NYAB Event - “FORETHOUGHT” Exhibition

“FORETHOUGHT” Exhibition

Lyons Wier Gallery

This event has ended.

FORETHOUGHT features the work of Alex Couwenberg, Jeff Muhs, James Austin Murray & Mark Zimmermann.
FORETHOUGHT (fôrˌTHôt): noun, careful consideration of what will be necessary or may happen in the future.
Alex Couwenberg, Jeff Muhs, James Austin Murray and Mark Zimmermann are at their core Formal Abstractionists. Their use
of color, freedom from objective context, and reduction of form to basic geometric designs is the thread that weaves these four
artists together. As Formal Abstractionists it is easy to get lost in the process of their work. Alex Couwenberg’s hard edge
abstractions are developed via taping or masking out areas, one upon another, creating a kaleidoscope of color. Jeff Muhs’
two-part process painting begins with an intuitive addition and subtraction method of applying black oil paint upon a white resin
surface. Once the black and white under-painting is fully realized, he then paints atop an oil and encaustic composition that
evokes the same intuitive feel as the under-painting, but is in fact very controlled and methodically manipulated. James Austin
Murray’s work is nothing short of alchemy. His ivory black paintings are executed in a single unencumbered brush stroke that
simultaneously captures and release light causing the surfaces to dance. Lastly, Mark Zimmermann’s work is based on the
marriage of meditative fields, architectonic structures and an organic gestural line that is one part intentional and one part
accidental.

FORETHOUGHT demonstrates how four artists, with different but overlapping practices, represent the transformative power of
line, color and form. Each is on a never-ending pursuit of the “ideal” - that transcendental moment when their work shifts from
the physical object on the wall to the spiritual or nonphysical world of the viewers’ imagination. Collectively, and independently,
they are the harbingers of abstraction at Lyons Wier Gallery.l as the under-painting, but is in fact very controlled and methodically manipulated. James Austin

Murray’s work is nothing short of alchemy. His ivory black paintings are executed in a single unencumbered brush stroke that
simultaneously captures and release light causing the surfaces to dance. Lastly, Mark Zimmermann’s work is based on the
marriage of meditative fields, architectonic structures and an organic gestural line that is one part intentional and one part
accidental.