Marni Kotak “Dancing in the Oval Office”

Microscope Gallery

poster for Marni Kotak “Dancing in the Oval Office”
Bookmark this event [2]
Recommend this event [0]

 

Ends in 12 days
Closed Today (Tuesday)

Microscope presents “Dancing in the Oval Office”, Marni Kotak’s fifth solo exhibition at the gallery, featuring works in performance, installation, video and painting made in response to the 2016 election and current presidency.

The title piece is a performance and installation that finds Kotak dancing continuously each day of the exhibit within a recreation and personal reinterpretation of the White House Oval Office. As is a custom in her family, Kotak uses dance in this work as a way to transform her daily anxieties into a cathartic and liberating act. In this way, Kotak seeks to reclaim her right to joy as an individual and an American, standing in opposition to those who abuse power, or use fear and other authoritarian methods. She encourages as many people as possible to join in and dance with her daily in the gallery.

Within Kotak’s Oval Office, elements such as the executive desk, sofas, armchairs, and a carpet with the presidential seal each mimic those of the actual office, but have been altered to suggest a more open, inclusive, and peaceful society. Although eight flags hang in the current Oval Office, Kotak has chosen the historical norm of two, offering her own hand-sewn versions of the American and Presidential flags and featuring materials culled from her own life as an artist and mother. The office is situated on a gold, oval dance floor surrounded by shear curtains of the twelve colors of the spectrum, and lit by rotating disco ball lights. Music is from a selection of cassette mix-tapes from the artist’s youth and digital playlists selected by her son Ajax, among others.

“Since I was a baby dance has been a central part of my personal and family life. … And as an adult I have found that when life feels overwhelming, sometimes the only thing to do is dance. I have been so personally bothered by the current presidency and corruption over the past three years, and feeling like I have to do something about it, so dancing came to mind. A saying in my family has always been: ‘The purpose of the game is not to win; the purpose of the game is to learn how to dance’.” — MK

Other works on view on the walls surrounding the installation include a new series of thirty-six (three sets of twelve) oil pastel on wood panel. Each features multi-colored text — often re-written over, overlapped, or erased — extracted from her diary entries from each month of the past three years. Additionally, a series of ink and oil pastel drawings and writings on actual $1 bills, framed in gold memorabilia cases, push the political undertones of the exhibition further and remind us of the values of people’s lives over those of convention and commerce.

Marni Kotak is a multimedia and performance artist presenting everyday life being lived. She has received international attention for her durational performances and exhibitions, most notably “The Birth of Baby X” (2011) in which she gave birth to her son as a live performance and “Mad Meds” (2014) during which the artist slowly withdrew from psychiatric medications prescribed for postpartum depression. In “Treehouse” (2017), Kotak — who had just experienced a devastating fire in her home — created a refuge for herself and others to pause from the overwhelming aspects of life. Kotak’s works have also appeared at the Santiago Museum of Contemporary Art, Santiago, Chile, Artists Space, Exit Art, Momenta Art, English Kills Gallery, Grace Exhibition Space, among others. She has performed extensively in the US and abroad.

Kotak’s work appears in The Art of Feminisim: Images that shaped the Fight for Equality, 1957-2017 by Helena Reckitt (Chronicle Books, 2018) and Blackwells Companions to Contemporary Art: A Companion to Feminist Art, released September 2019 among other publications. Her exhibitions have been featured in ArtFCity, Artforum, Blouin Artinfo, Art Pulse, The Huffington Post, Hyperallergic, Los Angeles Times, Studio International, The Brooklyn Rail, The New York Times, The Village Voice, Time Magazine, Washington Post, among many others. She has also appeared on Good Morning America (ABC), CBC Radio, NPR, and other broadcasts. Grants include Franklin Furnace Fund Award and the Brooklyn Arts Council among others. Marni Kotak received a BA from Bard College and an MFA from Brooklyn College.

Media

Schedule

from October 18, 2019 to November 24, 2019

Opening Reception on 2019-10-18 from 18:00 to 21:00

Artist(s)

Marni Kotak

Website

http://www.microscopegallery.com/ (venue's website)

Fee

Free

Venue Hours

From 13:00 To 18:00
Closed on Tuesdays, Wednesdays

Access

Address: 1329 Willoughby Avenue, 2B, Brooklyn, NY 11237
Phone: 347-925-1433

Between Wyckoff and St. Nicholas Aves. Subway: L to Jefferson Street.

Google map

When you visit, why not mention you found this venue on New York Art Beat?

  • Facebook

    Reviews

    All content on this site is © their respective owner(s).
    New York Art Beat (2008) - About - Contact - Privacy - Terms of Use