). One of the most important figures in twentieth-century music, Xenakis originally trained as an engineer and was also known as an architect, developing iconic designs while working with Le Corbusier in the 1950s. This North American premiere of Xenakis's visual work is comprised of samples of his pioneering graphic musings, architectural plans, compelling preparatory mathematical renderings, and pre-compositional sketches—in all, nearly 100 documents created between 1953 and 1984. The exhibition is accompanied by an exciting schedule of public programs, concerts, and symposia around New York City. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/3466-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3466-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3466-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-01-15</DateStart>
  <DateEnd>2010-04-08</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-01-14" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>21</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722333</Latitude>
  <Longitude>-74.002889</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/38CE" href="http://www.nyartbeat.com/event/2010/38CE">
  <Name>Tara Sinn and Rafaël Rozendaal Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/FF3B9854">
    <Name>Spencer Brownstone Gallery</Name>
    <Type>Gallery</Type>
    <Address>39 Wooster St., New York, NY  10013</Address>
    <Phone>212-334-3455</Phone>
    <Fax>212-274-1157</Fax>
    <Access>Between Grand and Broome St. Subway: A/C/E to Canal Street or N/R to Prince Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Summer Hours(July and August): Open11am to 6pm, Monday through Friday and Closed Saturday and Sunday</ScheduleNote>
  </Venue>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Spencer Brownstone presents a tandem exhibition featuring the work of Tara Sinn and Rafaël Rozendaal. Winter is a time marked by hostile weather and driven by extremes. Functioning as an immersive environment, this exhibition descends into a realm where the altered psychological state of winter operates as the norm, -the artworks simultaneously reveling and reviling in conflicting symptoms of indulgence and depravation, anxiety and detachment, mania and depression.

First conceived as a web animation (http://www.babydinosaureyes.com/xanax.html), Tara Sinn's XANAX utilizes typography and design tropes to address the limitations of pharmaceutical taxonomy, psychiatric medication, and its greater psychopharmacological concerns. Toying with the construction of the palindrome, Sinn blurs the lines between the austerity of official drug nomenclature and the contemporary nonchalant approach to recreational drug use. This exhibition will feature a new large-scale installation version of XANAX composed of suspended Mylar.
\
A full-fledged participatory installation, Rafaël Rozendaal's Broken Self was also originally concocted for the Internet (http://www.brokenself.com/). Using a minimal approach, the site consists of a blank browser window acting as a brittle medium that can be shattered with the mere click of the mouse. Whether interpreted as a release from an overly wired world or attributed to the continual breaking-down of the Self, the effect is one of blissful violence and purgative joy. In the installation version the screen is simply painted onto a concrete wall lit only via a rapid strobe. Participants engage by projecting glass bottles at the painted screen, creating a euphoric crash and a rain of broken glass. On the floor, the shards remain as they fell, accumulating and leaving a shiny residue of the creative destruction.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/38CE-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/38CE-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/38CE-170" width="170" />
  <Karma>0.977023</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-27</DateStart>
  <DateEnd>2010-03-28</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-02-27" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>10</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722367</Latitude>
  <Longitude>-74.002678</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/3E2A" href="http://www.nyartbeat.com/event/2010/3E2A">
  <Name>Duncan Campbell &quot;Make It New John&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/88719A99">
    <Name>Artists Space</Name>
    <Type>Cultural Center</Type>
    <Address>38 Greene St., 3rd Fl.,  New York, NY 10013</Address>
    <Phone>212-226-3970</Phone>
    <Fax>212-966-1434</Fax>
    <Access>Corner of Grand St. Subway: A/C/E to Canal Street or N/R to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>Wednesdays open until 8pm, Saturdays open until 5pm</ScheduleDetails>
    <ScheduleNote>Closed on July 4th</ScheduleNote>
  </Venue>
  <Media>Screen: Film</Media>
  <Description><![CDATA[Make It New John (2009) tells the story of the legendary DeLorean car, its creator John DeLorean and the workers of the Belfast-based car plant who built it. Campbell's film deftly contrasts the DeLorean dream with its spectacular downfall during a critical period in Northern Ireland's history, and the canonization of the car- the DMC12- as a symbol of the American myth of mobility.

As with Campbell's earlier works such as Bernadette (2008) and Falls Burns Malone Fiddles (2003), Make It New John (2009) fuses the documentary aesthetic with fictive moments, using existing archival news and documentary footage from the 1980s as well as new passages of 16mm film shot by Campbell, imagining a conversation between DeLorean factory workers.

Make It New John (51 minutes) will be screened every hour on the hour.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/3E2A-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3E2A-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/3E2A-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-09</DateStart>
  <DateEnd>2010-05-01</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-09" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>44</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721553</Latitude>
  <Longitude>-74.002064</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/46C9" href="http://www.nyartbeat.com/event/2010/46C9">
  <Name>Zhang Gong &quot;Miss Panda&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/F5F95143">
    <Name>Eli Klein Fine Art</Name>
    <Type>Gallery</Type>
    <Address>462 W Broadway, New York, NY 10012</Address>
    <Phone>212-255-4388</Phone>
    <Fax>212-255-4316</Fax>
    <Access>Between Houston and Prince St.  Subway: 1 to Houston Street, C/E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[Eli Klein Fine Art  presents Zhang Gong’s first solo exhibition in the United States. Zhang Gong’s work parodies instantly recognizable Western art, demonstrating the effect of Western popular culture on contemporary Chinese society.

In his most recent works, Zhang Gong incorporates cartoon characters with scenes from modernist Western paintings and other popular images. These juxtapositions simultaneously satirize and question ideas about what constitutes high art and originality. His own unique creation, Miss Panda, interacts with the Western characters in chaotic scenes. Miss Panda often finds her way into famous Western paintings, reminding the viewer that Western art, once banned, has now been assimilated into the collective consciousness of modern Chinese society. Through his works, Zhang Gong brings historic and contemporary art into dialogue with one another.

Zhang Gong’s paintings record the change in Chinese society and a shift toward a more global outlook. The characters from Western media are instantly familiar to their audience. The cartoon nature of the pieces implies humor, yet the subdued colors, repetition of the characters, and incongruity with their surroundings causes tension.


]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/46C9-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/46C9-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/46C9-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-04</DateStart>
  <DateEnd>2010-04-22</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="3" date="2010-03-04" start="18:00:00" end="20:00:00">Reception For The Artist</Party>
 <DaysBeforeEnd>35</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.726333</Latitude>
  <Longitude>-74.000636</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/6902" href="http://www.nyartbeat.com/event/2010/6902">
  <Name>Five One Person Exhibitions and One Two-Person Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/AE8D95AF">
    <Name>OK Harris Works of Art</Name>
    <Type>Gallery</Type>
    <Address>383 W Broadway, New York, N.Y., 10012</Address>
    <Phone>212-431-3600</Phone>
    <Fax>212-925-4797</Fax>
    <Access>Between Spring St. and Broome St. Subway: C/E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Open Tuesday - Friday 12-5pm in July and closed all of August and December 25 - December 28</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Media>2D: Photography</Media>
  <Description><![CDATA[Through the medium of graphite powder, George Hrycun's drawings depict three dimensional shadows; a sustained record of objects that are no longer present.  The objects creating the shadow have been removed. What remains is the shadow alone, a visual forum for the discrepancy between perception and comprehension.

