NYAB Event - Phyllis Galembo "Masquerade, a Decade"

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At Steven Kasher Gallery
Media: Photography

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The Steven Kasher Gallery presents Phyllis Galembo: Masquerade, a Decade. Since 1997 Galembo has been photographing masked revelers in ritual performances. The exhibition will include 18 color prints, and will feature Galembo’s full-size prints, at 60 x 60 inches. This is the first exhibition of Phyllis Galembo’s full-scale photographic prints in an art gallery context.
Galembo has made over twenty trips to sites of ritual masquerade in Africa and the Caribbean. She has repeatedly photographed Carnaval in Jacmel, Haiti before and during the Aristide debacle, capturing annual performances with a subterranean political edge. She has traveled repeatedly to West Africa to witness annual rituals that involve extraordinarily creative masking and costuming.
Galembo brings her lights and cameras to scenes of public display. She chooses existing local background: a wall of a home, a tree. She coaxes poses from her subjects as they proceed with their ritual business. She reveals creativities of fashion and performance that combine traditional and modern materials, symbol, and gestures. Her subjects may spend a year gathering materials and sewing elaborate costumes worn a single day. Or they spontaneously paint their jeans and bodies and join posses of play and protest.
Galembo works in the tradition of the staged portraits of Curtis and the world-in-a-small-room ethnic fashion studies of Penn. But Galembo does not carefully arrange her subjects in a studio setting. She looks for timelessness, elegance, and dignity. But she is also attuned to a moment’s collision of past, present and future, attuned to a riot of contradictory forms and colors, messages and silences, hopes and desperations.
Galembo’s portraiture illuminates the transformative power of costume and ritual. Her images capture the raw and often frightening aspect of ceremonial garb. She highlights the creativity of the individuals morphing into a fantastical representation of themselves. The subjects have cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures. While still pronounced in their personal identity, the subject’s intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is a hallmark of Galembo's work.

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