“Closer to the Beautiful World” Exhibition

Klein Sun Gallery

poster for “Closer to the Beautiful World” Exhibition
[Image: Hu Yinping "Identity" ​(detail) (2012) - present. Six archival pigment prints, 59 x 45 1/4 in. 1 print, 37 2/5 x 27 1/2 in. 5 prints. Edition of 6. © Hu Yinping, Courtesy Klein Sun Gallery.]
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Ends in 8 days

Klein Sun Gallery presents the exhibition: Closer to the Beautiful World. Curated by Janet Fong, the show includes selected works by Chen Xi, Hu Yinping, Wang Jiajia, Yang Xinjia and Zhang Zhaoying.

Abraham Maslow, the renowned American psychologist, once suggested, “The reason why we attempt to approach the ‘beautiful world’ is because we live in a world that lacks choices and in reality is filled with perversity, ignorance, hypocrisy, and ugliness.” [i] While we all agree that there is some distance that separates the “beautiful world” from reality, do the two at least overlap in some respect?

Maslow maintained that the hierarchy of needs is supported by basic necessities such as food, shelter, and safety, and is crowned with self-actualization which can be achieved through “peak experience.” Throughout a person’s lifetime, if he or she can have at least one type of “peak experience,” the “beautiful world” will emerge naturally [ii]. During peak experience, one’s senses become keener and more receptive, therefore becoming more aware of the essence of the world as well as nature itself, which, per se, is a beautiful world [iii]. According to this philosophy, even though human beings live in a reality of menace and insecurity, they need the courage and perseverance to pursue the “beautiful world” in the sense that it represents the highest level of self-actualization.

The five artists presented in this exhibition have each had their own moment of “peak experience” in different times and locations. Originating from more than just sources of joy, these experiences can be trivial, or can even result from an epiphany after suffering a traumatic event. In A Fatty’s Sorrow, Yang Xinjia sublimates the most commonly published political image by carrying out surgeon-like separations on a number of characters or objects, altering the original image as a tromp l’oleil. A peak experience is catalyzed by this switch into a cosmic perspective, and by the artist asking a few “what if’s.” Similarly, Zhang Zhaoying’s oil paintings pull viewers into a bizarrely cheerful, yet alien atmosphere. This unfamiliar setting promotes questioning and thinking, opening our senses to appreciate the artist’s peak experience. Chen Xi, on the other hand, takes a different approach to accessing the “beautiful world.” As more artists seek to create and improvise three- and four-dimensional experiences, Chen Xi’s Single Layer Acrylic series seemingly goes against this trajectory as all the colors and forms he utilizes are placed in a way that minimizes dimensionality. This approach masterfully emphasizes the first dimension on a two-dimensional surface.

According to Maslow, an individual’s personality can affect the type of peak experiences he or she has. A sense of humor, for instance, is a defining personality trait conveyed in each of the artists’ works, and the audience of this exhibition is invited to enjoy the unique humor of each piece on view. Hu Yinping was once deeply bothered when a friend of hers told her she looked like a slightly overweight stranger. Hu embraced this adversity with humor to create the series Identity, which deals with the definition of one’s social identity versus how he or she defines his or her true self. Wang Jiajia’s paintings were influenced by the ever changing nature of pop culture, and welcome viewers to enter their colorful and uniquely humorous environment. His work ignites a playful discussion about the process of art-making in the digital era, in a multi-cultural, international world.

Art can provide a vehicle for enhancing the mind, and possibly even the personality, but it is not a shortcut to the top of Maslow’s pyramid. For both creators and viewers, art can be a valuable process of focusing on the pursuit of the beautiful. Closer to the Beautiful World is the process of pursuing different levels of artistic achievement connected with peak experiences. It is due to the diversity of these personal experiences that the worlds created by the five artists in the show – Chen Xi, Hu Yinping, Wang Jiajia, Yang Xinjia, Zhang Zhaoying – might prompt viewers to think about the artists’ moments of highest fulfillment in different ways. The show enables us to approach the “beautiful world” by entering proximity with five completely distinct types of experiences.

Simultaneously on view in the South Gallery will be Asia Contemporary Art Week (ACAW) Thinking Projects Pop Ups: Yang Xin (Beijing). Curated by ACAW director Leeza Ahmady in collaboration with Klein Sun Gallery and Space Station Beijing as part of the ACAW 2017 signature program, Yang Xin’s show on view titled Micro 2 is inspired by a fascination with microbiology. The artist interprets this as an impressive, scientifically infused set of multi-media pieces, profoundly reflective of various essential mechanisms within the building blocks of the human body.
Yang Xin , “Empty Nest”, 2016 Mixed Media 3 9/16 x 3 9/16 x 2 3/8 inches (9 x 9 x 6 cm) each. © Yang Xin, courtesy Klein Sun Gallery.
Yang Xin, Empty Nest, 2016. Mixed media, 3 9/16 x 3 9/16 x 2 3/8 inches (9 x 9 x 6 cm) each. © Yang Xin, courtesy Klein Sun Gallery.

Media

Schedule

from October 12, 2017 to November 25, 2017

Opening Reception on 2017-10-12 from 18:00 to 20:00

Website

http://www.kleinsungallery.com (venue's website)

Fee

Free

Venue Hours

From 10:00 To 18:00
Closed on Sundays

Access

Address: 525 West 22nd Street New York, NY 10011
Phone: 212-255-4388 Fax: 212-255-4316

Between 10th and 11th Ave. Subway: C/E to 23rd Street

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