Mike Baur uses industrial materials to make artifacts that have all the physical presence of forms shaped by natural forces.   His sculpture inhabits a world beyond formalistic concerns where the most common materials transcend their origins.   This is a selection of recent sculpture by a mature artist who fully understands the unique power of the three-dimensional object.

Subdued, textured cityscapes are Spanish artist Alejandro Quincoces' subjects for his masterworks of understatement. Atmospheric and melancholy, the astuteness of the observation is intensified by a roughshod, frenetic surface texture that obliterates any sense of polish and leads the viewer deeply into the agonized beauty of the urban universe. The execution of the paintings transcends any attempt to name or identify the specific locales depicted, and they are instead realized as prototypical, iconic megalopolitan vistas.

Steve Gross and Susan Daley's series of black and white silver gelatin photographs are the result of a twenty year long exploration of the vernacular architecture and landscape in a remote county in upstate NY. The images are a narrative of a disappearing yet stoic way of life as shown in the timeworn, often abandoned buildings that are slowly dissolving back into the land.  The images transcend one particular place and time and speak of collective memories and mysteries.

Cara Wood Ginder's paintings appear as small blackboards with miniature &quot;chalk&quot; drawings in the corners.  In the center, Wood-Ginder paints a tightly realistic object from her everyday life, which when surrounded by drawings that apparently have no relation to the painting, create another dimension for the viewer.

[Steve Gross and Susan Daley &quot;Shew Hollow&quot; (1998) silver gelatin print, 11 x 14 in.]
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/6902-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6902-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/6902-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-27</DateStart>
  <DateEnd>2010-04-03</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-02-27" start="15:00:00" end="17:00:00">Opening Reception</Party>
 <DaysBeforeEnd>16</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.723861</Latitude>
  <Longitude>-74.002486</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/75C7" href="http://www.nyartbeat.com/event/2010/75C7">
  <Name>Nick Relph Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/7E1DB1CC">
    <Name>Gavin Brown's Enterprise</Name>
    <Type>Gallery</Type>
    <Address>620 Greenwich St., New York, NY 10014</Address>
    <Phone>212-627-5258</Phone>
    <Fax></Fax>
    <Access>Corner of Leroy St. Subway: 1 to Houston Street.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Summer Hours: Monday – Friday 10am - 6 pm.</ScheduleNote>
  </Venue>
  <Media>2D: Other</Media>
  <Media>Screen: Video installation</Media>
  <Description><![CDATA[Gavin Brown’s enterprise is pleased to present the first solo exhibition of Nick Relph. The show comprises video, collage, and works on paper. Since 2000 Nick Relph has made work with his collaborator Oliver Payne. Theirvsolo exhibitions together include Kunsthalle Zurich (2004); Serpentine Gallery,vLondon (2005); and Confort Moderne, Poitiers (2008). In 2003 they werevawarded the Golden Lion at the Venice Biennale, and their work is included in thevcollections of Centre Georges Pompidou, Paris; Tate, London; and the Museum
of Modern Art, New York among others.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/75C7-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/75C7-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/75C7-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-06</DateStart>
  <DateEnd>2010-04-03</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-06" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>16</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.730397</Latitude>
  <Longitude>-74.008208</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/7838" href="http://www.nyartbeat.com/event/2010/7838">
  <Name>&quot;The Haggadah for All Seasons: Szyk's Passover Masterpiece&quot; Gallery Talk</Name>
  <Venue href="http://www.nyartbeat.com/venue/966B27CD">
    <Name>The Broome Street Gallery</Name>
    <Type>Gallery</Type>
    <Address>498 Broome St., New York, NY 10012</Address>
    <Phone>212-226-6085</Phone>
    <Fax></Fax>
    <Access>Corner of W. Broadway.  Subway: A/C/E to Canal St or E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>Misc.: Art Talk</Media>
  <Description><![CDATA[Lecture by Irvin Ungar on &quot;The Haggadah for All Seasons: Szyk's Passover Masterpiece&quot;

]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-04-18</DateStart>
  <DateEnd>2010-04-18</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>31</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.723417</Latitude>
  <Longitude>-74.002689</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/7C0F" href="http://www.nyartbeat.com/event/2010/7C0F">
  <Name>&quot;Refresh&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/AD344CA8">
    <Name>CHRISTINA RAY</Name>
    <Type>Gallery</Type>
    <Address>30 Grand St., New York, NY 10013</Address>
    <Phone>212-334-0204 </Phone>
    <Fax></Fax>
    <Access>Between Thompson St. and 6th Ave. Subway: A/C/E to Canal Street.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="1" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Media>2D: Prints</Media>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Description><![CDATA[Ray states, “I’m thrilled to celebrate this moment in the growth of our program as we head into spring featuring new artists in the gallery and preparing to exhibit with the upcoming Pulse and Fountain art fairs. As we evolve, our mission remains to discover and present the most important contemporary artwork that explores the concept of psychogeography by re-imagining the relationships between people and places.”

Artists featured in Refresh share a common interest in the boundaries between psychological and physical space. In the title piece of the exhibition, California artist Jim Ringley’s highway scene depicts a car racing away from the viewer. While the image appears to offer the hope of a quick escape into a promising future, the picture plane remains still beneath its effervescent surface. Paloma Crousillat similarly extends the viewer’s focus into a space of imagination with her hard-edged renderings of large-scale telescopes. Born in Lima, Peru and based in Brooklyn, Crousillat’s work is informed by the systems and frameworks of space, language and beliefs.

Gregory Euclide, whose work will be exhibited for the first time at the gallery, is an artist and teacher living in the Twin Cities region of Minnesota. Knowledge gained in childhood of the complexity and interconnectedness of his rural environment grounds his appreciation for contemplative experiences in nature. Euclide’s three-dimensional works break through the flat surface of traditional landscape paintings and include media as diverse as cassette tapes, moss, ribbon and lead.

Pablo Helguera, a New York-based artist working in installation, sculpture, photography, drawing, and performance presents work in collage that questions the cultural, historical and social relationships between reality and fiction. Helguera has exhibited and performed internationally, and notably in New York at the Brooklyn and Bronx Museums of Art, P.S.1 and El Museo del Barrio. Montreal artist Alice Jarry’s multi-layered silkscreen works on paper also hover on the border between landscape and imagination, where motifs and found archival images come together in a richly-textured series of dreamy, portentous compositions.

