Katia Kameli “The Situationist Effect”
Taymour Grahne Gallery
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Taymour Grahne Gallery presents The Situationist Effect, a solo exhibition of work by the Paris-based Franco-Algerian artist Katia Kameli. Marking the artist’s first solo exhibition in New York, The Situationist Effect is a project presenting Kameli’s personal approach to the city of Marseille and its surroundings, in a film entitled Futur and in a series of photographs, transforming the downstairs gallery into an intimate cinematic space.
The Situationist Effect is a project that takes us to the outskirts of Marseille in its widest sense, driven by the artist’s keen and poetic eye. Her film Futur, based on interviews with fifteen employees from Futur Telecom Company, appropriates information given by locals about their visual perceptions of the surrounding city and transforms it into visual elements. Futur unfolds by the riverbanks in Martigue, capturing a local cemetery, a soccer stadium, and follows a group of teenagers to the popular Bar Olive and as they play basketball and loiter with skateboards. In a display imagined specifically for the gallery space, the film provides the viewer with a “keyhole” perspective on the regional political situation. Through cinematography, she reveals the in-between, the grey zones, where surface and content interact, where tradition meets modernity, where the social, economical and political dimensions of a certain context can be analyzed. The independent curator and art historian Fabienne Bideaud describes Kameli’s exploration of the city’s landscape as ‘constructive wandering.’ She writes, “This specific approach to understanding a city recalls the Situationist International, the avant-garde movement largely instigated by the French theorist and filmmaker Guy Debord, who co-founded the group in 1957, and for whom the “situation” was the existential framework in which individuals have an active role to play in the understanding of a territory.”
In The SItuationist Effect, Kameli explores issues of territory as related to social and cultural development, with an overarching sense for tradition. She is especially interested in the relationship of tradition to modernity in Africa and the Middle East, traced through her works The Growing Block (2012), Concrete (2012), Dissolution (2010), and Storyteller (2012). Closely linked to personal experiences and ephemeral identities, she uses sound, video and photographic installation to moderate the boundaries between art and cinema, and the tactics of dérive (drifting) and détournement (diversion), to transform a city into an arena for creation, recasting constraints that prevent the development of meaningful ventures in both life and culture.
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Schedule
from April 23, 2014 to May 24, 2014
Opening Reception on 2014-04-23 from 18:00 to 20:00