Philippe Parreno "Suicide in Vermillon Sands"
Petzel Gallery
This event has ended.
A hallway leading into the exhibition holds a red theater marquee. The newest version of Parreno's flashing labels, the marquee flashes on and off, consuming the exhibition space. These twinkling red lights refer to the cinematic technique of a shot which presents the face of someone looking at the flames of a fire. The fire is never seen, but its presence is felt through the flickering light which falls across the actor's face. The marquee produces the same experience as a flickering light machine produces in the movies. Upon entering the space, it feels as if the gallery is on fire. The stage is set for a drama. The hallway opens onto a room with a series of 78 drawings, all done in monochrome vermilion. The drawings were based on the illustrations of 31 graphic designers with whom Parreno collaborated over several years, creating a polyphony of voices. The multiplicity and coexistence of these voices form a dialogue which replaces any finalizability or temporal configuration of a story, the story of a character who appears and disappears in New York City in October, 2008. The third room of the gallery presents a third chapter to the story. In this all white space with a white, ghostlike marquee, a magician makes a comic book of the drawings continuously appear and disappear, just as the nearby red light of the marquee flickers and fades away, over and over again.
Media
Schedule
from October 10, 2008 to November 15, 2008