Matthew Northridge and Jill Sylvia round out the list of artists in Refresh. Both artists are new to the gallery and will present works on paper along with sculptural installations. Northridge, whose work has been exhibited at museums including the New Museum of Contemporary Art, the Brooklyn Museum of Art and the National Academy Museum, presents two new pieces incorporating maps that examine scale, compression and rules governing spatial systems. His work has recently been acquired by the Hirshhorn Museum. San Francisco-based artist Sylvia uses a drafting knife to painstakingly remove the cells of traditional ledger paper, leaving behind a delicate lattice expressing time and the futility of labor. The flat, empty grids turn three-dimensional as the artist re-organizes them into spatial constructions in which the notion of value confronts the void.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/7C0F-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7C0F-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/7C0F-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-04</DateStart>
  <DateEnd>2010-04-18</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>31</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722936</Latitude>
  <Longitude>-74.004558</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/88ED" href="http://www.nyartbeat.com/event/2010/88ED">
  <Name>Andro Wekua &quot;Books, Editions and the Like&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/27F575F1">
    <Name>Swiss Institute Contemporary Art</Name>
    <Type>Cultural Center</Type>
    <Address>495 Broadway 3 Fl., New York, NY 10012</Address>
    <Phone>212-925-2035</Phone>
    <Fax>212-925-2040</Fax>
    <Access>Between Broome and Spring St., Subway: N/R to Prince Street, 6 to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Prints</Media>
  <Description><![CDATA[Andro Wekua (born in Georgia 1977, lives and works in Berlin) has been described as a master of suggestion. Wekua finds his drawn, collaged or sculptural images are located in a no man's land between East and West, aesthetic exactness and improvisation, confidence and melancholy. His highly visual scripts play with his past and fictionalize it.

The SI Reading Room is proud to present a selection of Wekua’s books and editions, which have never been displayed together. In his use of printing techniques the artist is obsessed with refinement. Some of his lithographs build upon on no less than ten different color plates. A large variety of books accompanies his artistic production and include collaborations with Rita Ackermann, Boris Groys and Ketuta Alexi.

]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/88ED-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/88ED-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/88ED-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-06</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-06" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722014</Latitude>
  <Longitude>-73.999689</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/903D" href="http://www.nyartbeat.com/event/2010/903D">
  <Name>Andrea Garuti  &quot;Riflex &amp; Hong Kong Diary&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/D0FAC3F4">
    <Name>CVZ Contemporary</Name>
    <Type>Gallery</Type>
    <Address>446 Broadway, Fl.3, New York, NY 10013</Address>
    <Phone>212-625-0408</Phone>
    <Fax>212-625-9305</Fax>
    <Access>Between Grand &amp; Howard Sts.  Subway: N/R/6 to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>By appointment. Some open hours during exhibitions.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/903D-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/903D-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/903D-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-10</DateStart>
  <DateEnd>2010-04-10</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-02-10" start="18:30:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>23</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.720417</Latitude>
  <Longitude>-74.000911</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/9322" href="http://www.nyartbeat.com/event/2010/9322">
  <Name>Zhao Bo &quot;Vibrant City&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/F5F95143">
    <Name>Eli Klein Fine Art</Name>
    <Type>Gallery</Type>
    <Address>462 W Broadway, New York, NY 10012</Address>
    <Phone>212-255-4388</Phone>
    <Fax>212-255-4316</Fax>
    <Access>Between Houston and Prince St.  Subway: 1 to Houston Street, C/E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>19:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[li Klein Fine Art  presents Zhao Bo’s second solo exhibition in New York, his first at the Gallery. Through his paintings, Zhao Bo records the monumental cultural and political shifts in China, shown from the perspective of Chinese people. China’s opening to the West in the late 1980s ushered in a new era and these paintings provide a snapshot into this unique period. He clashes Communist and contemporary icons together in the same scene, revealing that Chinese society is more interested in adapting to contemporary culture than adhering to staid traditionalism.

Mocking the social realist propaganda of Communist China, Zhao Bo replaces the ideal Chinese worker or citizen with an ostentatious cartoon. The bright colors and enthusiastic poses express the vitality and exuberance of this new Chinese generation. Rather than revering Chairman Mao and principles of Communism, these wide-eyed figures revel in the glow of billboards and luxury goods. Yet, their placement in front of important Communist markers, such as Mao’s tomb or signs proclaiming, “Long live the people,” is a constant reminder of the government’s presence.


]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/9322-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9322-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/9322-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-04</DateStart>
  <DateEnd>2010-04-22</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="3" date="2010-03-04" start="18:00:00" end="21:00:00">Reception For The Artist</Party>
 <DaysBeforeEnd>35</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.726333</Latitude>
  <Longitude>-74.000636</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/B979" href="http://www.nyartbeat.com/event/2010/B979">
  <Name>Martin Parr &quot;Luxury&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/CE06CBFC">
    <Name>Janet Borden</Name>
    <Type>Gallery</Type>
    <Address>560 Broadway, New York NY 10012</Address>
    <Phone>212-431-0166</Phone>
    <Fax>212-274-1679</Fax>
    <Access>Between Prince and Spring St. Subway: R/W to Prince Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/B979-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/B979-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/B979-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-09</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.724003</Latitude>
  <Longitude>-73.997953</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/BB86" href="http://www.nyartbeat.com/event/2010/BB86">
  <Name>&quot;Drawn Together: Works on Paper&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/8D37ABA3">
    <Name>The Leslie/Lohman Gay Art Foundation</Name>
    <Type>Other</Type>
    <Address>26 Wooster St., New York, NY 10013</Address>
    <Phone>212-673-7007</Phone>
    <Fax></Fax>
    <Access>Between Grand and Canal St. Subway: A/C/E to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Description><![CDATA[The Leslie/Lohman Gallery presents Drawn Together, a three-part exhibition of well over 500 works on paper. Curated by Rob Hugh Rosen, this show contains both drawings of men together and images of men created by men drawing together.

In addition to the more than 150 framed pieces in Drawn Together, the exhibition also includes The Big Wall of Little Drawings, an entire wall of the gallery featuring hundreds of smaller, unframed works (5&quot; x 6&quot; to 8&quot; x 10&quot;) affordably priced between $60 and $160. Moreover, gallery visitors can peruse portfolios containing well over 100 more unframed works on paper (8&quot; x 10&quot; and larger) starting at $120.

