Jesse Darling “Support Level”
Chapter NY
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Chapter NY presents an exhibition of new work by the artist Jesse Darling. This will be JD’s first solo show in the United States and will focus on new paintings and sculptures.
JD’s practice engages forms of embodiment particular to the modern subject and its ulterior expressions. Informed by their personal experience as well as (counter)historical narratives, JD explores the inherent vulnerabilty of being a body, and how the inevitable mortality of living things translates to civilizations and structures. This “precarious optimism”––the idea that living beings, societies, and technologies are fundamentally fallible and fungible––underscores the artist’s practice.
For their exhibiton at Chapter, JD draws from the clinical as a structural and social form of abjection. Mobility aids are contorted towards the corporeal, simultaneously rigid and lipid, both the object of support and its inferred subject. A commode chair crawls along the floor, as a hygiene curtain reveals a gaping wound; health advice posters in asemic script hang with uncertainty, over-painted as though vandalized––architectures of the care-industrial complex pressed, distressed and in pain.
At once activated and incapacitated, these sculptures exert a precarious force somewhere between marked resilience and physical decline. They exist in between being and burden, where bodily atrophy collaborates with the prosthetic to forge new forms of agency. The work struggles agains their own affliction and our own comfortable assumptions: heaving, synthetic, and all too keenly felt.
Jesse Darling works between London, UK and Berlin, Germany. Recent projects include solo exhibitions at Sultana Galerie, Paris and Arcadia Missa, London as well as the artist’s curated exhibtion “Mene Mene Tekel Parsin” at Wysing Art Centre, UK. In 2017, JD’s work was featured in the Arsenale at the Venice Biennale, IT. In addition, selected group exhibitions include those at Kraupa-Tuskany Zeidler, Berlin; Sharjah Biennale, Beirut; Company Gallery, NY; and Hessel Museum at CCS Bard, Hudson, NY. They have received commisions from MoMA Warsaw, Poland; The Serpentine Gallery, London, UK; and Volkbuhne Berlin, Germany among others. JD has published texts in print and online, including The Britsh Poetry 2015 (Salt Press, 2015); Mass Effect: Art and the Internet in the 21st Century (MIT Press, 2015); and Art After the Internent (Conerhouse Books, 2014.
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Schedule
from January 26, 2018 to March 11, 2018
Opening Reception on 2018-01-26 from 17:00 to 19:00