David Flaugher & Eric Schmid Exhibition

James Fuentes LLC

poster for David Flaugher & Eric Schmid Exhibition

This event has ended.

Allen & Eldridge presents: David Flaugher & Eric Schmid “I know thy works. So then because thou art lukewarm, and neither cold nor hot, I will spew thee out. Technics hand zu mouth ”

Negri: How can minority becoming be powerful? How can resistance become an insur­rection ? Reading you, I’m never sure how to answer such questions, even though I always find in your works an impetus that forces me to reformulate the questions theoretically and practically. And yet when I read what you I’ve written about the imagination, or on common notions in Spinoza, or when I follow your description in The Time-Image of the rise of revolutionary cine­ma in third-world countries, and with you grasp the passage from image into fabulation, into political praxis, I almost feel I’ve found an answer… Or am I mistaken ? Is there then, some way for the resistance of the oppressed to become effective, and for what’s intolerable to be definitively removed? Is there some way for the mass of singularities and atoms that we all are to come forward as a constitutive power, or must we rather accept the juridical paradox that con­stitutive power can be defined only by constituted power?

Deleuze: The difference between minorities and majorities isn’t their size. A minority may be bigger than a majority. What defines the majority is a model you have to conform to: the average European adult male city-dweller, for example … A minority, on the other hand, has no model, it’s a becoming, a process. One might say the majority is nobody. Everybody’s caught, one way or another, in a minority becoming that would lead them info unknown paths if they opted to follow it through. When a ‘minority creates models for itself, it’s because it wants to become a majority, and probably has to, to survive or prosper (to have a state, be recognized, establish its rights, for example). But its power comes from what it’s managed to create, which to some extent goes into the model, but doesn’t depend on it. A people is always a creative minority, and remains one even when it acquires a majority^ it can be both at once because the two things aren’t lived out on the same plane. It’s the greatest artists (rather than populist artists) who invoke a people, and find they “lack a people”: Mallarme, Rimbaud, Klee, Berg. The Straubs in cinema. Artists can only invoke a people, their need for one goes to the very heart of what they’re doing, it’s not their job to create one, and they can’t. Art is resistance: it resists death, slavery, infamy, shame. But a people can’t worry about art. How is a people created, through what terrible suf­fering? When a people’s created, it’s through its own resources, but in away that links up with something in art (Garrel says there’s a mass of terrible suffering in the Louvre, too) or links up art to what it lacked. Utopia isn’t the right concept: it’s more a question of a “tabulation” in which a people and art both share. We ought to take up Bergson’s notion of tabulation and give it a political meaning.

Negri: In your book on Foucault, and then again in your TV interview at INA,6 you suggest we should look in more detail at three kinds of power: sovereign power, disciplinary power, and above all the control of “communication ” that’s on the way to becoming hegemonic. On the one hand this third scenario relates to the most perfect form of domination, extending even to speech and imagination, but on the other hand any man, any minority, any singularity, is more than ever before potentially able to speak out and thereby recover a greater degree of freedom. In the Marxist Utopia of the Grundrisse, communism takes precise­ly the form of a transversal organization of free individuals built on a tech­nology that makes it possible. Is communism still a viable option? Maybe in a communication society it’s less Utopian than it used to be?

Deleuze: We’re definitely moving toward “control” societies that are no longer exactly disciplinary. Foucault’s often taken as the theorist of discipli­nary societies and of their principal technology, confinement (not just in hospitals and prisons, but in schools, factories, and barracks). But he was actually one of the first to say that we’re moving away from dis­ciplinary societies, we’ve already left them behind. We’re moving toward control societies that no longer operate by confining people but through continuous control and instant communication. Bur­roughs was the first to address this. People are of course constantly talking about prisons, schools, hospitals: the institutions are breaking down. But they’re breaking down because they’re fighting a losing battle. New kinds of punishment, education, health care are being stealth­ily introduced. Open hospitals and teams providing home care have been around for some time. One can envisage education becoming less and less a closed site differentiated from the workspace as anoth­er closed site, but both disappearing and giving way to frightful con­tinual training, to continual monitoring7 of worker-schoolkids or bureaucrat-students. They try to present this as a reform of the school system, but it’s really its dismantling. In a control-based system noth­ing’s left alone for long. You yourself long ago suggested how work in Italy was being transformed by forms of part-time work done at home, which have spread since you wrote (and by new forms of circulation and distribution of products). One can of course see how each kind of society corresponds to a particular kind of machine—with simple mechanical machines corresponding to sovereign societies, thermo-dynamic machines to disciplinary societies, cybernetic machines and computers to control societies. But the machines don’t explain any­thing, you have to analyze the collective arrangements of which the machines are just one component. Compared with the approaching forms of ceaseless control in open sites, we may come to see the harsh­est confinement as part of a wonderful happy past. The quest for “uni-versals of communication” ought to make us shudder. It’s true that, even before control societies are fully in place, forms of delinquency or resistance (two different things) are also appearing. Computer pira­cy and viruses, for example, will replace strikes and what the nine­teenth century called “sabotage” (“clogging” the machinery) .8 You ask whether control or communication societies will lead to forms of resis­tance that might reopen the way for a communism understood as the “transversal organization of free individuals.” Maybe, I don’t know. But it would be nothing to do with minorities speaking out. Maybe speech and communication have been corrupted. They’re thoroughly per­meated by money—and not by accident but by their very nature. We’ve got to hijack speech. Creating has always been something dif­ferent from communicating. The key thing may be to create vacuoles of noncommunication, circuit breakers, so we can elude control.

Allen & Eldridge is located below James Fuentes at 55 Delancey Street, New York, NY, 10002

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Schedule

from February 26, 2016 to March 27, 2016

Opening Reception on 2016-02-26 from 18:00 to 20:00

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