Says curator, Rob Hugh Rosen, &quot;The idea behind Drawn Together is two-fold: first is giving artists an opportunity to exhibit images that unequivocally and proudly express homosexual friendship, love and lust. Secondly, in a difficult financial period, this show provides a venue for artists to sell works and for collectors to purchase some great artwork at a variety of price-points.&quot; 
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/BB86-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/BB86-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/BB86-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-17</DateStart>
  <DateEnd>2010-04-03</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-02-16" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>16</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.7217</Latitude>
  <Longitude>-74.003164</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/C04E" href="http://www.nyartbeat.com/event/2010/C04E">
  <Name>&quot;Brucennial 2010: MISEDUCATION&quot; Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/8868B975">
    <Name>350 West Broadway</Name>
    <Type>Other</Type>
    <Address>350 West Broadway, New York, NY 10012</Address>
    <Phone></Phone>
    <Fax></Fax>
    <Access>Between Broome St. and Grand St.  Subway: A/C/E to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Depends on events.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>2D: Drawing</Media>
  <Media>2D: Photography</Media>
  <Media>3D: Sculpture</Media>
  <Media>3D: Installation</Media>
  <Media>Screen: Video installation</Media>
  <Media>Misc.: Performance Art</Media>
  <Description><![CDATA[The Bruce High Quality Foundation announces the opening of The BRUCENNIAL 2010: Miseducation on February 25th at 6pm. 

Since its founding, the BRUCENNIAL has evolved into The Bruce High Quality Foundation's signature public program, as well as the most important survey of contemporary art in the world ever. Following the triumphant successes of BRUCENNIAL08: Doing it Again (Bushwick) and BRUCENNIAL09: Smithumenta (Carol Gardens), BRUCENNIAL2010: Miseducation brings together 420 artists from 911 countries working in 666 discrete disciplines to reclaim education as part of an artist's ongoing practice beyond the principals of any one institution or experience.

I think the Brucennial is like—in the life of the people—it’s like an anniversary in the life of people. The people, they need moments to celebrate themselves and that’s what a Brucennial is. The Brucennial happens every two years, or really, you know, whenever we feel like it, and it’s a moment of celebration of the history of the people—of the reason why the people exist, of the nature of the people. Again, it’s like a person. If not there would be a flux of time without an interruption and I think that as people, people are live entities and they need to have some moments where they recognize this liveliness of their existence.   
-Francesco Bonami]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/C04E-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C04E-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C04E-170" width="170" />
  <Karma>5.87503</Karma>
  <Price free="0">Depends on events.</Price>
  <DateStart>2010-02-26</DateStart>
  <DateEnd>2010-04-12</DateEnd>
  <ScheduleNote>WED – SUN, 12 – 6 pm</ScheduleNote>
 <Party type="1" date="2010-02-25" start="18:00:00" end="23:59:00">Opening Reception</Party>
 <DaysBeforeEnd>25</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722869</Latitude>
  <Longitude>-74.003558</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/C05B" href="http://www.nyartbeat.com/event/2010/C05B">
  <Name>Ryan McGinley &quot;Everybody Knows This Is Nowhere&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/5AC9BC2D">
    <Name>Team Gallery</Name>
    <Type>Gallery</Type>
    <Address>83 Grand St., New York, NY 10013</Address>
    <Phone>212-279-9219</Phone>
    <Fax>212-279-9219</Fax>
    <Access>Between Greene St. and Wooster St. Subway: A/C/E or N/Q/R/W to Canal St</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[For his latest exhibition, Ryan McGinley has shifted his focus away from constructing a youthful sublime within the boundless American landscape and has concentrated instead on creating imagery within the confines of his New York studio. The result is a surprisingly restrained, open-ended study of black and white portraiture. Here we see McGinley not as a chronicler of youthful adventure, but as an engine for an almost scientific cataloging of a kind of emotional optimism.

McGinley's portraits are the result of a meticulous studio practice, in which thousands of images are taken of each sitter; each shoot eventually being edited down to its one defining &quot;moment&quot;. During the course of two years, McGinley photographed about 150 hand-picked subjects from across the globe. Bringing these models into his studio and stripping them of their clothing, the artist has succeeded in answering his own question: &quot;What would a classical Ryan McGinley black and white portrait look like?&quot;

In addition to the black and white photographs, the exhibition will also include three large-scale images in color, which locate the other works within the continuity of McGinley's oeuvre.  Characteristically exuberant, these photographs add a narrative backdrop to the exhibition, which initiates an ambiguous loop between the two approaches. McGinley's photographs have always mined the space between chaos and control, negotiating the space between the really-real and the only-apparently-so. In this exhibition the push and pull of nature and the studio, of sumptuous color and its absence, create a dynamic tension.

]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/C05B-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C05B-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C05B-170" width="170" />
  <Karma>3.3054</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-17</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>30</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721708</Latitude>
  <Longitude>-74.002433</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/C0B3" href="http://www.nyartbeat.com/event/2010/C0B3">
  <Name>Rosson Crow &quot;Bowery Boys&quot; </Name>
  <Venue href="http://www.nyartbeat.com/venue/EA06220E">
    <Name>Deitch Projects (Wooster St.)</Name>
    <Type>Gallery</Type>
    <Address>18 Wooster St., New York, NY 10013</Address>
    <Phone>212-343-7300</Phone>
    <Fax>212-343-2954</Fax>
    <Access>Between Grand and Canal St.  Subway: A/C/E to Canal Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[This exhibition of large-scale oil paintings explores the history of “bad boys” in underground art and as an agent of culture in New York City.

From the flamboyance of a wild-style bombed train pulling into a subway station in the 80s to a haunting red opium den from Chinatown in the 1880s, Rosson explores the rebellious and lawless side of New York City history. Rendered in hallucinatory layers of oil paints and washes, her theatrical confabulations collapse centuries and synthesize styles to reveal the multiply haunted nature of interior space and the affinities that align across time.

Large and in charge, one painting features a superimposition of the stained glass windows of gothic Bowery Mission onto the interior of its odd Bowery neighbor, the New Museum; a second pairs a vintage New York City sex club, Plato’s Retreat, with the new Andre Balazs’ Boom Boom Room and a Bruce Nauman neon; a third adorns a 1800s barber shop with 80s Allen Ruppersburg texts from the MoMA in bold Brillo Box (and Deitch) colors. Some canvasses straightforwardly conjure the artist’s imagining of “bad boy” dens or lairs without the historical hybridization: Kenny Scharff’s black light disco Cosmic Cavern, Dash Snow and Dan Colen’s NEST exhibition at Deitch Projects, or Keith Haring’s more child-friendly Pop Shop.

Rosson has always shown a marked interest in masculine spaces; she has previously painted saloons, gun shops, oil derricks, rodeos, stock market floors, and many incidents in the arguably male-dominated tradition of modern art. Here she imaginatively explores the idea of the “bad boy” as fawned over by art audiences and celebrated in New York City history. How has a spirit of illegality and rebellious youth shaped the New York City cultural landscape? Gangs, graffiti, gays, drugs and illicit sex are part of the city’s spirit but also a big part of the art world today. How has New Yorkers’ love for this spirit shaped the history of art and exhibitions today? The cultural moment in underground New York when hip-hop met graffiti met the east village scene in the 80s led to an art explosion of interdisciplinary activity. Many of these paintings explore that moment and its legacy for artists working right now.

