Nari Ward “We the People”

The New Museum of Contemporary Art

poster for Nari Ward “We the People”
[Image: Nari Ward "We the People" (2011) Shoelaces, 96 × 324 in. Speed Art Museum, Gift of Speed Contemporary. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul]
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The New Museum presents the first museum survey in New York of the work of Nari Ward (b. 1963, St. Andrew, Jamaica).

Second Floor, Third Floor, and Fourth Floor

“Nari Ward: We the People” will feature over thirty sculptures, paintings, videos, and large-scale installations from throughout Ward’s twenty-five-year career, highlighting his status as one of the most important and influential sculptors working today. Since the early 1990s, Ward has produced his works by accumulating staggering amounts of humble materials and repurposing them in consistently surprising ways. His approach evokes a variety of folk traditions and creative acts of recycling from Jamaica, where he was born, as well as the material textures of Harlem, where he has lived and worked for the past twenty-five years. Yet Ward also relies on research into specific histories and sites to uncover connections among geographically and culturally disparate communities and to explore the tension between tradition and transformation.

This presentation will highlight the continued importance of New York, and Harlem in particular, to the material and thematic content of Ward’s art. Many of his early sculptures were created with materials scavenged from buildings and streets in Harlem. These items—baby strollers, fire hoses, baseball bats, cooking trays, bottles, and shopping carts—were chosen for their connection to individual lives and stories within the neighborhood. The exhibition will include several key early works, such as the large-scale environments Amazing Grace and Hunger Cradle (both 1993), which Ward made and exhibited in an abandoned firehouse. That same year, Ward had his first institutional solo exhibition at the New Museum, where he exhibited a dramatic large sculpture, Carpet Angel (1992).

In his more recent work, Ward directly addresses complex political and social realities that resonate on both a local and a national level, reflecting the profound changes gentrification has brought to Harlem and the increasingly fractured state of democracy in the United States. He uses language, architecture, and a variety of sculptural forms to reflect on racism and power, migration and national identity, and the layers of historical memory that comprise our sense of community and belonging. “Nari Ward: We the People” will bring together many of Ward’s most iconic sculptures alongside a number of works that have not been seen in New York since they were originally created. The exhibition will demonstrate Ward’s status as a key bridge between generations of American sculptors and a vital advocate for art’s capacity to address today’s most urgent issues.

“Nari Ward: We the People” is curated by Gary Carrion-Murayari, Kraus Family Curator; Massimiliano Gioni, Edlis Neeson Artistic Director; and Helga Christoffersen, Associate Curator.

Media

Schedule

from February 13, 2019 to May 26, 2019

Artist(s)

Nari Ward

Website

http://www.newmuseum.org/ (venue's website)

Fee

General Admission $12, Seniors $10, Students $8, 18 and under Free, Members Free, Thursday Evenings (from 7pm) Free.

Venue Hours

From 11:00 To 18:00
thursdays closing at 21:00
Closed on Mondays, Tuesdays

Access

Address: 235 Bowery, New York, NY 10002
Phone: 212-219-1222

On the corner of Prince St. Subway: 6 to Spring Street or N/R to Prince Street. Bus: M103 to Prince and Bowery or M6 to Broadway and Prince.

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