Adrian Piper "Past Time: Selected Works 1973 - 1995"

548 W 22nd Street Building

poster for Adrian Piper "Past Time: Selected Works 1973 - 1995"

This event has ended.

Elizabeth Dee presents Past Time: Selected Works 1973-1995, a solo historical exhibition by Adrian Piper centered around rarely seen bodies of work made during the period widely regarded as her most difficult, confrontational and influential. The exhibition will occupy the 10,000 sq. ft. second floor of 548 West 22nd Street with large-scale installations, serial sculptures, wall works and videos that traverse the political aspect in art, integrating performative methods and autobiographical, familial content in ways that established a new discourse around identity and dissent at the end of the 20th Century.

The seven-part sculptural series What It's Like, What It Is #2 (1991), commissioned by the Hirshhorn Museum and not exhibited since 1992, breaks from Piper's Conceptual use of the frame and grid, confronting the viewer with photographic cut-out figures both iconic and anonymous sourced from movements in American History, from the civil rights era to the early 1990s. In each iteration, red text superimposed over appropriated newsprint spells “Forget”---a formal strategy that Piper began in the late '80s with the Ur-Mutter works, one of which is also included in the exhibition. Other, grid-based works such as the Decide Who You Are (1992) series and Ashes to Ashes (1995) expand this motif, incorporating fields of text into triptychs that juxtapose self-portraits and portraits of family members with appropriated and archival photographs dealing with American political issues revolving around race, racism, neoliberalism and the Right. The exhibition will also present a special opportunity to see a range of the artist's video practice with installed, theatrical screenings of the 20th Century Video Set, a compendium of her time-based works for camera.

Since the late 1960s, Adrian Piper has forged a unique artistic practice that infused classical Minimal sculptural form with explicit political content and introduced issues of race, gender and identity politics into the vocabulary of Conceptual art. She has deployed permutation and seriation---which at the time that Piper began using them were considered non-traditional artistic media---as strategies for investigating the infinite variability of perceptual form and content. In recent years, her artwork has begun to intersect more explicitly with her philosophical work, resulting in a reconsideration of space, time, and infinity in defining the limits and potential permutability of the self as situated on a pre-established grid defined by social and political variables of race, sex, class conflict, and social relations.

Media

Schedule

from October 23, 2010 to December 11, 2010

Opening Reception on 2010-10-23 from 16:00 to 18:00

Artist(s)

Adrian Piper

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