The canvasses themselves are big, bold, and unabashedly entertaining. As philosophically minded as Rosson may be, she is certainly not afraid to be sexy and fun. The scale and flung paint may be visually very macho, but the paintings are ladylike as well; and Rosson is the type of feminist who sees “ladylike” as the compliment that it is. Her frank, punk, post-gender attack is more personal than political, and more imaginative than expository; or in simpler terms, more badass.

This exhibition has a bit of a self-reflexive feel as well, as the history of Deitch Projects is aligned with the cultural trends explored in Rosson’s paintings. Jeffrey Deitch is an instrumental figure in maintaining and shaping the legacies of the 80s Rosson addresses, and the current position of Deitch Projects as exhibiting and supporting the current generation of rebellious youth and underground art from this lineage is very much in the forefront of Rosson’s mind. By exploring these themes in paint Rosson claims them for her own as well, loves and hates aspects of them, but paints herself into the discussion nonetheless.

Rosson Crow is a young lady from Texas living in New York City via Los Angeles and Paris. A contemporary hybrid version of a traditional history painter, Rosson moved to the New York City for six months to research and execute this exhibition. Her shows often relate to the history of the city in which they are exhibited: a Paris show at Nathalie Obadia featured the gardens of Versailles, Fontainebleau and the Loire chateaux crossed with Las Vegas casino floors; a Los Angeles show at Honor Fraser Gallery featured famous LA architecture and Dwight Yoakam; while her last exhibition, Texas Crude, at White Cube in London, focused belching black oil rigs in Texas and Francis Bacon butcher shops. This exhibition will be accompanied by a catalogue.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/C0B3-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C0B3-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C0B3-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-04</DateStart>
  <DateEnd>2010-03-27</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>9</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721453</Latitude>
  <Longitude>-74.003247</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/C1F5" href="http://www.nyartbeat.com/event/2010/C1F5">
  <Name>Simon Dybbroe Møller &quot;The Demon of Noontide&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/D12CAB79">
    <Name>Harris Lieberman</Name>
    <Type>Gallery</Type>
    <Address>89 Vandam St., New York, NY 10013</Address>
    <Phone>212-206-1290</Phone>
    <Fax>212-604-0203</Fax>
    <Access>Between Greenwich and Hudson Sts.  Subway: 1 to Houston Street or C/E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="1" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Media>Screen: Film</Media>
  <Media>Misc.: Performance Art</Media>
  <Description><![CDATA[Harris Lieberman presents The Demon of Noontide, the first U.S. solo exhibition of Danish artist Simon Dybbroe Møller. In his latest body of work, Møller addresses the fallacy of progress - particularly as it underlies the avant-gardist paradigm of artistic development and the unrelenting pace of technological advancement. The artist's paintings, performance, and videos signal neither a celebration nor a critique of progress, but rather by foregrounding their conceptual and process-based iterations, introduce a cyclical alternative to this dominant model.

Three films in the back gallery follow the exhibition's recurring character as he engages in mundane tasks like driving a car, working in the office and retrieving an article of clothing from a dry cleaning carousel. In lieu of diegetic audio, a string quartet accompanies these videos by precisely imitating every sound produced by the featured machinery. While bringing to mind a whole array of films either made in celebration or critique of technological progress, this &quot;symphony of machines&quot; instead merely exhibits sensuality within monotony. With unapologetic neutrality, he short videos give us mechanized, fragmented and emptied time.
A new series of paintings span the walls of the main gallery, comprising inkjet prints of photographs of canvas that Møller has applied, with wallpaper paste, to actual canvases. As the paste and water sap colors from the printouts, Møller's brushstrokes gradually appear: functional marks that incidentally double as signs of expressive technique. Here the most commonly used machine for image reproduction - the household printer - becomes a chance producer of images of alchemic qualities.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/C1F5-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C1F5-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C1F5-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-05</DateStart>
  <DateEnd>2010-04-03</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-05" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>16</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.726778</Latitude>
  <Longitude>-74.008083</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/C85D" href="http://www.nyartbeat.com/event/2010/C85D">
  <Name>George Kontos &quot;Adventures Are Dead My Dears&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/59C7C562">
    <Name>Renwick Gallery</Name>
    <Type>Gallery</Type>
    <Address>45 Renwick St., New York, NY 10013</Address>
    <Phone>212-609-3535</Phone>
    <Fax>212-609-3533</Fax>
    <Access>Between Spring St. and Canal St. Subway: 1 to Canal Street or C/E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>00:00:00</OpeningHour>
    <ClosingHour>00:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>3D: Sculpture</Media>
  <Media>Screen: Film</Media>
  <Description><![CDATA[In the first of two films, The Vision portrays a motorcyclist riding along an abandoned stretch of the Greek National Highway, a public bridge project left incomplete. The rider views impossible vantages, and explores the boundaries of his territory and waterfront terrain. Kontos uses his main character to do the work of protagonist, producer, scout and viewer, in a film that may have already or may never materialize. The second film, What Was Done, further fragments and distorts possible plausible explanations. Here we see various detritus and weathered objects including film reels, scouting reports, and props, depicted in a common anthropological film style. The fluidity of time is particularly enhanced in this and the sculptural objects and drawings.

The sculpture, set atop a mirrored pedestal, which absorbs the surrounding works into it's field, has the anti-veneer and markings of a recently rediscovered archeological artifact from the not too distant future. Each object incorporates modern technologies, yet they are well worn. The drawings feature carefully precise renderings of utopian design motifs, images of disasters, and registration marks in the form of movie posters and storyboards.

The normal sequences which establish order between a script and a film, a sketch and a sculpture, an abandoned set prop and its eventual rediscovery are conflated. Fictions, proposals, treatments and visions are the motives and materials of Kontos' art. George Kontos was born in Trikala, Greece, and he currently lives and works in Los Angeles. Originally trained as an architect at the Artistotle University of Thessaloniki, Greece, he went on to receive his MFA from CalArts in 2005. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/C85D-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C85D-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/C85D-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-27</DateStart>
  <DateEnd>2010-04-03</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>16</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.725028</Latitude>
  <Longitude>-74.008444</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/CA7A" href="http://www.nyartbeat.com/event/2010/CA7A">
  <Name>Joan Jonas Drawing/Performance/Video</Name>
  <Venue href="http://www.nyartbeat.com/venue/2F230DB3">
    <Name>Location One</Name>
    <Type>Cultural Center</Type>
    <Address>26 Greene St., New York, NY 10013</Address>
    <Phone>212-334-3347</Phone>
    <Fax></Fax>
    <Access>Between Canal and Grand St. Subway: A/C/E to Canal Street or N/Q/R/W to Canal St.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Drawing</Media>
  <Media>Screen: Video installation</Media>
  <Media>Misc.: Performance Art</Media>
  <Description><![CDATA[Location One is proud to present Drawing/Performance/Video, a new exhibition by Joan Jonas that highlights the role of drawing in the artist’s performance and video work. 

