“Parallel Fields” Exhibition

Lichtundfire

poster for “Parallel Fields” Exhibition

This event has ended.

Curated by D. Dominick Lombardi
Organized through Katharine T. Carter & Associates

Lichtundfire presents Parallel Fields featuring works by Kathleen Elliot, Kaethe Kauffman and Bobbie Moline-Kramer, curated by D. Dominick Lombardi. The artists have a tendency to see through a hyper focused lens on things mundane to miraculous that ultimately leads to exceptional thought, creative foretelling and compelling execution. All three extrapolate upon their concerns and personal visions, while balancing mystery with clarity.

Kathleen Elliot’s Glyphosate Corn, 2017, shows a beautifully sculpted glass ear of corn with a Roundup label encased in it. Glyphosate is the herbicide found in Roundup which is considered a carcinogenic and by its manufacturer, Monsanto, to be biodegradable. Elliot clearly depicts the absurdity and unnaturalness of processed food in her expressive interpretation of nature and the for-profit-first abuses of our food supply. Upcoming solo museum exhibitions include The Peggy Notebaert Nature Museum, Chicago; The Nave Museum, Texas; the Museum of the Southwest, Texas and Everhart Museum of Natural History, Science & Art, Pennsylvania.

Kaethe Kauffman’s, a practicing Buddhist, photographs and documents the awareness of mind/body connections in an array of mysterious physical representations. The body is photographed fragmented, the viewer’s responses ranges from soulless suffering to comforting serenity and one is brought to an enlightened reality through the awareness of the body. In 2017, Kauffman was included in Seeing Double at The Loft Gallery, Los Angeles, and, in 2019, will have a solo exhibition at the Mary Hardin Center for Cultural Arts, Alabama.

Bobbie Moline-Kramer intuitively turns previously painted portraits into veils of transition and transcendence. These small 6x6 inche paintings, require close inspection engaging the viewer to look beyond and through the colorful, sweeping abstractions and into the eyes of the portrait. A carefully constructed play between perception and pure imagination in the coalescing of two parallel and contrasting fields. Moline-Kramer’s solo exhibition As Above, So Below is currently at the Quincy Art Center Museum, IL, and was included in Art History Interrupted curated by Shana Nys Dambrot at the CMay Gallery, Los Angeles.

Media

Schedule

from June 06, 2018 to July 01, 2018

Opening Reception on 2018-06-09 from 18:00 to 21:00

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