NYAB Event - Ran Hwang "Transition"

Ran Hwang "Transition"

Leila Heller Gallery (Chelsea)

This event has ended.

Using common, mass-produced fashion materials, Hwang creates striking works of art that transform and re-contextualize these everyday objects. Sparkling buttons, shimmering beads, and long spools of thread are affixed to wood panels with thousands of pins to form Buddhas, temples, urns, and plum blossoms—all iconic symbols of Zen Buddhism.

Rest II, 2009, depicts a Buddha resplendently coated with layers of lustrous silver buttons and beads intricately patterned to form the ornate figure. Hwang contrasts the figure’s solid form with a spattering of buttons and beads that fall from the edge of the work into the negative space that surrounds it. This notion of the artwork’s deterioration is common practice in Hwang’s repertoire as she reminds the viewer of the dichotomy of permanence and impermanence, and ultimately the transience of life.
Zen Buddhism is apparent not only in Hwang’s motifs, but also in the process of constructing the works. Weaving thread, creating hand-made paper buttons, hammering each pin approximately 25 times until it is secure are all time-consuming tasks. The monotony and receptiveness of these actions require the upmost concentration and discipline, recalling the meditative state practiced by Zen masters.

In the catalogue essay, Barbara Pollack writes: “On one hand, it is an overtly labor-intensive mode of art-making, to the point that thinking about the sheer effort can distract from appreciation of the work. But, for the artist, the task of mounting buttons upon buttons, one pin at a time, parallels a Buddhist monk's practice of staring at a blank wall for months on end as a path to enlightenment. Her art-making is entirely meditative for Hwang, and she hopes that viewers can share the meditative state evoked by her strongest work.”

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