Joan Jonas is a pioneer of video-performance art. Her experiments and productions in the late 1960s and early 1970s were essential to the formulation of the genre. Threads of Jonas’s influence can be found in many genres; from performance and video to conceptual art and theater. Jonas has worked with composers such as Alvin Lucier and Jason Moran to develop video-performance works. Her work continues to explore the relationship of digital media to performance. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/CA7A-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CA7A-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/CA7A-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-20</DateStart>
  <DateEnd>2010-05-08</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-19" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>51</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721233</Latitude>
  <Longitude>-74.002639</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/D75C" href="http://www.nyartbeat.com/event/2010/D75C">
  <Name>Christopher Chiappa &quot;High Fructose Corn Syrup&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/4E3F1B1A">
    <Name>Kate Werble Gallery</Name>
    <Type>Gallery</Type>
    <Address>83 Vandam St., New York, New York 10013</Address>
    <Phone>212-352-9700</Phone>
    <Fax></Fax>
    <Access>Between Hudson and Greenwich St.  Subway: C/E to Spring Street or 1 to Houston Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Media>3D: Sculpture</Media>
  <Media>Screen: Film</Media>
  <Description><![CDATA[Kate Werble Gallery presents Christopher Chiappa's first solo show in eight years, High Fructose Corn Syrup.  In this exhibition, Chiappa employs self-portraiture as a technique to heighten psychological and cultural decay. The title, High Fructose Corn Syrup, is a reference to the artist’s transition from adolescence into adulthood, and his realization of the disappointment of human experience. A daily Coke drinker, he hit puberty just as Coca Cola’s formula switched from using sugar to high fructose corn syrup.

Chiappa uses a simple switch of the ordinary to emphasize an omnipresent disequilibrium in the photographic portrait of the artist in his studio, I Always Knew It Would Come To This. Wearing his usual self-dictated uniform of a white shirt, black pants and Nike Prefontaines, the picture represents the madness of the everyday – his shirt is on his legs and his pants and shoes on his arms and torso with his head popping out of a hole cut in the crotch.

Cloaking the gallery in black plastic, Chiappa aims to push the viewer to re-evaluate the physical gallery:  anything can happen within the space.  His uniquely American sculpture, Cornball, becomes a handmade icon; a basketball covered in kernels of corn. Cornball layers one recognizable American thing onto another, referencing pop culture as well as Koons’ suspended basketballs.

Unordinary tension builds within Hermit Crab, a video manipulating common childhood pet Hermit Crabs in a way that depicts power and abuse. The artist’s head is cropped out of each frame as he methodically glues each of the twenty-five hermit crab shells together to form a circle. The crabs’ behavior during the gluing evokes human struggle and strategies for coping as a group. Although the crabs were not hurt in any way, an unsettling, uncomfortable feeling prevails.
 ]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-05</DateStart>
  <DateEnd>2010-04-10</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-05" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>23</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.726636</Latitude>
  <Longitude>-74.007636</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/DAC6" href="http://www.nyartbeat.com/event/2010/DAC6">
  <Name>Tobias Madison Exhibition</Name>
  <Venue href="http://www.nyartbeat.com/venue/27F575F1">
    <Name>Swiss Institute Contemporary Art</Name>
    <Type>Cultural Center</Type>
    <Address>495 Broadway 3 Fl., New York, NY 10012</Address>
    <Phone>212-925-2035</Phone>
    <Fax>212-925-2040</Fax>
    <Access>Between Broome and Spring St., Subway: N/R to Prince Street, 6 to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>3D: Installation</Media>
  <Media>Screen: Film</Media>
  <Description><![CDATA[Tobias Madison’s first US solo show is a newly commissioned project in two parts. Hydrate + Perform consists of many large acrylic tanks, each filled with a different flavor of Vitamin Water. The stunning blocks of pastel color create a counter rhythm to the columns that support the gallery space on Broadway. Other display cases frame synthetic plants, Pollock-ized with drips of paint. Large color prints of Compact Discs scanned and warped constitute wall panoramas. The various layers form a landscape unfolding different states of artificiality.

The second part of the exhibition entitled Yes I Can! The Movie: Preview pairs Madison’s notorious flag paintings with a short film shot in 2009. The road movie leading from Switzerland to Mongolia tracks the use of monuments and brutalist architecture on the way. The flags are embezzled from Radisson Hotels, their slogan Yes I can! crudely appropriated. Stretched as if they are the real thing and pimped with oil paint by different collaborators, they enter art history through the service door. Herewith the status of painting is naturally demystified by Madison.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/DAC6-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/DAC6-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/DAC6-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-06</DateStart>
  <DateEnd>2010-04-24</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-06" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>37</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.722014</Latitude>
  <Longitude>-73.999689</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/E5C5" href="http://www.nyartbeat.com/event/2010/E5C5">
  <Name>&quot;Joan Jonas&quot; Artist Talk</Name>
  <Venue href="http://www.nyartbeat.com/venue/2F230DB3">
    <Name>Location One</Name>
    <Type>Cultural Center</Type>
    <Address>26 Greene St., New York, NY 10013</Address>
    <Phone>212-334-3347</Phone>
    <Fax></Fax>
    <Access>Between Canal and Grand St. Subway: A/C/E to Canal Street or N/Q/R/W to Canal St.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>Misc.: Art Talk</Media>
  <Description><![CDATA[Linda Nochlin speaks with Joan Jonas, moderated by Jovana Stokic, curator of the Abramovic Studio at Location One]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-24</DateStart>
  <DateEnd>2010-03-24</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>6</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.721233</Latitude>
  <Longitude>-74.002639</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/E6AB" href="http://www.nyartbeat.com/event/2010/E6AB">
  <Name>Posoon Park Sung &quot;Being and Soul&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/F3BD3C96">
    <Name>June Kelly Gallery</Name>
    <Type>Gallery</Type>
    <Address>166 Mercer Street, Fl. 3, New York, NY 10012</Address>
    <Phone>212-226-1660</Phone>
    <Fax></Fax>
    <Access>Between Houston and Prince St. Subway: R/W to Prince Street or B/D/F/V to Broadway-Lafayette Street, 6 to Bleecker</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Closed in August.</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[An exhibition of enigmatic and haunting new paintings by Posoon Park Sung entitled Being and Soul, works that emphasize the search for hope and strength despite obstacles that fate brings to our lives, is currently on view at June Kelly Gallery. “The dreamlike, intuitive nature of Park Sung’s artworks demonstrate an abiding faith that we are put on a path for a purpose, even if our efforts to follow that path are thwarted or abandoned,” says art writer Jonathan Goodman in the exhibition catalogue.

