C. C. Wang “Lines of Abstraction”

Hunter College Bertha & Karl Leubsdorf Art Gallery

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C. C. Wang (1907–2003) is best known as a preeminent twentieth-century connoisseur and collector of pre-modern Chinese art, a reputation that often overshadows his own art. Held twenty years after the artist’s death, C. C. Wang: Lines of Abstraction recenters Wang’s extraordinary career on his own artistic practice to reveal an original quest for tradition and innovation in the global twentieth century. Spanning seven decades, the exhibition focuses on the artist’s distinctive synthesis of Chinese ink painting and American postwar abstraction.

In concert with the exhibition, the Hunter College Art Galleries are producing a comprehensive catalogue published in collaboration with the Weisman Museum of Art at the University of Minnesota and Hirmer Publishers. Edited by Wen-shing Chou and Daniel M. Greenberg the publication C. C. Wang: Lines of Abstraction is the first retrospective monograph on the renowned artist, collector, and connoisseur.

C .C. Wang: Lines of Abstraction is curated by Wen-shing Chou and Daniel M. Greenberg with Hans Hofmann Graduate Curatorial Fellow Margaret Liu Clinton and was developed through a two-semester curatorial seminar at Hunter College led by Professor Wen-shing Chou with M.A. Art History students Thais Bignardi-Engstrom, Carolyn Bishop, Rawls Bolton, Jeremy Gloster, Sophie Kaufman, Emerald Lucas, Lindsey Poremba, Jennie Tang, and Mia Ye.

C .C. Wang: Lines of Abstraction is made possible by the generous support of the James Howell Foundation, the Leubsdorf Fund, the Wolf Kahn Foundation and Emily Mason and Alice Trumbull Mason Foundation on behalf of artists Emily Mason and Wolf Kahn, and the Renate, Hans, and Maria Hofmann Trust.