NYAB Event - Adam Pendleton Exhibition

Adam Pendleton Exhibition

The Pace Gallery (534 W 25th St)

This event has ended.

For his first exhibition in New York since 2010, Pendleton will exhibit four new 10-by-5 foot silkscreens on mirror polished stainless steel, a large “painting” made in black silicone as well as a video installation, My Education: A Portrait of David Hilliard, (2011–2014).
Adam Pendleton is known for his investigations into uses of language and history, through works that reconfigure and shift text and image to challenge accounts recorded by widely accepted chronicles and as a means to present the images and voices of those whose views have gone largely under recognized. He continues this practice in My Education: A Portrait of David Hilliard, a multiple large-screen video installation filmed in Oakland, California in 2011.
The subject of this work, David Hilliard, is a lecturer, educator, and founding member and former Chief of Staff of the Black Panther Party. In My Education: A Portrait of David Hilliard, Pendleton films Hilliard as he takes the viewer through the Oakland neighborhoods that were home to the Black Panther movement, from the lots, houses, and storefronts where the Black Panthers set up free meal programs for the area’s youth to the site of a fatal gun battle that took place on April 6, 1968, two days after the assassination of Martin Luther King, Jr. That day, in a confrontation between Oakland police and members of the Black Panthers, two policemen were seriously wounded, as were others on both sides of the battle, and Black Panther Treasurer Bobby Hutton was fatally shot. Recorded history states that the Panthers initiated the firefight through an ambush. Hilliard, who was present at the time, states that the Panthers were followed and surrounded by police, who initiated the fight.
In quiet, contemplative tones and shot in black and white, My Education: A Portrait of David Hilliard uses multiple camera angles to reveal different, contrasting views of the same subjects, and the film raises questions and invites discussion about a fraught moment in American history that continues to ripple through society. The San Francisco Museum of Modern Art provided the original funding for My Education: A Portrait of David Hilliard.
The exhibition will also include four works that look closely at the random and arbitrary disturbances that currents and wind play on the surface of water. The silkscreen ink on mirror polished stainless steel pieces, all from 2014, are studies of pattern and light that, through the reflective media, incorporate the viewer and environment into the oversized panels. Three of the four pieces are untitled, and the last is For David.
Black Sun (2013-2014) is a work that inverts the expected. Based on a drawing of the sun by the late Sun Ra, the work captures the sun as a series of circles and whirls with jagged spikes that break out through the edges of the star. Cast in black silicone, Black Sun synthesizes the limits of representation and abstraction.

Media

• Prints
• Other
• Video installation

ADVERTISE ON NYAB