“De Kooning X De Kooning” Exhibition

Heather James

poster for “De Kooning X De Kooning” Exhibition
[Image: Rudy Burckhardt "Bill and Elaine de Kooning, New York" Gelatin silver print, VI.16.31, 8 x 10 in. ©Estate of Rudy Burckhardt, courtesy Tibor de Nagy, New York.
Bookmark this event [0]
Recommend this event [0]

 

Ends in 7 days

The first exhibition in many years of paintings and works on paper by Elaine and Willem de Kooning will be on view at Heather James Fine Art, New York, from November 8, 2018 - February 28, 2019. de Kooning X de Kooning traces the artists’ early experimentation with abstraction and figuration with paintings and photographs from the Rudy Burckhardt family collection, and includes later works from other private collections to illustrate how their styles evolved.

Highlights include Willem de Kooning’s Woman II Springs, c. 1961, part of a critical body of work that became known as his “Woman” series. This signature painting will be joined by earlier gouaches from 1937-42 — initiated right before meeting Elaine — and a pair of small-scaled abstract paintings completed in 1958 — soon after the couple separated.

Elaine de Kooning’s skill at integrating abstraction into realistic portraiture is reflected in a selection of large-scale oil paintings and sketches of subjects including writers, family, and friends, along with a sketch on paper, and a study in oil that would later lead to a finished portrait of President John F. Kennedy for the Harry S. Truman Presidential Library. Chosen as a leader in the “new frontier” of painting and for the ability to work fast, she described her sittings with the president as follows: “I kept several drawings going on at once. When he’d change his position I’d switch drawings…I kept jumping back and forth.” Over the course of a year, Elaine sketched and re-sketched the president many times based on her original renderings, resulting in a highly gestural work that captures Kennedy’s restlessness. During the height of Abstract Expressionism in New York City, and largely overshadowed by her husband’s growing fame, Elaine persevered to create a rich and diverse body of work. At a time when it was thought that a women’s place was in the home, she challenged the status quo throughout her career as a ground-breaking artist, teacher, and writer.

Among the group of Burckhardt’s photographs of the de Koonings is one of Willem at work on Woman I, 1950. Now considered to be amongst his most famous paintings, Woman I, 1950-52, and Woman II, 1952, are part of the permanent collection of the Museum of Modern Art, NY.

In order to provide greater context to the works on view, the accompanying exhibition catalogue features an interview by art critic Amei Wallach with artist Yvonne Jacquette, widow of Rudy Burckhardt.One compelling story revealed by Jacquette involves Willem’s gift of a postcard-sized gouache to Burckhardt, which was kept in his footlocker in lieu of a pin-up photo of Betty Grable throughout his service in WWII.

According to Montana Beutler, partner at Heather James Fine Art, New York, “We want to provide a fresh perspective on Elaine and Willem de Kooning’s vital contributions to the history of post-modern art in America within the context of their relationship with one another, and with their art.”

ABOUT ELAINE DE KOONING
Elaine de Kooning (1918 - 1989) grew up in Brooklyn, NY, in the late 1930s, and attended art classes at the Leonardo da Vinci School, and later at the American Artists’ School. She met Willem de Kooning in 1938, and shortly thereafter became his student. In 1943, the couple married and, from then on, Elaine dedicated herself to promoting her husband’s career. She also championed the work of other Abstract Expressionists as a regular contributor to ARTnews. In 1949, paintings by the de Koonings were featured in Artists: Man and Wife at the Sidney Janis Gallery, NY. That same year, the couple helped establish the famed Artists’ Club (Eighth Street Club). In 1954, Stable Gallery, NY, presented her first solo exhibition.

In 1957, the de Koonings separated, and Elaine began teaching at art schools including the Cooper Union for the Advancement of Science and Art, the Pratt Institute, the Rhode Island School of Design, and the New York Studio School in Paris. She later taught at Yale University and at Parsons New School for Design, and served as the first Lamar Dodd Visiting Professor of Art at the University of Georgia. In 1988, she was elected into the National Academy of Design, NY. In 2015, a major retrospective, Elaine de Kooning: Portraits, was held at the National Portrait Gallery, Washington, DC. Her paintings are included in the collections of the Guggenheim Museum, the Museum of Modern Art, the Metropolitan Museum of Art, NY; and the National Museum of Women in the Arts, Washington, DC, among others.

