“Exploratory Works: Drawings from the Department of Tropical Research Field Expeditions” Exhibition
[Image: Saber-toothed Viper fish (Chauliodus sloanei) Chasing Ocean Sunfish (Mola mola) larva, Else Bostelmann, Bermuda 1934, 18 1/2 x 24 ½ inches, Watercolor on paper. Courtesy of Wildlife Conservation Society. Photo by Martin Parsekian.]
Ends in 81 days
Main Gallery, Drawing Room
The Drawing Center presents Exploratory Works: Drawings from the Department of Tropical Research Field Expeditions, an exhibition examining the images produced by the Department of Tropical Research (DTR) during their pioneering ecological expeditions to South America and the Caribbean in the first half of the 20th century. Sixty historical drawings produced by a variety of artists in collaboration with the DTR’s scientists will be exhibited for the first time, alongside two new major installations by artist Mark Dion, which will recreate with great detail the DTR’s field labs for both their jungle and aquatic missions. Co-organized by Dion; historian and anthropologist Katherine McLeod; and Madeleine Thompson, institutional archivist at the Wildlife Conservation Society in New York, Exploratory Works highlights a seminal moment when art advanced our understanding of science, and in turn science trusted the intuition of the artist to show us something as-of-yet unimaginable.
The Ground-Breaking Work of the Department of Tropical Research
Led by biologist Charles William Beebe (1877–1962) of the New York Zoological Society (now the Wildlife Conservation Society), the DTR focused their studies around what today would be described as tropical rainforest and marine ecology. Throughout their expeditions, Beebe and his team of scientists worked side by side with artists to illustrate the ecosystems they researched. At a time when photographic technologies were limited, the artists of the DTR used their pens and brushes to construct visualizations of natural environments that were difficult or impossible to access. The DTR’s innovative use of drawings, sketches, paintings, cartoons, animations, and films helped make the idea of an interconnected ecosystem part of popular and scientific thought.
Under Beebe’s guidance, the DTR also instituted the revolutionary practice of hiring women as lead scientists and field artists. Through this professional platform, the DTR enabled the careers of, among others, scientists Jocelyn Crane and Gloria Hollister, and artists Else Bostelmann, Helen Tee-Van, and Isabel Cooper.
Recreating the Labs of the DTR
As part of Exploratory Works, co-organizer and artist Mark Dion will construct two installations that will bring to life the interiors of the DTR’s field stations. While one of the installations will develop the space of the jungle laboratories, the other will look to the oceanographic workshops. Using numerous archival images that depict the interior conditions of these labs, Dion’s installations will capture the material culture of science at the time and emphasize the extraordinary situation of artists and scientists working together. Dion will also produce a display cabinet with glass-covered pull out drawers, shelving, and vitrines to exhibit the rich archival material of the DTR. These reconstructions build on the foundation of installation art Dion has practiced in museums, galleries, and public institutions worldwide, as well as his keen knowledge of the history of field biology for the period and its related material culture.
ABOUT THE CURATORS
Born in 1961 in New Bedford, Massachusetts, artist Mark Dion examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. Appropriating archaeological, field ecology, and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between “objective” (“rational”) scientific methods and “subjective” (“irrational”) influences. Dion has received numerous awards including the Joan Mitchell Foundation Award (2007) and the Smithsonian American Art Museum’s Lucida Art Award (2008), and has had major exhibitions at the British Museum of Natural History in London (2007), the Museum of Modern Art, New York (2004) and the Tate Gallery, London (1999), among others.
Katherine McLeod is an environmental historian and anthropologist. Her research focuses on the workings of land, labor, and capital in relation to U.S. scientific practices in South America and the Caribbean during the 20th and 21st centuries.
Madeleine Thompson is the Institutional Archivist for the Wildlife Conservation Society. In this role, she works to preserve and share the rich history of WCS, which began in 1895 as the New York Zoological Society. Among her interests are theories of collecting and the histories of wildlife conservation and popular science.
from April 14, 2017 to July 16, 2017
Opening Reception on 2017-04-13 from 18:00 to 20:00
http://www.drawingcenter.org (venue's website)
From 12:00 To 18:00
thursdays closing at 20:00
Closed on Mondays, Tuesdays