Amy Vogel "Monochromes"

Larissa Goldston Gallery

poster for Amy Vogel "Monochromes"

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The history of the monochrome painting is a history of nuances and extremes: from Turner's chiaroscuro studies to Malevich's 'White on White' to Richard Artschwager's Celotex paintings, It is an endless history of unresolved tensions that get played out over the mutable surface of a painting.

Drawing on her experiences in the rural landscape of Michigan’s Upper Peninsula and the urban streets of Addis Ababa, Ethiopia, Vogel's new monochromatic paintings are muted and quiet; they transform nature by depriving it of color. Nature in these paintings is never far from human nature and the touch of human presence. The place is only incidental in relation to how it is ultimately shaped by the people who move through it and by the blur of time. The paintings are themselves blurs – wipes, smears, smudges, streaks, washes, splashes – but these marks are less impressions than they are marks of existence in a world without clear definition.

Media

Schedule

from March 25, 2011 to April 30, 2011

Opening Reception on 2011-03-24 from 18:00 to 20:00

Artist(s)

Amy Vogel

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