Fabio Viale "Stargate"

Sperone Westwater

poster for Fabio Viale "Stargate"

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Sperone Westwater announces Stargate, Fabio Viale’s first solo exhibition in New York. For his realistic sculptures, Viale uses marble exclusively to recontextualize banal objects, such as crates and tires, and to reinterpret art historical icons.

The exhibition title refers to Viale’s recent work Stargate (2010/2011), which consists of stacked and attached plastic grocery crates crafted in marble on a large scale (78 3/4 x 63 x 47 1/4 inches). With unusual technical virtuosity, Viale creates a kind of totem-like work, suggestive of a doorway leading to other worlds and galaxies -- unknown adventures.

Viale works alone, using machinery to roughly carve blocks of marble, and finishing the sculpture by hand. In Thank you and Goodbye (2012), Viale employs a computer-controlled robot to render large-scale “paper bags” made of marble.

Infinite (2011) presents two life-size interlocking tires in black marble. Based off of real rubber tires, the crafting of Infinite is so intricate and precise that it replicates each tread mark and corporate logo visible on the original objects.

Most surprising and incongruous is Ahgalla III (2008), a functional boat 55 1/8 inches long, complete with an engine. The artist has navigated Ahgalla in the sea near Carrara and on the waterways in Milan, Venice, St. Petersburg, and Moscow. Viale has long been fascinated with the relationship between water and marble, which is formed by the sedimentation under the seabed. The artist is retracing the stone back to its origin. Anchor (2010) transforms an object used in construction into a monumental sculpture.

History and memory inspire Viale’s Souvenir series: Souvenir (Pietá) III (2006) is a life-size marble sculpture of the dead body of Jesus based on Michelangelo’s Pietá (1498-99). In Viale’s work, however, the body of Jesus is lying over a block of marble instead of in the arms of the Virgin Mary. By isolating the figure of Jesus, Viale criticizes the commercialism of such symbols, the mass appeal and distribution of these figures as replicas, as “souvenirs”.



from January 10, 2013 to February 23, 2013


Fabio Viale

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