Chantal Akerman "Jeanne Dielman"

Film Forum

poster for Chantal Akerman "Jeanne Dielman"

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A simply dressed Delphine Seyrig (Last Year at Marienbad, Stolen Kisses) puts something on the stove in her modest apartment, then answers the doorbell to admit an older man. Wordlessly taking his hat and coat, they go to the bedroom; after a time shift represented by a light change, they reemerge, she gives him his hat and coat, he gives her money and leaves. Then she checks what’s cooking on the stove, airs out the bedroom, takes a bath, puts on her clothes, wipes out the tub. The next day, shopping, lunching out, and caring for a baby are added to the routines, plus the afternoon visitor. But on the third day, the routines are interrupted, things go slightly awry, and the shell of habit starts to crack; and when the ultimate change occurs, mortal consequences ensue. Akerman’s breakthrough feature (made when she was 25, in five weeks, for $125,000) achieves a microscopic examination of one woman’s life, and by its intensity, with mostly head-on, long take, real time visuals, and music-less and mostly dialogue-less track, forces us to see those little things in life, in a totally new way. “A Forties story shot by a Seventies camera.” – cinematographer Babette Mangolte. Color; Approx. 201 minutes

Media

Schedule

from January 23, 2009 to January 29, 2009
Check the theater for detailed screening times. (1pm, 4:40pm, 8:20 pm.)

Artist(s)

Chantal Akerman

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