"Reflections on the Electric Mirror: New Feminist Video" Exhibition
Brooklyn Museum
This event has ended.
When video emerged as a new medium in the early 1970s, feminist artists embraced it as a way to explore issues related to their own bodies, experiences, and identities. The rather straightforward capture of the artist performing (usually alone) in front of a stationary camera served as an avenue to investigate desire, autonomy, and selfhood. Reflections on the Electric Mirror: New Feminist Video presents recent video by a new generation of feminist artists. Like their ’70s precursors, these young artists place greater emphasis on their performances for the camera than on complex narratives or special effects.
The videos presented in this exhibition show varied approaches from humor to intense revelation. Thematic threads include the embrace of media appropriation and parody; repetition of self-imposed tasks; and rebelliousness—the lashing out society and the self.
The exhibition title Reflections on the Electric Mirror is taken from an eponymous essay written in the 1970s by artist/filmmaker Lynn Hershman that examines the link between television and video art. The mirror serves as an apt metaphor for work in which artists use their own images for various types of subjectivity and self-analysis, ranging from role playing to autobiography.
Early feminist videos from the 1970s will also be screened in the Elizabeth A. Sackler Center Forum during the month of May. Please check back for dates and times.
Media
Schedule
from May 01, 2009 to January 10, 2010
Reviews
Feminism and the Mirror of a Generation
Unlike their seventies predecessors, the videos in "Reflections on the Electric Mirror: New Feminist Video" at the Brooklyn Museum do not bear the urgency of exploring a new medium or an overtly political point of view.