NYAB Event - Tony Fitzpatrick "Drawings for Crazy Horse"

Tony Fitzpatrick "Drawings for Crazy Horse"

Pierogi

This event has ended.

“One of my aims in making these meditations on Crazy Horse is not to convince you I know a lot about Native American History or Native Americans. I don’t. I am a white guy who is fascinated by the problematic history and wanderings of one iconic Native American, Crazy Horse. He was an odd man who was not very comfortable as a leader, or a member of a tribe, or even as a man. He was a seeker of spirits, of nature, which are pretty much the same thing in this particular body of work. Do I feel a kinship with him? Not really. He was at heart a loner, happy out wandering in nature, hunting deer, elk and buffalo, sleeping in caves and under the stars. I am an admirer of his courage and otherworldliness. I feel greatly for those who will only be like themselves. …Crazy Horse is certainly an American enigma—a man many would build monuments to and then sneer at the clay feet of their hero. The more I read about Crazy Horse, the more fascinated I am—every account I’ve read seems to be about a different person—he defied type and was his own man.” (Fitzpatrick)

Tony came across many Native American stories while reading about the natural history of owls (the subjects of a number of his drawing collages). The most compelling to him were always the stories about Crazy Horse. In researching Crazy Horse further Tony consulted various sources, primary among them Mark Turcotte, the Chippewa poet who Tony has known for years, and Larry McCurtry’s biography, Crazy Horse. The works in this exhibition, which Tony has referred to as “offerings” and “meditations,” include “Snake Planets,” “Deer Music,” “Horse Star (for Crazy Horse),” “Winter Star (for Crazy Horse),” “The Assassination of Crazy Horse” and, “Thunder Being,” among others.

Tony’s earlier series of works include “The Wonder: Portraits of a Remembered City“ (a long series dedicated to the city of Chicago); “Chapel of Moths” (narratives influenced by the music and musicans, the food, and the many colorful characters of New Orleans) and, more recently, the Hobo Drawings (which convey narratives about the hobo alphabet and hobos, wherever they roamed). He begins each drawing-collage by drawing or painting central elements. He then incorporates collage elements from a vast collection of matchbook covers, ticket stubs and other memorabilia, into the configuration. Each piece develops in a different way; sometimes the drawing pushes the story and picture forward, sometimes the collage elements do.

This is Tony’s third solo exhibition at Pierogi.

[Image: Tony Fitzpatrick "Drawing for Crazy Horse #2 (The Thunder Being)" (2009) Mixed Media on Paper, 9 x 6 in.]