NYAB Event - Dennis Congdon Exhibition

Dennis Congdon Exhibition

CUE Art Foundation

This event has ended.

Dennis Congdon received his BFA from the Rhode Island School of Design and his MFA from the Yale School of Art. He traveled to Italy and France in 1982, returning to Rome two years later as a recipient of a Rome Prize from the American Academy in Rome. He has painted in Chicago, teaching at the School of the Art Institute and in Philadelphia, teaching at the Tyler School of Art. Since 1986 he has been on the faculty of the RISD Painting Department. Congdon received a Guggenheim Fellowship in 2002. He has shown his work nationally throughout his career, and this marks his first solo exhibition in New York City.

American painter Stanley Whitney was born in 1946 in Philadelphia and has been exhibiting his work since 1970. He received a BFA from the Kansas City Art Institute and his MFA from Yale University. His work has been shown at musejms including the American Academy of Art and Letters, New York; the Institute of Contemporary Art, Philadelphia; the Nelson-Atkins Museum of Art, Kansas City; the Orange County Museum of Art, Newport Beach; and the Studio Museum in Harlem, New York. In Europe, solo gallery exhibitions have been mounted in such cities as Berlin, Brussels, Vienna, and Rome. He lives and works in New York and is represented by Team Gallery.

Using stencil templates made as mine are is predicated on a lost original. The original drawing is there in reference, but lost now and irretrievable. The drawing precedes the painting and functions as an armature might for a sculptor in clay or a sinopia for a fresco painter. But rather than be entirely underneath I have used the stencil to put the painting’s armature or sinopia on top.

In our world of billboards and pop-ups we view things fast and slow and images have a wide variety of claim on our memory. So much does not stay with us, so much is lost and irretrievable. But one day I remember like it was yesterday. We drove down from Naples to Pompeii and spent the day looking at wall paintings in the villas of the city. We decided to drive up Vesuvius before we left and in our beat-up van we spiraled up and up and bit by bit, band by band, we left everything fertile and green behind. At the top we walked out into the ash cone which I remember to have been smoking. In an unearthly collection of gray colors we wandered around circling slowly in an Antonioni film.

One’s own past work is like any landscape in that it is different every time you go there. Looking back on my most unplanned and unruly project in a world of billboards and pop-ups I think I could say that where Cezanne wanted to paint Poussin after Nature, I can say I want to paint Poussin after the Brillo boxes.