Aaron Siskind "The Egan Gallery Years 1947-1954"

Robert Mann Gallery

poster for Aaron Siskind "The Egan Gallery Years 1947-1954"

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Robert Mann Gallery presents a selection of photographs by Aaron Siskind that draw upon the four seminal exhibitions the artist had at the Egan Gallery between April 1947 and June 1954. Included are a selection of prints believed to have been presented in the original exhibitions.

At the recommendation of his friend Barnett Newman, photographer Aaron Siskind paid a visit to art dealer Charles Egan, one of the few gallerists in New York devoted to contemporary art at the time. The result was four exhibitions at the Egan Gallery. Siskind's photography had begun moving away from social documentary, flattening the picture plane as everyday objects moved into abstraction. Placing Siskind in an exhibition program that included Robert Rauschenberg and provided the first American venue for Willem de Kooning, Egan recognized the importance of the photographer's work in the contemporary discourse of visual arts. From a 1948 press release: "Mr. Siskind's discernment of the poetic in the casual and passed-by aspects of every day reality are rich in their eloquence of line and shape and take their place with serious expression of the modern American artists." While the first show at Egan endeared Siskind to many of his colleagues in the painting community, it drew the ire of critic Clement Greenberg. Leaving the exhibition together in an elevator, Greenberg insisted to Siskind that he couldn't do that with photography, photography had to be anecdotal, to tell a story. In spite of Greenberg's judgment, Siskind's work became an integral part of the American art historical and photographic canon.

Media

Schedule

from May 15, 2008 to June 28, 2008

Artist(s)

Aaron Siskind

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