Peter Dreher “Behind the Mirror”

Koenig & Clinton

poster for Peter Dreher “Behind the Mirror”
[Image: Peter Dreher “Untitled" (Skulls), (1947) mixed media on paper, 14 1/2 x 11 in. Photo: Peter Trenkle, Freiburg im Breisgau, Germany.]
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Koenig & Clinton presents Peter Dreher’s second solo exhibition with the gallery, Behind the Mirror, a presentation of historical works on paper and paintings that span seven decades (1947-2017) of the artist’s career. Beginning with anatomical drawings that mark the start of the artist’s formal training, the exhibition focuses exclusively on the subject of the skull as it reappears and transmutes over time.

In his initial studies, Dreher renders the standard academic motif, in this case a toothy skull, from multiple angles. He learns to form the illusion of volume through the studied application of shading, highlighting, and color. The turning over of the examined object will remain constant over the years as the artist’s thinking about perception will continue to change.

In a series of small-scale paintings, a single skull is extracted from its traditional still life table arrangement. Both the dramatic colors of earthly excess, as well as the moral weight of vanitas are toned down drastically, so that the artist might isolate the sobering weight of mortality.

By the mid-2000s, a new type of anatomical investigation commences, as Dreher inverts his traditional palette to see more clearly. It’s as though the artist has granted the viewer a new X-ray vision. We can now peer inside the skull, as our eyes trace the nacreous arches that emerge from the inky ground. During these same years, the artist drew a parallel series of pale skulls on a white ground. In this accompanying set of close up drawings, the artist sparingly delineates the hollows that threaten to sink back into the ground of the page.

At a certain point, repetition gives way to accumulation. Like spring petals drifting on the surface of some deep pool, several ghostly skulls now collect over the surface of a dark void. Compositions are more or less populated, but regardless of quantity, the inevitability of the dark cosmos is now shared.

Behind the Mirror will complete the exhibition programming for the gallery’s 459 West 19th Street location. The gallery will open at 1329 Willoughby Avenue in June.

Peter Dreher (b. 1932, Mannheim, Germany) studied at the State Academy of Fine Arts at Karlsruhe from 1950 to 1956, and was professor of painting at the State Academy, Karlsruhe, from 1968 to 1997. During his professorship, he taught and influenced a number of acclaimed artists. Dreher’s Tag um Tag Guter Tag series is currently the subject of a solo exhibition at The Mayor Gallery, London and was recently part of the Accrochage group exhibition curated by Caroline Bourgeois at Punta dell Dogana. Solo exhibitions of his work have been presented at institutions internationally including Milton Keynes Museum, Great Britain (2013); Landesvertretung Baden-Württemberg (2012); Musée d’art moderne et contemporain, Geneva, (2011), Museum Erfurt, Germany (2008); Athens Biennale (2007) and Staatliche Kunsthalle Baden-Baden, Germany (1977). The artist lives and works in Wittnau, Germany.

Media

Schedule

from April 13, 2017 to May 20, 2017

Opening Reception on 2017-04-13 from 18:00 to 20:00

Artist(s)

Peter Dreher

Website

http://www.leokoenig.com/ (venue's website)

Fee

Free

Venue Hours

From 10:00 To 18:00
Closed on Mondays, Sundays

Access

Address: 459 W 19th St., New York, NY 10011
Phone: 212-334-9255 Fax: 212-334-9304

Between 9th and 10th Ave., Subway: A/C/E to 14th Street or L to 8th Avenue.

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