Troy Brauntuch “Early Work”

Petzel Gallery (35 E 67th St.)

poster for Troy Brauntuch “Early Work”
[Image: Troy Brauntuch "Three Effects" (1977) Rubber-stamped ink on paper, 11 x 27 in.]

This event has ended.

Petzel gallery presents Early Work, a solo exhibition by Troy Brauntuch.

Over the course of his four-decade long practice, Brauntuch has appropriated obscure images from a breadth of sources, and rendered works in the dark, alluring medium of pigment on black cotton or black paper. Crucial to this body of work is drawing, and Brauntuch commits his compositions with skillful subtlety using white pastel and other mediums to create ghost-like, obfuscating traces. Early Work uncovers the beginnings of this seductive and poetic approach, showcasing the artist’s meticulous use of materials and intuitive compositional attention to reveal a unique perspective on the process and style in Brauntuch’s oeuvre.

Early Work marks the first time these large works, created between 1976 and 1983, have been exhibited together. Each work, selected by the artist and borrowed from both private and public collections, demonstrates Brauntuch’s long-standing practice of exploring the re-presentation of images and documentation: In the case of Early Work, the sources were produced in Germany under the Third Reich.

Indeed, one of the most captivating works in the exhibition—a photographic triptych, Untitled (Rally) (1980)—consists of three eight-foot panels each depicting a man’s head hovering on a purple background: The repetition of this portrait, and the triptych’s U-shape installation (calling to mind an altarpiece) can be read as both dreamlike and ominous. This subject matter resurfaces in White Head (1981), a white pencil drawing depicting the studio of Joseph Thorak, one of the official sculptors of the Third Reich. This work is part of a larger suite of drawings Brauntuch produced in 1981.

The accompanying exhibition catalog makes these connections perspicuous: Original source documentation taken, for example, from drawings produced by prisoners at Dachau concentration camp, is shown alongside the artist’s piece in which it is appropriated.

Troy Brauntuch was born in 1954 in Jersey City, NJ. He received a BFA from the California Institute of Arts and currently lives and works in Austin, TX where he teaches. Brauntuch has received numerous distinguished awards among them the National Endowment for the Arts, the Joan Mitchell Foundation Grant and most recently the Guggenheim Fellowship in 2010. Brauntuch’s work is in many prominent public collections including the Metropolitan Museum of Art, New York and the Museum of Modern Art, New York. His work has been exhibited widely in numerous exhibitions including the Whitney Biennial, New York (2006); “The Pictures Generation,” The Metropolitan Museum of Art, New York (2009) and the The Illusion of Light, Palazzo Grassi/Francois Pinault Foundation, Venice (2014).

Media

Schedule

from November 04, 2015 to January 09, 2016

Opening Reception on 2015-11-04 from 18:00 to 20:00

Artist(s)

Troy Brauntuch

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