Shahram Karimi "The Rose Garden of Remembrance"

Leila Heller Gallery

poster for Shahram Karimi "The Rose Garden of Remembrance"

This event has ended.

Born in Iran, and now living between Germany and New York, Karimi’s work explores the dilemma of his seemingly opposing identities. Using Western techniques and approaches to painting, Karimi re-imagines people and experiences from the past – including the shared past of his cultural heritage – in a highly individual and contemporary form. Dan Cameron, in an essay from the Stadtmuseum catalogue, writes of Karimi’s position as an expatriate Iranian living and working in the West: “The exile cannot help returning again and again to those images that evoke the past, because this is the only way the present can be reconciled with a place to which one cannot return, as well as a sense-memory that has been severed from its place of origin. The luxury of forgetting falls to those who never have to leave.”

Karimi paints on found fabrics and objects (suitcases, chairs, even doors and old pieces of furniture). Working with colors including blues, greens, reds, and pinks, Karimi creates dream-like landscapes of figures and scenes that are neither here nor there; they exist in a time and place that is in between the past and the present.

The exhibition will also include a one-wall installation, Look, which comprises over 25 old photographs, which Karimi has acquired at various points in his life. He paints on and over these images, reinterpreting them, and exploring the meanings of cultural and personal identity.

Also featured in the exhibition will be Dusk, a collaborative work that Karimi has done with video artist Shoja Azari. The two artists first created what they call “video paintings” in 2007. Dusk is their most recent example of their collaboration, and portrays a spectacular view of the downtown New York City skyline. The medium combines traditional painting with video, so that once the filmed moving image is projected onto the painted canvas, the scene comes alive, and becomes seemingly infused with a sense of poetry and life.

In her catalogue essay Dr. Layla S. Diba writes, “Shahram Karimi’s work speaks both of exile and its dreams of the past, and of transnationalism and its concern with the present. As an exilic artist, he conjures memories of his childhood and family life in Shiraz. Yet as an artist and activist living between Germany and New York, he frequently alludes to contemporary political events in Iran and beyond. One of his most moving works, Traces, memorializes 248 modern Iranian activists, artists, poets, and intellectuals—a virtual visual history of the intellectual and cultural life of the period.”

[Image: Shahram Karimi Look, 2009, Mixed media on collected photographs, dimensions variable]

Media

Schedule

from May 25, 2011 to June 18, 2011

Opening Reception on 2011-05-25 from 18:00 to 20:00

Artist(s)

Shahram Karimi

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