Park Sung lives and works in New York City, Tampa, Florida and Seoul, Korea. She received a bachelor’s degree from Hong-Ik University, College of Art in Seoul, Korea, and a master’s degree from Pennsylvania State University.

]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/E6AB-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/E6AB-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/E6AB-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-12</DateStart>
  <DateEnd>2010-04-06</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>19</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.725325</Latitude>
  <Longitude>-73.997769</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/EBA2" href="http://www.nyartbeat.com/event/2010/EBA2">
  <Name>Lisa Grue &quot;Owls Have More Fun&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/549544C8">
    <Name>gallery hanahou</Name>
    <Type>Gallery</Type>
    <Address>611 Broadway, Suite 730, New York, NY 10012</Address>
    <Phone>646-486-6586</Phone>
    <Fax>646-486-7622</Fax>
    <Access>Corner of Houston St.  Subway: B/D/F/V to Broadway/Lafayette </Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="1" sun="1" hol="0" />
    <ScheduleDetails>Saturdays by appointment.</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Illustration</Media>
  <Description><![CDATA[Owls Have More Fun is a solo show of works by Danish artist Lisa Grue featuring the artist's bold and exuberant nature illustrations on custom-made wallpaper, handprinted porcelain plates, and more. Lisa, known for her playful and sometimes shocking illustrations that mix girlishness with feminism, puts her spin on owl and nature motifs, surrounding viewers with a magical world via domestic objects. The show will comprise a large, custom-made wallpaper, 100 handprinted porcelain plates, and a rug, all customized with Lisa's black and white illustrations that mix owls, flowers, and words. Limited-edition prints will also be available. Lisa's powerful and fun illustrations remind viewers to never forget the magic in everyday life. In addition, they make a statement to girls and women that wisdom and beauty go hand in hand. And of course, Lisa's artwork reminds us all to love and take care of our natural world. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/EBA2-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/EBA2-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/EBA2-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-02-25</DateStart>
  <DateEnd>2010-03-27</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-02-25" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>9</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.725678</Latitude>
  <Longitude>-73.996744</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/ED7F" href="http://www.nyartbeat.com/event/2010/ED7F">
  <Name>Takashi Usui &quot;Recent works: Creature in the pink world”</Name>
  <Venue href="http://www.nyartbeat.com/venue/BC2CC396">
    <Name>Ise Cultural Foundation Gallery</Name>
    <Type>Cultural Center</Type>
    <Address>555 Broadway, New York, NY 10012</Address>
    <Phone>212-925-1649</Phone>
    <Fax>212-226-9362</Fax>
    <Access>Between Prince and Spring St. Subway: R/W to Prince Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote>Sundays by appointment</ScheduleNote>
  </Venue>
  <Media>2D: Painting</Media>
  <Description><![CDATA[ISE Cultural Foundation presents the exhibition &quot;Takashi Usui Recent works: Creature in the pink world” by the Japanese artist Takashi Usui at the front project space.

&quot;The sexual instinct sways human existence and creates pain and ecstasy. Pain and ecstasy must exist together. It is this co-existence that makes the realization of each possible. Body and mind also live and let live. It is an unchangeable fact that the body is dying while the mind is growing. My work has progressed over time with these kinds of thoughts spinning through my mind.Neon Pink is Heaven, Cheap Sex, Whirling Baby toy, Circus, Drag Queen, The house of Luis Barragan, Coney Island, Southeast Asia, Vibrator, Easter Bunny, The Star Festival, Magic mushroom.... Coarse and Sharp, sore and pleasant for eyes. Neon pink is alway san exciting and special color for me. My work has evolved from Blood red to Neon pink since 2002. Since then, I feel that something is missing if I do not incorporate Neon Pink into my work. This exhibition I am going to show the lives of unnamed creatures that secretly thrive in this Neon Pink world. Please enjoy peeping into their stealthy lives.&quot; - Takashi Usui
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/ED7F-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/ED7F-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/ED7F-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-04-16</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="20:00:00">Opening Reception</Party>
 <DaysBeforeEnd>29</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.72385</Latitude>
  <Longitude>-73.998139</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/F27A" href="http://www.nyartbeat.com/event/2010/F27A">
  <Name>Matt Campbell &quot;Out of the Black&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/549544C8">
    <Name>gallery hanahou</Name>
    <Type>Gallery</Type>
    <Address>611 Broadway, Suite 730, New York, NY 10012</Address>
    <Phone>646-486-6586</Phone>
    <Fax>646-486-7622</Fax>
    <Access>Corner of Houston St.  Subway: B/D/F/V to Broadway/Lafayette </Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>12:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="1" sun="1" hol="0" />
    <ScheduleDetails>Saturdays by appointment.</ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Media>3D: Sculpture</Media>
  <Description><![CDATA[&quot;Out of the Black&quot; is a solo show of new works by artist and creative director Matt Campbell. In the artist's words: &quot;This work embodies the state of mankind today and our imprint on the planet. We take natural resources and create garbage and pollution. We invade the habitats of other life forms and take them over and drive them out. We know it’s bad but we can’t stop - because we love all the cool shiny new stuff we make. We love technology - we love Tuna and we just want to keep eating it.&quot;
 
