"Whatʼs Left: Artworks Made by a Public" Exhibition
Alexander Gray Associates
This event has ended.
Whatʼs Left: Art Made by a Public showcases four significant artworks made since the 1960s that are activated by public engagement. Situated between conceptualism, performance, intervention and public art, the exhibition raises questions concerning documentation and archive, event and object.
Alison Knowlesʼ #2 Proposition (Make a Salad) (1962) is a seminal Fluxus piece, a performance-based artwork set to a Mozart score, with the artist preparing a salad for the audience. #2 Proposition premiered in 1962 at the Institute of Contemporary Art London, and was more recently presented at the Wexner Center for Contemporary Art (2004) and the Tate Modern (2008). The work will take place during the gallery opening on Friday, February 19, 2010; documentation will be presented in the exhibition.
Lorraine OʼGradyʼs Art Is..., a 1983 performance intervention in the African-American Pride Parade was made in response to a fellow activistʼs challenge that “avant-garde art doesnʼt have anything to do with Black people”. Photo-documentation of the resulting artwork, made specifically for a non-art world audience, shows performers interacting with parade spectators, framing people and the Harlem street scape with gold frames in an affirmative, joyful encounter. OʼGrady will be included in the 2010 Whitney Biennial.
From her 1991 series Momento Mori, Karen Finleyʼs Ribbon Gate (1991) provided an interactive experience for the public to consider the impact of the AIDS crisis. Presented at The Kitchen and MOCA-Los Angeles, the public tied multicolor ribbons on an antique, wrought-iron gate in memory of someone who had died of AIDS. Made at a peak moment of the AIDS crisisʼ impact on the art community, the work today exists as an archive and memorial.
Paul Ramírez Jonas’ Talisman I (2008–2009) is a triptych containing the objects from his public art work in the 28th São Paulo Biennale 2008, curated by Ivo Mesquita. Building on the exhibition’s theme of “in living contact”, the piece is comprised of hundreds of house keys exchanged by Sao Paulo residents to keys to the Biennale’s building, along with the contract that was signed by each participant. Talisman extends Ramírez Jonas’ interest in social contracts, manifested in earlier public works in Cambridge, MA; and will be further explored in Key to the City, a New York city-wide project to be produced by Creative Time in May 2010.
[Image: Lorraine OʼGrady "Art Is . . . (Women in Crowd Framed)" (1983/2009)]
Media
Schedule
from February 19, 2010 to March 13, 2010
Opening Reception on 2010-02-19 from 18:00 to 20:00
Artist(s)
Alison Knowles, Lorraine OʼGrady, Karen Finley, Paul Ramírez Jonas