André Cepeda and Vanessa Albury Exhibitions

Benrubi Gallery

[Image: André Cepeda "Untitled D003" from the series Whispering Light (2013)]

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Benrubi Gallery presents Depois (“After”), the gallery’s first solo exhibitions by Portuguese photographer André Cepeda.

Depois reflects an urban environment composed of equal parts geometry and chance: architecture and bodies, artifacts and sex, order and chaos. Cepeda’s dark, often transitory compositions take form against the meshed grids of contemporary cities. The regular pattern of treads and balusters in a staircase, the furrows of corrugated tin siding, or the positive and negative spaces of masonry walls find their echoes in the seemingly random placement of beer cans and ashtrays by the side of a bed or a display of antique silver in a shop window or a scattering of puzzle pieces across a tabletop.

The ordered repetitions speak of an underlying structure that is both conscious and subliminal, restrictive in one sense, stabilizing in another. At their most dramatic, Cepeda’s vignettes are reminiscent of film stills. At their most stark they could be abstract expressionist canvases. But it’s the tension between these poles, between some images and within others, that reveal a cultural entropy that is not so much balanced as continuously seesawing against itself.

The images regard you as frankly as an odalisque. Whether you see them as tokens of decay or endurance probably depends on how optimistic you are about the state of the world. But, though unstaged, they still remind us that even our most intimate or offhand activities take place on a physical and cultural set prepared with the enormity and inevitability of a glacier sculpting the earth. Monuments of invisible forces, mirrors of our desire for freedom and control, Cepeda’s images imbue the urban landscape with visceral fleshiness and find architecture in the most fleeting gesture.

Concurrent with André Cepeda, the Project Space features Shadowgraphs, the gallery’s first solo exhibition by artist Vanessa Albury. Albury photographs under the Lofoten Islands’ midnight summer sun to create ghostly cyanotypes of a broken chandelier found at a Norwegian junk store, creating works that speak of the passing of time both physically and metaphorically. Paired with these unique works are sculptures from her Burned Out series. Inspired by incinerated 16mm film and using the raku firing technique, Albury’s otherworldly sculptures are reminiscent of remnants of fossil bones found in an archeology site.

André Cepeda (b. 1976, Coimbra, Portugal) received a residency grant at the Escape Photographique Contretype, Belgium (1999). He was shortlisted for the Paul Huf Award (2011) and was the recipient of a scholarship granted by the Calouste Gulbenkian Foundation (2012). Cepeda’s work has been exhibited in solo and group exhibitions internationally at MNAC – Museu Nacional de Arte Contemporânea, Lisbon; Rien, Kasseler Fotoforum, Kassel, Germany; MARCO — Museo de Arte Contemporánea de Vigo, Spain; Haus der Photographie, Hamburg, Germany; The Mews - Projeto Espaço, London; and MASP — Museu de Arte de São Paulo, Brazil; His work are included the collections of the Faulconer Gallery, Iowa, Museum of Contemporary Art, Portugal, Museu de Arte do Rio, Brazil and more.

Vanessa Albury (b. 1978, Nashville, TN) lives in Brooklyn, NY. She received her MFA in Studio Art from New York University’s Steinhardt School. Albury’s work has been exhibited in solo and group exhibitions internationally; Window Box Gallery, Norway; Monty ABN, Belgium; as well as in the U.S.; SPRING/BREAK Art Show curated by the Sphinx, New York; Fort Worth Contemporary Arts (FWCA), Texas and others.