NYAB Event - Mike Cloud "Agreement and Subjectivity"

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At Max Protetch
Media: Painting, Other

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Agreement and Subjectivity demonstrates Cloud’s continuing involvement with system painting, whose concerns have provided points of both intersection and counterpoint thus far in his career. A new body of work, Quilt paintings, will be on view in the exhibition. The Quilt paintings are in fact two kinds of paintings: stuffed quilts made from children’s clothes stitched together with canvas, which serve as supports for oil paint; and screens, stretched pieces of plastic on which Cloud has painted images that are then printed onto the stuffed quilts. Cloud describes their connection to system painting as follows:
"The thing that attracts me to systematic painting is the metaphor of agreement: we can disagree about the subject of ‘Guernica’ but not the subject of a subway map. This allows me to have an agreed upon understanding of my paintings with everyone else. I try to stay
on the right side of authorship by proposing subjects that are as close to form as possible. Sometimes I use the skin of the painting itself as subject. In The Quilt paintings I want to propose a kind of closeness between subject and image. I still try to maintain the
agreement, but this time the language is something like common sense, or familiarity. My construction of the object is, I think, more strictly conceptual than my selection, arrangement and treatment of images. The making of the canvases has a reversible logic; clothes are shaped a certain way, they are sewn together and create a given edge. I think of the images as having form as well; ‘Fairy’ is something inside the form of Tinker Bell, and Tinker Bell allows me to think about fairies without having to imagine them."

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