"Ben Berlow and Graham Caldwell" Exhibition

Martos Gallery

poster for "Ben Berlow  and Graham Caldwell" Exhibition

This event has ended.

Martos Gallery presents a two-person exhibition of works by Ben Berlow and Graham Caldwell, organized by Bob Nickas.

Ben Berlow's works on paper are mostly abstract meditations on the act of painting and drawing as a spontaneous event. His history as a writer of short prose and poetry links his visual art with the inscription of language, as if painting is a kind of automatic writing. Berlow works on found pieces of paper, including newspaper, exhibition announcements and the envelopes in which they were mailed, as well as on pages torn from old books. Gesture, chance, and accident are welcomed, and he, like a number of other artists working today — foremost among them Richard Aldrich, Xylor Jane, Chris Martin, and Josh Smith — can be thought of as an inside outsider, someone who is well-aware of contemporary art and art history and at the same time inhabits a world of his or her own making. Historical figures such as Blinky Palermo and Richard Tuttle also inevitably come to mind. The breadth of Berlow's visual repertoire encompasses Dada, Surrealism, Expressionism, lyrical abstraction, Minimal, and Tantric art. His work is almost always modest in scale, relating the paper to something held in the hand, something meant to be perceived in close proximity. He foreshortens the space between surface and viewer, an intimacy that is part of his subject matter as well. There is humor and pathos, elegance and irreverence, and a continuous will to misfit.

The work of Graham Caldwell, with craft as central to his endeavor, might also register as somehow inside and outside at the same time. His sculptural practice is based on hand-blown glass, and he produces works that often feature a constellation of elements, both large and small, with myriad associations — to science, science fiction, and worlds both natural and unnatural, molecular and menacing: stalactites, crystalline structures, teardrops, arteries, bulbs, globes, convex and concave mirrors, antlers, talons, claws. Although they are materially fragile, some of Caldwells' works appear dangerous, capable of drawing blood. They are both beautiful and gnarly, able to attract viewers and to keep them at a distance. If it's difficult to link Caldwell to other contemporary artists, or even to a history of artists employing mirrors and glass, it's precisely because his work doesn't immediately remind us of things we've seen before. Although his mirrored pieces have an affinity with the Narcissus Garden of Yayoi Kusama, and his glass sculpture with the work of Josiah McElheny, as they take perception elsewhere, positing a world that extends from the work and the body outwards, Caldwell's is a more fragmented world, one that can only be perceived discontinuously. In terms of what has come before, his work in glass — forensic, cool, and clear — seems utterly al ien and seductive.

[Image Left: Ben Berlow "Untitled" (2005) Burned card 8 ½ x 6 in., Image Right: Graham Caldwell "Glimpse Mechanism" (2010) Glass, Epoxy, Steel, Hardware 35 x 44 x 22 in.]



from February 04, 2010 to March 13, 2010

Opening Reception on 2010-02-04 from 18:00 to 20:00

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