The creatures in this show have been all been created, loved, abandoned and finally entombed in a symbolic black rubber skin. 
Wrenched out of the blue (the natural living world) and thrown into the black (the artificial or “dead” world that we create). 
They are sad but also, simultaneously, shiny and attractive. They possess an iconic beauty despite their bedraggled state. They’re Cute yet Dark - whimsical but cynical. It's curious that we’re attracted to this interesting mix of characteristics. Is it to do with our conflicted nature? We love to create and marvel at life - but even the smallest child, male or female, instinctively revels in destruction and curiously kills a bug out of wonder.
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/F27A-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F27A-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F27A-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-04-01</DateStart>
  <DateEnd>2010-04-30</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-04-01" start="19:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>43</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.725678</Latitude>
  <Longitude>-73.996744</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/F638" href="http://www.nyartbeat.com/event/2010/F638">
  <Name>&quot;The Jewish State through the Art of Arthur Szyk&quot; Gallery Talk</Name>
  <Venue href="http://www.nyartbeat.com/venue/966B27CD">
    <Name>The Broome Street Gallery</Name>
    <Type>Gallery</Type>
    <Address>498 Broome St., New York, NY 10012</Address>
    <Phone>212-226-6085</Phone>
    <Fax></Fax>
    <Access>Corner of W. Broadway.  Subway: A/C/E to Canal St or E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>Misc.: Art Talk</Media>
  <Description><![CDATA[Lecture by Irvin Ungar on &quot;The Jewish State through the Art of Arthur Szyk&quot;
]]></Description>
  <Image src="http://www.nyartbeat.com/resources/images/nopic" width="30" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_80" width="80" />
  <Image src="http://www.nyartbeat.com/resources/images/nopic_170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-04-20</DateStart>
  <DateEnd>2010-04-20</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>33</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.723417</Latitude>
  <Longitude>-74.002689</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/F82E" href="http://www.nyartbeat.com/event/2010/F82E">
  <Name>Josef Albers &quot;Formulation : Articulation, 1972&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/7A3CE2C9">
    <Name>Peter Blum Gallery (Soho)</Name>
    <Type>Gallery</Type>
    <Address>99 Wooster St., New York, NY 10012</Address>
    <Phone>212-343-0441</Phone>
    <Fax>212-343-0523</Fax>
    <Access>Between Spring St. and Prince St. Subway: R/W to Prince Street or C/E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails>saturdays openinghour 11:00</ScheduleDetails>
    <ScheduleNote>Summer Hours (July 8 - August 1): Monday - Friday, 10 am-6 pm. Closed August 2-25.</ScheduleNote>
  </Venue>
  <Media>2D: Prints</Media>
  <Description><![CDATA[Published by Harry N. Abrams and Ives and Sillman, just 4 years before Albers’ death in 1976, Formulation : Articulation is a collection of 127 silkscreen plates, 121 in color, organized into two portfolios, each containing 33 folders on which one, two, or four silkscreen plates are printed. The portfolio is accompanied by a text with Albers’ notes on each of the plates. Albers refers to these notes as “Statements of Content” in which he discusses the design and color selections and often comments on the work in relation to the plate previous to it. In fact, Albers took great care in selecting the order of the plates to create particular juxtapositions or series of his visual explorations.

Over a period of two years of concentrated work, Albers, while in his eighties, created the prints for Formulation : Articulation. The collection is not a retrospective of past works, yet the images represent a gathering of over 4 decades of the artist’s investigation into color, perception, and abstraction.

From his iconic Homage to the Square series, to lesser-known images, the prints display the optical possibilities of color and design. Ever the consummate teacher, Formulation : Articulation can be seen as a summation of the artist’s pedagogy. Albers’ writing, work, and teaching profoundly influenced a generation of artists and visual arts instruction the world over. ]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/F82E-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F82E-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/F82E-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-12</DateStart>
  <DateEnd>2010-05-08</DateEnd>
  <ScheduleNote></ScheduleNote>
  <DaysBeforeEnd>51</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.7244</Latitude>
  <Longitude>-74.000958</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/FA0D" href="http://www.nyartbeat.com/event/2010/FA0D">
  <Name>Eric Ogden &quot;A Half-Remembered Season&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/2D7D678C">
    <Name>hous projects</Name>
    <Type>Gallery</Type>
    <Address>31 Howard St., 2nd fl., New York, NY 10013</Address>
    <Phone>212-941-5801</Phone>
    <Fax>212-965-0207</Fax>
    <Access>Between Broadway and Crosby St. Subway; N/R/4/5/6/J/M/Z to Canal Street.</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>10:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="0" tue="0" wed="0" thu="0" fri="0" sat="0" sun="1" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Photography</Media>
  <Description><![CDATA[Eric Ogden chases mythical visions of his childhood in his photography by recreating situations infused with the unruly emotions he associated with the mysteries of everyday objects, such as toys, vacant lots and overgrown houses. Growing up in a working class Flint, Michigan neighborhood, he was ever curious and intrigued not only by his surroundings, but also by the people he encountered. Individuals moved through his young life that he found both terrible and wondrous, like those in the old horror films he indulged in watching. It was the power of suggestion that motivated him. All of those things that as a child you find surreal and are neither able to define, process nor digest, were burned into Ogden’s mind and are translated through his work. As one crosses the threshold to adulthood, these things and places that permeated one’s youth become suffused with nostalgia. Fact increasingly blends with fiction, memories and mysteries turn in on themselves and you question: is the truth what events you can recall? Or is the truth feelings you have about something even if it never happened?
]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/FA0D-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FA0D-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FA0D-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-03-18</DateStart>
  <DateEnd>2010-05-08</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-03-18" start="18:00:00" end="22:00:00">Opening Reception</Party>
 <DaysBeforeEnd>51</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.719775</Latitude>
  <Longitude>74.000755</Longitude>
 </Event>

 <Event xml:lang="en" id="2010/FAB1" href="http://www.nyartbeat.com/event/2010/FAB1">
  <Name>Arthur Szyk &quot;Methods of a Master Illuminator&quot;</Name>
  <Venue href="http://www.nyartbeat.com/venue/966B27CD">
    <Name>The Broome Street Gallery</Name>
    <Type>Gallery</Type>
    <Address>498 Broome St., New York, NY 10012</Address>
    <Phone>212-226-6085</Phone>
    <Fax></Fax>
    <Access>Corner of W. Broadway.  Subway: A/C/E to Canal St or E to Spring Street</Access>
    <Area areaId="soho">Soho</Area>
    <OpeningHour>11:00:00</OpeningHour>
    <ClosingHour>18:00:00</ClosingHour>
    <DaysClosed mon="1" tue="0" wed="0" thu="0" fri="0" sat="0" sun="0" hol="0" />
    <ScheduleDetails></ScheduleDetails>
    <ScheduleNote></ScheduleNote>
  </Venue>
  <Media>2D: Illustration</Media>
  <Media>2D: Drawing</Media>
  <Description><![CDATA[The focal point of the show will be works from a newly discovered 1910s sketchbook, works that reveal a confident young Szyk experimenting with Art Nouveau, medieval illumination, Polish folk art, and political caricature. These early sketches and studies, which offer invaluable insight into the development of Szyk’s methods and style, will be juxtaposed with works from later phases of the artist’s career. 

A Paris-educated Polish Jew who escaped Europe in the wake of the Holocaust, Szyk is best-known for his World War II caricatures and exquisite watercolor and gouache illuminated miniatures, many of which were published as illustrated fine art books, such as his famous Passover Haggadah.]]></Description>
  <Image src="http://www.nyartbeat.com/media/event/2010/FAB1-30" width="30" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FAB1-80" width="80" />
  <Image src="http://www.nyartbeat.com/media/event/2010/FAB1-170" width="170" />
  <Karma>0</Karma>
  <Price free="1">Free</Price>
  <DateStart>2010-04-13</DateStart>
  <DateEnd>2010-04-25</DateEnd>
  <ScheduleNote></ScheduleNote>
 <Party type="1" date="2010-04-13" start="18:00:00" end="21:00:00">Opening Reception</Party>
 <DaysBeforeEnd>38</DaysBeforeEnd>
  <PermanentEvent>0</PermanentEvent>
  <Distance>0</Distance>
  <Datum>wgs84</Datum>
  <Latitude>40.723417</Latitude>
  <Longitude>-74.002689</Longitude>
 </Event>

</Events>