Sanford Biggers “Codeswitch”

The Bronx Museum of the Arts

poster for Sanford Biggers “Codeswitch”
[Image: Sanford Biggers "Khemetstry" (2017) Courtesy the artist and Marianne Boesky Gallery.]
Bookmark this event [0]
Recommend this event [0]

 

Ends in 50 days

Sanford Biggers: Codeswitch is the first survey of quilt-based works by the New York-based interdisciplinary artist. The solo show features over 60 quilt-based works by the artist that seamlessly weave American history into a broader context of global traditions and styles.

For over two decades, Biggers has been developing a singular body of work that is deeply informed by African American history and traditions, and sustains a rich dialog with contemporary art on a national and international level, referencing urban culture, the body, sacred geometry, and American symbolism.

The title of the Bronx Museum exhibition, Codeswitch, refers to both the artist’s quilt series known as the Codex series and to the idea of code-switching itself, or shifting from one linguistic code to another depending on the social context. The Codex series includes mixed media paintings and sculptures done directly on or made from pre-1900 antique quilts. This process, like linguistic code-switching, recognizes language plurality, as the quilts signal their original creator’s intent as well as the new layers of meaning given to them through Biggers’s artistic intervention.

In 2009, Biggers was commissioned by Hidden City Philadelphia, a month-long cultural project, to produce a work for the Mother Bethel African Methodist Episcopal Church, a stop on the Underground Railroad. As Biggers began to research the history of the Underground Railroad, he was intrigued by the long debated historical narrative that quilts doubled as signposts along escape routes throughout the 19th century. In a later essay about Biggers’ work, historian Kellie Jones states: “Some scholars have argued that African Americans in the antebellum period made quilts not simply as bed coverings but as devices to navigate the roads to freedom. Patterns were created, in fabric and stitching, that offered clues to safe places and areas of danger, times and locations as the ‘conductor’ moved the train north along the Underground Railroad. Quilts hung on fences, washing lines, or even trees displayed these messages that were ‘hidden in plain view.’” Inspired by those stories, Biggers created his first quilt-based works for the Philadelphia project, hanging traditional quilts that visually engaged the church’s stained glass windows, and also created a “celestial map” handout documenting the city’s Underground Railroad sites, with Mother Bethel as the North Star.

Sanford Biggers describes his process, “While working on the project about the Underground Railroad in Philadelphia, the idea struck me that Harriet Tubman was an astronaut, navigating the stars, night skies and her surroundings in the quest for freedom. After reading additional Underground Railroad lore that posited quilts may have been embedded with code and used as maps, I began to search out quilts from the 1800’s and add new layers of code through mark-making, painting, cutting, collaging and reconstruction. These quilts are an archive of an ongoing material conversation that acquires new meanings over time and transgenerational palimpsests for a future ethnography. I’m also interested in the tension of working on these objects that hold so much cultural and artistic weight, like embellishing or perhaps defacing history.”

The tradition of quilt-making holds a significant place in American culture and has special resonance in African American communities as witnessed in the quilts by the Gee’s Bend — a small, insulated African American community in Alabama — that has produced hundreds of quilts from the 19th century to the present. That tradition has been upheld by contemporary artists today, such as Faith Ringgold, Sam Gilliam and Biggers.

Sanford Biggers: Codeswitch is a joint collaboration between The Bronx Museum of the Arts and Rivers Institute for Contemporary Art & Thought, New Orleans, overseen by Sergio Bessa (Bronx Museum Curator) and Andrea Andersson, (Founding Director and Chief Curator, Rivers Institute). After closing at The Bronx Museum of the Arts on January 24, 2021, Sanford Biggers: Codeswitch will be on view at the Museum of African Art in Los Angeles from March 26 to September 12, 2021. It will then travel to the Contemporary Art Center in New Orleans from October 20, 2021 to January 23, 2022.

Media

Schedule

from September 09, 2020 to January 24, 2021

Artist(s)

Sanford Biggers

Website

http://www.bronxmuseum.org (venue's website)

Fee

Suggested Admissions: Adults $5, Students and Seniors $3, Members, Children under 12 and Fridays Free

Venue Hours

From 11:00 To 18:00
fridays closing at 20:00
Closed on Mondays, Tuesdays, Wednesdays, Holidays

Access

Address: 1040 Grand Concourse, Bronx, NY 10456
Phone: 718-681-6000 ext. 12

Corner of E 165th St. Subway: B/D to 167th Street

Google map

When you visit, why not mention you found this venue on New York Art Beat?

  • Facebook

    Reviews

    All content on this site is © their respective owner(s).
    New York Art Beat (2008) - About - Contact - Privacy - Terms of Use