Susan Cianciolo “The Overworked Body: An Anthology of 2000s Dress”

Ludlow 38 / The Goethe-Institut New York

poster for Susan Cianciolo “The Overworked Body: An Anthology of 2000s Dress”
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20471120, A.F. Vandevorst, Adeline André, Alexander McQueen for Target, Andrea Ayala Closa, Andrew Groves, Anke Loh, Ann-Sofie Back, Annalisa Dunn, Arkadius, As Four, Benjamin Cho, Bernadette Corporation, Bernhard Willhelm, BLESS, Carol Christian Poell, Christophe Coppens, Comme des Garçons, Cosmic Wonder, Dorothée Perret, Dutch Magazine, FINAL HOME, Helmut Lang, Hideki Seo, House of Holland, Hussein Chalayan, Imitation of Christ, Isaac Mizrahi for Target, Issey Miyake, Jean Paul Gaultier, Junya Watanabe, KEUPR/van BENTM, Kim Jones, Koji Arai, Kostas Murkudis, Lutz Huelle, Maison Martin Margiela, Maison Martin Margiela and Marina Faust, Miguel Adrover, Number (N)ine, Organization for Returning Fashion Interest, Proenza Schouler for Target, Purple Fashion, Rodarte for Target, Shelley Fox, Sophia Kokosalaki, Stephen Jones, Susan Cianciolo, Tao, Telfar, Undercover, Viktor & Rolf, Viktor & Rolf for H&M, Walter van Beirendonck, Wendy & Jim, Yohji Yamamoto, and ____fabrics interseason

In 1971, Cecil Beaton presented Fashion: An Anthology at the Victoria and Albert Museum in London. Under the connoisseurship of a bon vivant, fashionable modern dress received its first museological moment. Now in 2017 over 50 contemporary designers will be included in a new anthology of 2000s fashion, curated by Matthew Linde and organized by Ludlow 38’s curatorial resident Saim Demircan at MINI/Goethe-Institut Curatorial Residencies Ludlow 38 and Mathew Gallery.

Fashion during the 2000s could be described as a period of hybrid subcultural styles remixing former selves, championing the principle of individual expression. The decade also saw the industry of fast-fashion massively expand its market, proliferating the presence of smart-casual wear. As such, fashion during this time embodied the conflicting roles of both globalization and homogeneity alongside pastiche and pluralism. However, what makes fashion from the aughts so debatable to define is its proximity to the present. It is only through the machine of history that fashion finds its protagonists.

How to define a recent history of fashion? In an effort to obstruct our tendency to assign a specific style to a decade, The Overworked Body: An Anthology of 2000s Dress surveys the iconoclastic to the underground, the everyday to the critical, and presents a period in fashion that is overloaded and overworked.

From key graduate collections at acclaimed schools such as Central Saint Martins and the Antwerp Academy, to designers’ first collaborations with multinational companies such as Target and H&M, the exhibition confronts the complexities that construct a fashion history yet to be understood.

As such, a ramped catwalk – both display and platform for a series of performances during the show – installed throughout Ludlow 38 accentuates the theatritiy of many of the dresses on display; showing off what Linde describes as the “carnivalesque”. These physical pieces are shown alongside video playlists of exploratory runway performances, and a display of magazines from the time, including rare copies of all three issues of Made in USA and a Maison Martin Margiela-curated A Magazine.

The Overworked Body: An Anthology of 2000s Dress will be on view at MINI/Goethe-Institut Curatorial Residencies Ludlow 38 and Mathew Gallery’s new location at 46 Canal Street.

Media

Schedule

from September 10, 2017 to October 15, 2017

Artist(s)

Susan Cianciolo

Website

http://www.ludlow38.org/ (venue's website)

Fee

Free

Venue Hours

From 13:00 To 18:00
Closed on Mondays, Tuesdays, Wednesdays

Access

Address: 38 Ludlow St., New York, NY 10002
Phone: 212-228-6848

Between Grand and Hester Sts. Subway: F to East Broadway or B/D to Grand

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