“Fétiche” Exhibition

Venus over Manhattan

poster for “Fétiche” Exhibition

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VENUS presents Fétiche, a group show juxtaposing contemporary Western art with historic African and Oceanic works to examine the literal power that art objects confer. In the early Twentieth Century, African and Oceanic objects were popular collectibles and a source of inspiration for many European artists. Picasso references African aesthetics in several Cubist masterpieces, most notably Les Desmoiselles d’Avignon. Oceanic works from New Guinea and the Pacific Islands are frequently referenced in Surrealist art, and were collected by artists and poets such as Alexander Calder and André Breton. African and Oceanic works often exist in a mystical or religious context, though in most instances their exact function remains unknown. Collectors have historically stripped them of their native contexts, instead focusing on their aesthetic “otherness.” Today, these objects exist as curios or spoils of colonialism—rare and exotic souvenirs of cultures forever disrupted by the advance of Western civilization.

The modern and contemporary works included in the show have no overt spiritual or mystical purpose. Though not religious in a traditional sense, there is significant financial and metaphysical value placed on contemporary art, and its ownership grants power via social status and prestige. The various motivations to possess art are seldom explored, though the entire art market relies upon a system of beliefs that highlights issues of relevancy, timeliness, and critical consensus. Fétiche explores the ways in which contemporary and indigenous works bestow authority and power within significantly different social structures.

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