Donald McLaughlin "Excerpt"

Howard Scott Gallery

poster for  Donald McLaughlin "Excerpt"

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McLaughlin's new paintings are perhaps best described as a fever dream of early Modernism – equal parts homage, critique, parody, nostalgia, and impersonation. As is often the case, this particular body of McLaughlin works began with the dovetailing of the personal and the scholarly. When illness forced a prolonged convalescence on the artist, keeping him away from the studio, he began reading artists' biographies and monographs. He was particularly taken with Sonia Delaunay's scroll-like illustration for Blaise Cendrars' 1913 prose poem "La Prose du Transsibérien et de la Petite Jehanne de France." That, in turn, inspired a series of gouache drawings, leading to this current group of paintings, but other influences (Bram Van Velde, Ernst Ludwig Kirchner, The Bloomsbury Group) also fed McLaughlin's re-configured neo-Modernism.

The show is entitled Excerpt, a reference to the several distinct series which compose the exhibition. The largest group, a synthesis of Cubism and Expressionism called the "Berlin Paintings," employs a loose handling, high key colors, and a jagged compositional immediacy. The smaller, easel-size paintings are like distress flags from non-existent countries. Interesting to note, a certain sense of unease and wariness permeated everything McLaughlin painted in the last year.

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Schedule

from February 17, 2011 to March 19, 2011

Opening Reception on 2011-02-17 from 18:00 to 20:00

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