"Time Batteries" Film Screening

Light Industry

poster for "Time Batteries"  Film Screening

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Data storage is one of our fundamental economic, political and historical challenges. Data is collected from us whenever we click, charge, or swipe—it helps politicians decide who “we” are and what “we” want. Wal-mart knows how to use it to sell us things and Obama knows how to read it to take the nation’s temperature. But is there an aesthetics of data storage? Now that anybody can record almost anything, can this form of primitive image accumulation be a kind of art?

“Time Batteries” handle duration differently from classic video works by artists like Peter Campus, Bruce Nauman or Joan Jonas where the dilation of time was tied to the expansion of perception. Duration is now linked to the banal but fundamental ethos of storage. Light Industry presents two works: Mary Ellen Carroll’s film Alas poor YORICK! (2008) in which the artist’s drawing made from her hand transcription of the entire text of Laurence Sterne’s Tristram Shandy on a single sheet is burned on a beach in Truro, and Rachel Harrison’s Roman Holiday, a found moment of slapstick recorded from a restaurant table in Rome.

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Schedule

April 08, 2009 from 19:30

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