ABOUT WILLEM DE KOONING
Dutch-born Willem de Kooning (1916 - 1997) was a leading figure of Abstract Expressionism. While working as an apprentice at a commercial art and decorating firm in Rotterdam, de Kooning attended night classes at the Rotterdam Academy of Fine Arts and Techniques. In 1926, he stowed away on a ship to the United States, and settled in New York City the following year. After briefly working as a house painter, he established himself as a commercial artist and became a fixture within the New York art world, and became friends with fellow artists Stuart Davis and Arshile Gorky.

While working in the mural division of the Works Project Administration in 1936, de Kooning decided to commit himself fully to painting. Throughout the 1930s and early 1940s, he produced work in both figurative and abstract styles. By the late 1940s and 1950s, he and his contemporaries including Jackson Pollock, Franz Kline, Robert Motherwell, Adolph Gottlieb, Ad Reinhardt, Barnett Newman, and Mark Rothko became collectively known as “Action Painters,” “Abstract Expressionists,” and members of the “New York School.”

After holding his first solo exhibition at the Charles Egan Gallery, NY, in 1948, and having gained the support of influential art critics Clement Greenberg and Harold Rosenberg, de Kooning’s career was on the rise. In 1953, his striking series of figural works, known as the “Woman” paintings, stunned members the art world. While many viewed his return to figuration as a betrayal of Abstract Expressionism’s basic tenets, the Museum of Modern Art embraced his new style by acquiring Woman I in 1953.

During the late fifties, de Kooning shifted back to “pure” abstraction with works respectively referred to as “Urban,” “Parkway” and “Pastoral” landscapes. After moving to East Hampton in 1963, he drew inspiration largely from the surrounding Long Island landscape. The late 1970s marked another prolific period in which he produced thickly-painted, sensuous abstract work. Throughout the 1980s, de Kooning explored new forms of pictorial space introducing vividly-colored, linear elements contrasted against muted white areas. In 1997, he passed away in East Hampton, Long Island, at the age of 92.

De Kooning’s work has been the subject of countless exhibitions and is part of museum permanent collections including: the Museum of Modern Art; the Metropolitan Museum of Art, NY; the Art Institute of Chicago; the Hirshhorn Museum & Sculpture Garden, DC; the Stedelijk Museum, Amsterdam; and the Tate Modern, London, among many others.

ABOUT RUDY BURCKHARDT
Swiss-born filmmaker and photographer Rudy Burckhardt (1914 - 1999) immigrated to New York City in 1935. His close friends included Willem de Kooning, Alex Katz, Jane Freilicher, Red Grooms, and Jackson Pollock. He collaborated with many artists including Grooms, Freilicher, Mimi Gross, Larry Rivers, Yvonne Jacquette, and John Ashbery on his various films. Primarily known for his distinctive cityscapes, during the 1950s and 1960s, he also frequently photographed artists such as de Kooning, Pollock, Joan Mitchel, and Mark Rothko for ARTnews.

Burckhardt’s work has been exhibited in museums including: the Metropolitan Museum of Art, the Museum of Modern Art, NY; the J. Paul Getty Museum, Los Angeles, CA, Museum der Moderne, Salzburg, Austria; Fotostiftung Schweitz, Winterthur, and the Kunstmuseum, Basel, Switzerland, among others.

Media

Schedule

from November 08, 2018 to February 28, 2019

Opening Reception on 2018-11-08 from 18:00 to 20:00

Website

https://www.heatherjames.com (venue's website)

Fee

Free

Venue Hours

From 10:00 To 18:00
Closed on Saturdays, Sundays

Access

Address: 42 E 75th St., New York, NY 10021
Phone: 646-858-1085

Between Park & Madison Aves. Subway: 6 to 77th Street.

Google map

When you visit, why not mention you found this venue on New York Art Beat?

  • Facebook

    Reviews

    All content on this site is © their respective owner(s).
    New York Art Beat (2008) - About - Contact - Privacy - Terms of Use